Very well executed

Sorry, this movie sucks

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is a decent experimental animation posing as a self-important pseudo-intellectual pile of claptrap. In other words, when you first watch it, you think all you are seeing is an animator trying to impress you with how "deep" and intellectual they are. STICK WITH IT--the animation actually makes fun of these sort of people. You realize this when the super-bizarre main characters begin dialoging with the animator and telling him he's full of it!! This is very clever, however you have to be willing to keep watching the film to get to this and the internal dialog within the animator (who becomes the main character midway through the film). On top of this, the animations score about a 13 on a weirdness scale that runs from 1 to 10! Because it was so different, the Academy nominated it for an Oscar for Best Animated Short Film. It's worth a look--just hold on tight and force yourself to keep watching!

I came by a low-quality AVI file of this animation years ago as a hidden feature on a magazine-cover CD. I still pull it out occasionally for fun - it's that memorable.It's hard to say any more about such a short film without spoiling parts of it, bar to say that it's a clever joke upon itself - when one of the characters asks the animator to explain something, the animator replies "Listen, I can't say anything more about that - I have to make these metaphors really obscure so that the audience can spend lots of time analysing them".Truly a 10/10 concept.

Chris Landreth has an imagination not of this world. But it's eerily rooted in the most mundane banality of human existence. You get the feeling that he looked so deep into boredom and despair that he found genius. And that we could, too.The animation itself, grotesque yet beautiful, bursts with a kind of manic expressionism. You hardly know what's going on, but slowly you realize, that's the point. Landreth has utilized the breadth of the freedoms of CGI to pull the lid off his bizarre brain.Talk about "thinking outside the box." It doesn't get much farther from the box than this. Watching Landreth's films is like getting a shot of adrenaline into your imagination. It's hard, as a filmmaker, to watch this film and not be terribly inspired by it.Hopefully Landreth has some more projects up his sleeve -- I'm hooked.

This short, deservedly nominated for an Academy Award, shows off what CGI can do to far better effect than using them to save money on large crowd scenes in epics ever will (or can). Here there be mild spoilers: Having characters arguing with the person who created them is an old idea. But most ideas are old and have been, probably since the days of Shakespeare. This animated short acquits itself quite well in that regard. But the delight here is the visuals. This short is ten years old. As far as computer animation is concerned, that's dinosaur time. It's still visually impressive now.This is included on the Canadian DVD release Ryan Special Edition and, to judge by the running time listed, is probably on the US release coming out August 2nd. The DVD is worth it for Ryan alone. To have the end as well is icing on the cake. Recommended.