Load of rubbish!!

Best movie ever!

After playing with our expectations, this turns out to be a very different sort of film.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This movie deserves at least 8.5+ i can watch it over and over again

Another long drawn, melodramatic saga about a man in love with anothers wife. Yawn !Pathetic film spends all its time prettying up adultery & glorifying it ; Like putting lipstick on a pig. Bad concept. Boring movie. Even introducing desert & war elements wasn't sufficient lipstick on that particular pig.

The most impressive aspect of The English Patient is its devotion to the emotions, turbulence and tragedy of the time, World War II. With the world turned upside down by a war and the end of Europe's royal class, viewers are taken on a visually stunning journey of love, betrayal, constant loss and the ever-so-slow passing of the central character, Count Laszlo de Almasy, brilliantly played by Ralph Fiennes. Many reviewers term this a "reader's movie," and so it is. It's also a movie of the visual and musical arts, with scenes throughout the work stretching the bounds of fixed concepts. I often listen to the soundtrack by Gabriel Yared, with wide swaths of themes reveling in the adventures of archeologists in the Sahara and discoveries of Italian monastic art. Countering the classic themes are popular jazz and big band pieces from the 1930s and 40s, with de Almasy renowned for knowing the lyrics to every piece from the era. The characters throughout the story are classic, which weaves an enduring tableau of emotions, memories and the realization that as much as many view each era as different, there is always a sense of the retelling of stories, best stated with Casablanca's song, As Time Goes By. Lastly, there's a simple reason The English Patient earned nine Oscars, including Best Picture and Best Director for Anthony Minghella: It's one of the best movies of all time. Gabriel Yared, composer and wide range of popular pieces from the 1930s and 40s.

People have made jokes about this film, like me. I saw it for the first time last night, in it's entirety. This near two three quarter hour movie, is one you become more engrossed in, the longer you watch. One reason, is to find the catalyst, responsible for a plane that goes down, where survivor Fiennes (yeah, the reputable guy on airlines) a lone author who becomes involved in a fatal affair, that claims beauty, Kristin Scott Thomas, never looking sexier, here. He's working with an archaeologist team, from what I can see, in the wide spanning desert of Cairo, not a place you want to brake down in, Summer or fall, where it's headed by Firth, Kristin Scott's Thomas's husband. The fatal affair intensifies, as we go back and forth with a bed ridden, skinless, Fiennes who has practically lost his face, and other features, burnt beyond recognition (think the sloth victim in Se7en) where he's nursed by army sister, (Binoche, a wonderful actress) who has her eyes on someone else. She plays a quite damned, if a little reserved nurse, whose time and dedication to her patients, where I'm really talking Fiennes here, is much admired. Willem Dafoe plays a bit of a shadowy character, out for revenge against Fiennes, where I could piece the whole following scenario, as experiencing this love triangle in other films, but there's a little bit more to it, which I liked, Dafoe's reasons for his black woolen mitts. Here's a great film, with great actors and characters, especially the ambiguous one of Fiennes, which should be viewed, by those who haven't seen it, even 20 years after it's release. It's ending is sad and memorable, if bleak too, especially if you consider Fienne's fate. Great film, that will stay with you, after seeing it.