Better Late Then Never

It's a mild crowd pleaser for people who are exhausted by blockbusters.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This is a great film about a man who tries to reconnect with his daughters and sort things out after his wife is critically injured in a boating accident. Alexander Payne has surely become a voice to be reckoned with, and each new film of his brings about a new layer of complexity to his work. George Clooney manages to show us that he indeed a good actor when in his element and both Shailene Woodley and Amara Miller are exceptional as his daughters. The setting is gorgeous Hawaii and although this isn't a "visual" film per se there is a symphony of sorts between the emotions of the main characters and the seas and plains of Hawaii. This is one unmissable film.

The Descendants is a bittersweet tragedy set in the supposedly idyllic paradise of Hawaii.Matt King (George Clooney) makes it clear that Hawaii is far from a paradise, just like other Americans they have to work hard for a living. Well Matt does not have to, he is descended from Hawaiian royalty. He and his cousins own vast acres of land which has provided them with a sizable income without needing to work.However Matt learned the value of work from his father, he is a Trust lawyer and is the sole trustee of the family land which is due to be sold off soon in advance of the changes in Hawaiian land law. Matt and his cousins will become very wealthy as their land is on the verge to be sold to developers.Matt also finds out that his wife is in a coma in the hospital after a speedboat accident. He now is in charge of his youngest daughter who is getting off the rails, needs to get to his eldest daughter who has gone off the rails when the doctor tells Matt that his wife will not recover.As the family prepares to say their final goodbyes, Matt finds out that his wife was cheating on him and he learns the true value of the land he is dealing with. Simply The Descendants is an intelligent film that deals with grief and relationships. Clooney anchors the film but it is director Alexander Payne who gets a great performance out of his actors.

The DescendantsEven though the premise floats on intense tone and serious family drama, the quality that attracts the viewers is the hint of a comic personality in each and every character that comes out of them even in such circumstances. The Descendants is one of those rare films that totally resonates with reality and practicality of it and still endures the dramatic side of it with genuine emotions, pragmatic characters and unpredictable script. Alexander Payne is completely aware of the world he is projecting onto the screen and uses it in a perfect way to connect the audience and offer enough content to feed them for around 2 hours. And as far as performance is concerned, George Clooney is at its best, as a disturbed and often surprisingly funny guy in a tragic stage of his life; he is carrying the whole movie on his shoulder. The Descendants is a movie that allows audience to rethink about it and keeps them on hold by unfolding the plot on each phase in a perfect way possible.

I really liked Payne's previous movies and this one came very close to being another great, male-character-study, drama and light comedy. It's about a man who finds himself faced with a handful of life-changing crises all at once, all of them connected. His estranged wife is in a coma and may die, he suddenly finds himself forced to develop a relationship with his two difficult daughters, he discovers there has been an affair, and the paradise land he has been entrusted with has to be sold off to commercial interests.I liked most of it a lot, except for how the plot threads are tied up, most of them fading away or ending on very weak notes. Which means that this movie screams potential and is enjoyable for most of the time, then ends with a whimper.*big spoilers warning*His relationship with his daughters is the best thing in the movie, serving also the comedy and heart of the movie, with a quiet and satisfying ending.But the main plot thread about Matt is highly confused and petty. The reason for not selling the land is obviously not about saving it from commercial development like he pretends, but about getting revenge against the guy for sleeping with his wife so that he won't get the commissions. He makes a big deal about an ideal of keeping the land untainted, which never bothered him before until he found out the commissions would go to this guy. So he screws over a few dozen people just to get revenge on one. Turns out he is both petty and hypocritical. Somehow everyone seems to have missed this.His roller-coaster emotions about his wife and her affair are good for a while, but end very hollow with an unrealistically loving and forgiving speech after all that he found out about her, especially given his estrangement until then.Oh, and I found the Hawaiian elevator-music soundtrack annoying.And the secondary plot threads? Sid is an incredibly insensitive mildly amusing jerk at first, then suddenly stops being a jerk and tells a sob story. Hardly good character development there. Elizabeth's father blames everyone except his daughter and is horrible to everyone, except he cries for his daughter so we are supposed to feel sorry for him. Speer's wife has a good role with a complex ending when she comes to the hospital and her grand gesture turns into a rant. So her character does well. But, like I said, the main plot threads of the land and Matt's search to find the man who turned him into a cuckold both end on a really petty note. What a waste of a good movie.