Yawn. Poorly Filmed Snooze Fest.

That was an excellent one.

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Lars Von Trier was a notorious infant terriblé at his Danish film school, a mini Mussolini who felt compelled from an early age to drain the swamp of traditional Danish cinema with its age old reliance on "folksy" comedies. But twenty some years later he acknowledges his own foibles with this biting but sweet satire of film school machinations and the cement-headed teachers and state-employed film "consultants" that arbitrarily provide the funds and subsidies the small and always hard-pressed industry lives by here. But his alter ego, Erik is no cynical critic or ultra-ambitious manipulator, but instead a naive youth, unwilling or unable to conspire in order to get ahead - something Von Trier apparently never found distasteful or problematic. Von Trier has always been fueled by an ambiguity, his need to both elevate and castigate women, his knowledge of having to live in a world of fools and his remorse for his monumental sense of superiority. This need to have his cake and want to eat it too has caused him near paralytic depression at times, and this jolly film was a marvelous but brief elevator of his many mood swings. See it. Enjoy it. Though not directed by Von Trier, the film's production values are superb. Film students will love this film as they will think Von Trier is describing everyone in their world but them.