All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Close shines in drama with strong language, adult themes.

Dr. Zimmer (Antonio Jimenez Escribano) is a blind, wheelchair-bound scientist with radical ideas about where the impulses for good and evil reside in the human body, and how to isolate them. By doing this, he hopes to rehabilitate criminal types. But when his peers scoff at and demonize his research, he suffers a fatal heart attack, and his daughter Irma (Mabel Karr) carries on his work. However, she is the truly diabolical one, perverting her fathers' ideas in the name of old-fashioned revenge. She telepathically controls an exotic dancer, Nadia a.k.a. Miss Death (Estella Blain), into murdering the mocking doctors Vicas (Howard Vernon), Moroni (Marcelo Arroita-Jauregui), and Kallman (Cris Huerta). This poor Nadia is made to do thanks to curare-tipped fingernails.One of the handful of traditional genre films made by cult icon Jess Franco, "The Diabolical Dr. Z" is good fun, as it adheres to classic trappings of horror. It's not really a Gothic; it's set in modern times. But it still has that great old-style feel, complete with stark black & white photography. Franco utilizes themes that would then recur throughout his filmography, enhancing the standard revenge plot with touches of eroticism. The ladies are gorgeous, and the cast is uniformly solid, with Karr suitably icy as the Frankenstein-wannabe on a mission. Fernando Montes is enjoyable as the man of medicine *and* the man who ends up dating Irma, and sometime after she has faked her death, her unwitting murderer. Guy Mairesse has a great character face as the strangler who gets employed as a henchman. Adding to the fun is seeing Uncle Jess himself in an uncredited supporting role, as one of two detectives investigating the crimes (the other is played by the films' composer, Daniel White). Jess even gets a character detail: his inspector is sleep-deprived because his wife recently had triplets.The cinematography by Alejandro Ulloa is striking, Whites' music is atmospheric, and the pacing is pretty consistent. The tale being told (scripted by Jean-Claude Carriere, based on a story by Jess) is not a great one, but it does hold your attention. It's sexy, and sordid, and has some nice touches along the way.Seven out of 10.

Of the dozen or so films directed by Jess Franco that I have seen, from his gigantic oeuvre of over 190 (!) pictures, 1966's "The Diabolical Dr. Z" is easily the best of the bunch. Aptly described by the excellent reference book "DVD Delirium 2" as a "beguiling mixture of drive-in sleaze and European art film," this French/Spanish coproduction--from a director whose output has been wildly variable, both in terms of quality and subject matter--greatly surprised me. In it, Dr. Zimmer dies of a heart attack in front of the medical convention to which he had come to present his latest findings. Using her father's recently invented gizmo that enables one to control the minds of other men, Irma Zimmer enslaves a psychotic strangler and a taloned cabaret performer with the oh-so appropriate appellation Miss Death. With these two cat's-paws, she sets out to avenge her father on the three convention members she holds responsible for his demise. The picture has a roster of fine attributes that sets it way above the usual horror fare, including (and foremost, for this viewer) some sensationally gorgeous B&W photography by DOP Alejandro Ulloa, a mournful, outre and discordant jazz score by Daniel White, and a story that just keeps getting wilder as it proceeds. (The plot device of a woman going after the medical men she deems responsible for a loved one's death would be revisited by Franco in the far inferior film "She Killed In Ecstasy" in 1970.) In the roles of Irma and Nadia (Miss Death), Mabel Karr and Estella Blain are simply outstanding, and Franco regular Howard "Dr. Orloff" Vernon, as well as the director himself, offer amusing performances in lesser roles. The film is taut, exciting and really an incredible experience to sit through. Dare I say it: a Jess Franco horror masterpiece! This Mondo Macabro DVD comes with the usual bounteous array of extras, including an interview with "The Bad Boy of Spanish Cinema," Franco himself. The print looks great, offers excellent subtitling for the French-language soundtrack, and is a must for all fans of well-made Eurohorror. I, for one, loved it!

A more apt title for the movie might be The Daughter of the Diabolical Doctor Z. Dr. Z doesn't make it through the first 15 minutes of the movie before he dies of a heart attack. His daughter (also a doctor) blames those who scoffed at her father's ideas for his death. Continuing with her father's work, she vows revenge. Using his mind control procedures, she creates two "slaves" to carry out her plan.I have dubbed this movie "My New Favorite Franco", just beating out Venus in Furs for the title. Where many of his movies seem to lose their way, The Diabolical Doctor Z has a straight forward plot and takes the time necessary to build atmosphere. Too often Franco's films seem rushed or go in so many directions that nothing seems to make much sense.The choice made by the daughter of the beautiful performance artist, Miss Death, as a "weapon" for her revenge is interesting. Much like a spider, Miss Death first seduces her prey before using her long nails that have been dipped in poison to kill. Miss Death's spider web nightclub dance is a must see.This is the second Franco film that I've seen that reminded me in some way of Franju's Eyes Without a Face. While the influence on the other Franco film, The Awful Dr. Orloff, is obvious, here it is much more subtle. The face surgery scene is eerily reminiscent of Franju's face surgery scene.

This is one of the best, creepiest and most stylish from the Godfather of Eurosleaze. "The Diabolical Dr. Z" is a semi-sequel to the classic "The Horrible Dr. Orlof" (1961). Dr. Zimmer, who calls himself a disciple of Dr. Dr. Orlof, dabbles in mind control with the help of a weird spiderlike metal contraption which injects electric needles into victims brains. After other doctors laugh at him and his experiments, he suffers a stroke but before he dies his daughter promises to continue the experiment. She visits a nightclub where an exotic dancer, Miss Muerte, perform a "show". Miss Muerte then becomes a zombie-like killermachine for Dr. Zimmer's daughter and goes after the doctors who ridiculed him. The film is loaded with sinister atmosphere, beautifully shot - a masterpiece of the macabre!