The Devil's Eye
The Devil's Eye
| 30 October 1961 (USA)
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The devil has a stye in his eye, caused by the purity of a vicar's daughter. To get rid of it, he sends Don Juan up from hell to seduce the 20 year old Britt-Marie and to rob her of her virginity and her belief in love. She however can resist him and things get even turned around when Don Juan falls in love with her. The fact that he feels love for the first time now, makes him even less attractive to her and Don Juan returns to hell.

Reviews
Fluentiama

Perfect cast and a good story

Cortechba

Overrated

Konterr

Brilliant and touching

Grimossfer

Clever and entertaining enough to recommend even to members of the 1%

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Tim Kidner

For a long time unavailable on DVD, this 2007 Tartan release finally addresses that, but is it worth it?Like most, I love classic Bergman and find anything else by him interesting, at the very least. Coming just after the heavy and emotionally draining making of his The Virgin Spring, in 1960, the DVD blurb tells us that the director needed to 'tell a joke' - this resulting oddity revealing a waspish comedic streak from someone known as a deep, complex and often depressive writer and director.It launched Bibbi Anderson, who would become Bergman's famous face in his massive hits Persona and Wild Strawberries. In The Devil's Eye, she plays the virgin Britt-Marie, daughter of a cleric. At age 20, the Devil has decided she's ripe for de-flowering, but she's promised to a boring but reliable older man. Taking the form of Don Juan, the infamous Lothario of legend, the devil attempts to seduce her. Who will win? Heaven, or Hell, or indeed, both?From the very outset, with its odd introduction and even odder harpsichord note, this one is set to be a comedy. It's very theatrical; caricatures and grotesques mix with the ordinary, mirrors and imaginative sets convey hell. Period detail rubs shoulders with 20th century Scandinavian domesticity. One can see many possible influences, all moulded in a vast cooking pot and quite a strange mixture is the result.I'm sure one could look into it all a lot deeper than I did - one of the greatest things about Bergman is that most of his films can be watched at a differing angle and a whole new aspect is highlighted, helped enormously by his intelligent and often poetic dialogue. Watching late at night when concentration levels were ebbing, I took it as it was presented - amusing, satirical, with sexual references, a wit and with a big sparkle in this Devil's Eye.To answer my question - yes, it is good, but oddly, so un-Bergman like (though some scenes in Fanny & Alexander, for example, share this mischief) I wouldn't say that this film is essential Bergman. For those who want all he did, then yes, obviously and maybe those who want to know more about his inner psyche. Those expecting a more formal classic, might be well put-off, it's the sort of 'what the hell is this?' that may well result in the 'stop' button on the remote being pressed.The transfer quality is excellent though the subtitles appear slightly smaller and more 'European' than on other Tartan Bergman's I have.

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kosmasp

Or don't. It is up to you. And up to the characters in this Bergman movie. While it could be quite heavy (and it has some weight in its dialog) it is pretty light and has quite some comedic moments. Which is a really good contrast to the story that is being told. Of course this is not a comedy. Anything but that, considering the themes it is portraying, but it plays with the heavy stuff.I did watch quite a few Bergman movies at the Berlin Internationl Film Festival this year and I can say that some movies are quite hard to get. But I think this is one of Bergmans more accessible movies. Still not your usual stuff, but worth your time. One of his most underrated movies/comedies I guess. But then again, people(fans) might have expected something different

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sol-

The screenplay is the most interesting element of this film: it presents an original tale with some bits of humour along the way. It is a bit too verbose and talkative now and again, which is very distracting from what is happening on screen, but it very amusing whenever it is amusing. The movie is filmed in a play-like fashion, separated into three acts, and narrated in part. This makes the film feel more like a play, and it does limit Bergman to how much skill he can show as a director. There are still nevertheless some well set up shots, in particular in relation to framing, lightness and darkness. The ending is a tad weak, but the bulk of the film is oddly engaging - atypical and yet still admirable Bergman.

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Deimos

An old theme, the devil plotting against people , but also funny in that things don't always turn out the way it seems they should. Also very funny, for a Swedish movie.

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