I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

An old-fashioned movie made with new-fashioned finesse.

The Dawn Patrol is a 1930 war film focusing on the aviation aspects of the Great War. The story follows Dick Courtney, an ace pilot fighting for the Royal Flying Corps. As the plot progresses, Courtney's unit is faced with endless suicide missions and heavy casualty rates.The movie is a true-to-form war story. Without focusing too much on the overall arc of the war and the larger picture, the story focuses instead on a select few soldiers and their own personal struggles. The conflict is well-written and the casting is decent. There are also many great action shots, such as aerial views of bombs being dropped and the resulting explosions.Unfortunately, the movie is faced with many moments of bad acting. Examples of over-acting, over-the-top performances, bad deliveries, and overly phony death scenes abound in this film. The attempts at comedy are corny and should have been left out. Melodrama constantly bursts into the picture, with otherwise serious characters flying into "say it ain't so!" moments and "don't tell me he's g-g-g-gone!" scenes. At one point, a soldier nonchalantly dives into an opera in an otherwise songless picture.Overall, you could skip this film. This movie might be pleasing to those who enjoy war movies or perhaps specifically those who like World War I movies. Otherwise, you're not missing much if you decide to miss this one.

The Dawn Patrol tells the story of a British flying squadron in WW I. Dick Courtney (Richard Barthelmess) is the ace pilot facing the problem that his squadron is sent on mission impossible almost every day. Major Brand (Neil Hamilton) is his commander who suffers under the circumstances that he has to send inexperienced pilots on those missions with the knowledge that every time his squadron is at least halved.The first half of the film we see the struggle between Courtney and Brand. The Major is criticized and blamed by Courtney for sending all those young pilots into their untimely death. Brand defends himself because he only follows the orders of his superiors. Then Major Brand is promoted and Courtney becomes commander of the squadron. Instead of flying with his pals he faces a career behind a desk and after a while he realizes that he is in the same position as Major Brand before him. He looses himself in depression and alcohol before operating in a final heroic flight.At first we don't see to many action in this movie. Most scenes are in Major Brand's office or at the bar of the airport. We see the companionship between the pilots but also the despair, the fear and a lot of drinking. In the second part we follow the pilots as they do their missions. Taking into account that this movie was made in the early thirties the war in the air is very well pictured. Those scenes were used again for the remake of 1938. Still I don't think that The Dawn Patrol gives a realistic view of the lives of RAF pilots during the Great War. It wouldn't be possible to consume so many alcohol and still control those early airplanes to survive the missions into enemy territory.The film shows a lot of respect for the pilots but also for the enemy. When a German is captured he joins the drinking bout before he is taken to prison. The most striking moment in the film is the salute that Courtney gives the German pilot who has just shot him down. The pilots are portrayed as modern knights whose war in the air knows other rules and the dirty war on the ground.So in a year wherein legendary anti war films like All Quiet on the Western Front and West front 1918 were made The Dawn Patrol was already a bit old fashioned. Although the harsh reality of war is shown by the losses of young men's lives and the hard choices that the command of squadron had to made the film also glorifies the pilots, their loyalty and their respect for their enemy. The action scenes are very well photographed but that doesn't compensate the long scenes in the office and at the bar with drunken pilots. As said better movies are made about the Great War and the circumstances the soldiers were in.

The troubles facing a World War I British flying squadron with a high casualty rate. It's a somewhat conventional war movie that's a little rough around the edges as an early talkie, but wins you over with strong character work, especially from the leads Douglas Fairbanks Jr., Richard Barthelmess and Neil Hamilton. Although the film could use some scoring to enhance the experience (there's only a bit of diegetic music from the phonograph), there are two fantastic action sequences with stunning aerial photography and stunts, particularly the raid on the German camp. The handing over of power (and guilt) to a new commanding officer is an interesting device that I don't think I've seen explored in another film, at least not quite the same way. There are some flaws: a few poor performances and an over-reliance on clunky exposition (it makes me groan whenever I see someone on the phone repeating everything in question form: "What's that you say? We've got to take the bridge!?"). Although ONLY ANGELS HAVE WINGS is not a wartime film, I think it's a slightly better look at the camaraderie and the stakes among flyboys, largely thanks to the high-powered cast. But that doesn't mean this one isn't worthwhile, it definitely has some rewards.

This fine movie directed by Howard Hawks is more potent for its absolutely dazzling aerial photography and filming, one of the best I've ever seen - much better than the eighties Top Gun. First, let me say the late twenties to late thirties was the height of what is known as the Aviator movie. Many hits were scored using this genre including this one which was a blockbuster in 1930. The thirties aviator movies in their flight sequences have a certain feeling to them. They are so realistic in look, and this is achieved without music being used, but just the whirring of the engines gaggling, give it a prescient omniprescence that advances in movie technology, Digital imagery and CGI can't duplicate. I mean, any of the thirties aviator pictures sparkle in their flight segments. It must be the way they were shot. I wonder what technique was used. The story for this movie which won an Oscar was written by John Monk Saunders who obviously knew the genre well. He also wrote Wings, the first Academy award winner, Legion of the Condemned, an even bigger hit than Wings with Gary Cooper, Devil Dogs of the Air and West Point of the Air. The leads are Richard Barthelmess and Doug Fairbanks jr. Barthelmess gives the real performance here while Fairbanks gives the movie star performance. They are involved in WWI and are ace pilots and best of friends. The film has a pandemic tone and regurgitating pace that feeds the ennui of war. Like the pilots of Top Gun, they tend to go against orders given by their boss, silent screen leading man, Neil Hamilton who has the tough job of sending men on their missions, missions in which lives will surely be lost. He doesn't like it but he has to follow orders. That is the theme of the movie, obeying and serving your job because it is necessary. Life is hard and fulfilling your function/role against all odds is rote. Tough choices have to be made for the greater good. Cliche but true. That is the irony of war and when one falls, another must takes his place. Barthelmess eventually takes Hamilton's job and in his shoes feels the pressures the man felt and the toughness of following necessary orders. It is not an anti-war movie, more than it is a WAR IS HELL! but heaven is only one more day of hell away. Slow because of early talkie cameras which needed absolute silence to be recorded and were static without any movement, but sets are highly believable and bombing raids uncharacteristically realistic. Dialogue though is a bit pedestrian with certain heavy-handed moments, in today's glare, and performances not up to par in certain areas but overall, a fine movie.