Very very predictable, including the post credit scene !!!

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

By the time the dramatic fireworks start popping off, each one feels earned.

Think of the highly energetic Warner Baxter in "42nd Street" and then watch the lethargic Baxter here in "Crime Doctor," and you'll swear it's two different people. After the actor suffered a breakdown, he came back in these kinder, gentler roles such as Crime Doctor where he projects a naturalness before the camera and also warmth."Crime Doctor's Diary" is the last of the series, as Baxter approached the end of his life. It's actually quite an interesting film. The premise is around a sort of early Itunes, where people call into a place and a requested song is played. Really fascinating! Here, Dr. Ordway attempts to help a parolee (Stephen Carter) who is suspected of murder.As others have mentioned, Whit Bissell gives an excellent performance as a disturbed songwriter. Broadway performer Adele Jergens is on hand as Inez, and she's quite beautiful as the femme fatale, and Lois Maxwell plays the ingénue. Both of them are interested in Stephen, but he's in love with Inez.Imagine calling a business today, requesting a song, and a person puts a record on a turntable. Sort of a human jukebox. Times have changed.

As has earlier been commented, Whit Bissell's performance here as an aspiring and mentally challenged composer is a scene-stealer. He intuitively takes the film to another plane with a blissful unawareness that is inadvertent and yet elevating. Along with the tragic end of his character Tom Lister in "Brute Force" this is one of his most affecting performances of the forties. Probably the second most affecting. He seems to inhabit this role as opposed to the other actors in the film who seem to just be going through their paces robotically and quite superficially with little or no special touch of humanity other than to move the story along so they can pick up their check. The film stops when he comes on the screen and you do a double take because you sense this performance is a silk purse in a sow's ear of a film. His character Pete Bellem, touching, halting and muddling along, stays with you when everyone else in the film just fades away into cardboard kitsch heaven. And that song of his so conscientiously crumbles upon itself that it takes on a profound, sad and yet sweet resonance which belies its silliness. Whit was a talented pianist, by the way. He puts that to use here (and in some other roles through the years). He was also a fencing enthusiast in real life. His character Pete Bellem, harmless and hampered and even harassed here by those who have no time of day for him and, in their self-anointed intellectual superiority, belittle what they feel are his mental limits, may be in a world of his own but in this world of charlatans and floozies and hucksters, his seems a better, kinder world. His fingers are his intellect. He loves his ditty no end and to the exclusion of all critique. He is a man-child in this not so promised land and (toot-toot) one you root for. He is the heart and very much the only soul of this film and definitely the only one who stays with you as the credits roll. Great job. Rest in peace, Whit.

Crime Doctor's Diary, The (1949) ** (out of 4) Tenth and final film in Columbia's Crime Doctor series is the least interesting of the nine I've watched. In this outing, the Crime Doctor (Warner Baxter) gets a man out of prison on arson charges even though everyone thinks he's guilty. The man eventually kills someone but once again claims he's innocent. This last entry was released two years after the previous film so I'm curious as to why Columbia tried to get the series back going. It seems everyone, including Baxter, is incredibly bored and weren't too interested in doing anything special with the film. The cast, including Robert Armstrong, sleepwalk through the production and direction is so bland that it's hard to find anything too special.

Warner Baxter, (Dr. Robert Ordway) gave his final appearance in this role and I found this film had improved over all the other Crime Doctor Series. In this film, Dr. Ordway is called by the warden of a prison to visit him as he was going to parole a man called Steve Carter,(Stephen Dunne) who was a former patient of Dr. Ordway's. Steve Carter was sentenced to prison as an arsonist who burned a music recording studio. Dr. Ordway tells the Warden he really does not believe that Steve Carter committed this crime and is going to help him prove his innocence. Jane Darrin,(Lois Maxwell) meets Steve Carter as he gets out of prison and drives him home and talks about him going back to work with the music recording company. It is not very long before a murder is committed and Steve has become a likely suspect for another crime. Jane Darrin and Doctor Ordway come to Steve's assistance and a very strange recording is discovered that solves the crime. Lois Maxwell who played Jane Darrin was also "Miss Moneypenny" in most of the older James Bond Films. Great film Enjoy