The Desert Song
The Desert Song
| 30 May 1953 (USA)
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Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor who is studying the desert, and whose attacks on the supply trains intended for Yousseff keep the Riff villages in food. Foreign Legion General Birabeau arrives to conduct an investigation, accompanied by his daughter, Margot. Birabeau hires Bonnard to tutor her, and she is attracted to a Legionaire captain, Claud Fontaine. While the general, Bonnard and Fontaine pay a visit to Yousseff, an American newspaper man, Benji Kidd, discovers a secret way in and out of Yousseff's palace, with the aid of Azuri, a dancing girl in love with Bonnard. The latter is forced to resume his role as the Riffs leader, and kidnap Margot until he can convince her of Yousseff's treachery. But Yousseff's men attack the Riff camp and take Margot prisoner.

Reviews
Limerculer

A waste of 90 minutes of my life

Sameer Callahan

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Freeman

This film is so real. It treats its characters with so much care and sensitivity.

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Jerrie

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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TheLittleSongbird

While not perfect, The Desert Song has a lot to like about it. The story is very improbable and does drag in spots, and Steve Cochran is sadly underused to the point he was wasted although he does do his best. However, the cinematography is absolutely gorgeous, the sets are handsome and the costumes are colourful, if anything the production values are one of the film's strongest attributes. The Desert Song has a very pleasant and lively score and the songs are great, especially The Desert Song, One Alone and Gay Parisienne. The dialogue is snappily written without ever been corny and there are some very sweet moments without being saccharine, the conflict is also convincing. The dancing is deliciously exotic and choreographed in a way that doesn't interfere with the story or the pacing of it and the direction is not too flashy and never indifferent. Gordon McRae is immensely charming and shows that he is natural in comedy, his voice, one of the beautiful on film, is as ever splendid. It is the same with Kathryn Grayson, who brings personal charm and sass to her role, who is energetic in Gay Parisienne and really goes for it in One Alone that it is easy to feel the emotion. Raymond Massey is a perfect villain and for me he was the best and juiciest performance in the film. To conclude, The Desert Song is not quite glorious but it's well performed, handsomely made and makes for good entertainment. 8/10 Bethany Cox

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edwagreen

What saves this movie is the wonderful singing done by Gordon MacRae and Kathryn Grayson. This movie really was something different for these general movie musical stars. They actually played in a film that involved intrigue.Usual evil player, Steve Cochran, is given little to do in the role of a nice guy, most unusual for him. Even in the Virginia Mayo-Danny Kaye films, Cochran got better parts as gangsters.Raymond Massey, who by this time had fallen into supporting roles, is evil as ever as the Arab to watch. His game of blaming other Arab factions in the movie worked only for a while.Grayson and MacRae sing the title song with great beauty.Note an interesting part by Robert Conrad and the guy who played Edward G. Robinson's brother in "The Ten Commandments," is as wicked as ever here.

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ozthegreatat42330

Spritely, joyous, full of heroics, romance and beautiful music, beautifully performed by Gordon McCrae and Katherine Grayson, a truly lovely actress, "The Desert Song" is simply one of the finest musicals of the first half of the twentieth century, and this 1953 version, the third filming by this studio, is by far the best. From the "Drum, drum, drum of Hobart's in the sand," as the Riffs ride across the vast trackless desert at the beginning of the film, the music seems almost continuous. On of the few disappointments of the film is the haunting "Azuri's Song" from the original musical, but the quality of acting, with Ray Collins, Raymond Massey, Frank De Cordova and William Conrad, assure that the action never becomes dull. This is the way musicals should be filmed and the direction J. Bruce Humberstone, who cut his teeth on the first Charlie Chan movies of the thirties makes it all come together in a real treat. Sit back and enjoy as El Khobar and the Riffs go riding across your living room.

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sandra-k-1

As I said in my summary, I would heartily recommend this movie to anyone who wants to see a classy movie. It has a very worn plot, but its simplicity would appeal to anyone who is tired of seeing violence and sex on the screen. It is like anything goes!! Kathryn Grayson, and Gordon McCrae sang beautifully. I've seen other movies that they have sung in and they always put on a good show. As far as the scenery, it was very authentic, and the color was awesome. I haven't seen the movie since I saw it in the Music Circus, and the Theatre, but I will never forget the red in the costume that Gordon McCrae wore, and the white of the desert sands. You would have never guessed that this man wearing glasses was the one who would come to the rescue of Kathryn Grayson. I wish that they would show it on AMC or TCM; I'd love to see it again even if it's shown on a small screen.

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