everything you have heard about this movie is true.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Close shines in drama with strong language, adult themes.

The movie is made so realistic it has a lot of that WoW feeling at the right moments and never tooo over the top. the suspense is done so well and the emotion is felt. Very well put together with the music and all.

I've always heard fascinating rumors about Anne Frank and her life living during the Holocaust but I never really found the strength to pick up her book and read her firsthand knowledge about what really happened and what it was like living under bombs. When I found there was a movie on Netflix about her that was young adult friendly, I was more than interested to watch the movie. Director Jon Jones intends for this movie to inform young audiences about the headstrong young lady, Anne, played by Ellie Kendrick and her struggles and emotions while living in a Dutch underground with more than just her family, while still obtaining the feeling and normality of a regular teenage girl. After receiving a diary for her birthday Anne is constantly writing all her thoughts and feelings about her now not normal life after finding out that they must go into hiding due to business with her father Otto, played by Iain Glen. With the help from Miep Gies who helps the family hide, Anne's curiosity about the outside world astonishes her and leads her to find out new things about her self and her body. This sassy teenager will not be pushed around and is not afraid to make sure things are fair even if she gets punished.This film had me at the edge of my seat and I was anxious to see whats happened next. This movie is great for younger audiences and it has an accurate portrayal of what life was like in hiding. Anne will bring our your curious side and you will connect with her as she unravels the truths of the heart. Cast: Kate Ashfield, Geoffery Breton, Ron Cook, Nicholas Ferrel, Iain Glen, Tamsin Greig, Felicity Jones, Ellie Kendrick Director: Jon Jones Running time: 1 hour 40 minutes

This is a short mini series only 5 30 minutes episodes. This was one of the best portrayals I have ever seen. The actress who played her was amazing and looked so much like her. I made me almost cry,made me laugh and made me angry. The last episode was very nervewrecking,you knew what was going to happen yet you wanted it to turn out differently. Despite it being during the war she was still your average teenager and you can still relate to her. I still like Anne Frank The Whole Story best but this was a wonderful version too.This portrayal of Anne can be egotistical and short-tempered. There are a few scenes where Anne talks about her changing body and her sexuality and one scene where she touches her breasts in a sexual way. The devotion of the "helpers" warms my heart at seeing people who put their lives on the line to help hide the people in the annex. When the nazi's finally do come is such a heartbreaking scene especially when you know how close the war was to ending.

My Mother always told me the story of Anne Frank when I was a child, she told me about a young German Jewish girl who hid from the Nazi's in Amsterdam with her family and kept a diary during World War 2. For some reason she never told me( or I just didn't remember ) what happened to her in the end. Not ashamed to say the end of this series very nearly destroyed me, probably the saddest scene in any film I have ever watched. Ellie Kendrick is the best Anne I have seen. Unlike Anne Frank: The whole story this series contains direct quotes from Anne's diary. It only follows Anne's time in hiding, unlike Anne Frank: The whole story which deals with Anne's life before hiding, during hiding and after capture.This is an important series that should be seen by all. It changed my life.

First-class. Soap-length and almost soap-like, the great strength of this series is it's day-to-day realism. Free of invented sentiment or the sobriety of guilt or hindsight, writer Deborah Moggach and director Jon Jones work something believable and vital out of Anne Frank's eponymous journal. Rather than watch one finds oneself living through the action with its absurd pettiness and meagre (but treasured) consolations, with familiar tensions and thrills in circumstances not only unfamiliar but inconceivable.The cast are as high-calibre an ensemble as one could imagine. Impossible to identify favourites, I found the women most memorable. Ellie Kendrick is an ideal Anne, conjuring all the highs and lows of a girl forced to experience a compressed adolescence but leaving something terrifyingly real for the inevitable climax. Leslie Sharp and Tamsin Grieg play perigee and apogee of the Jewish hausfrau, pantomime dame and ashen-faced mouse: their Parthian ability to charm or bite can turn the experience of an episode inside out.Everything about this project seems to have worked - the perfect episode length, carefully-pitched drama of the highest calibre and broadcast at a time when everyone can absorb and, yes, even enjoy it. Highly recommended. 8/10