Very very predictable, including the post credit scene !!!

A Masterpiece!

A brilliant film that helped define a genre

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Independent films need to push boundaries. With limited budgets, often times little known lead actors and a small chance of distribution, these are the films - of any - that need to 'stand up and be seen', by delivering to the audience something exciting and exceptional. When it comes down to it, the domain of the independent film is one that is ripe with boundary pushing potential; we expect the independents to come in armed with an edge, much more so than their big budget Hollywood Cousins.The central issue with The Entrance is that it's an independent film which wants to have an edge, and wants to present us with something we haven't seen before -- but in spite of its ambitions, it essentially falls flat. In spite of a somewhat original story, the potential for a good scare or two, an attractive and appealing lead actress and the promise of supernatural horror, we're left with no pay off, even after all of these elements are introduced into the film.As a prime example of the film's difficulties in translating horror into terror for the audience, we're presented with a number of scenes --a strange woman alone and crying in a creepy, abandoned parking garage, a weird, freaky, wide-eyed old man speaking in strange tones, even people being snatched up and dragged away by an unseen demonic force... But none of these elicit anything from the audience, as there is no edge (little blood, little real suspense and virtually no mood) in each. The audience is left waiting for an eye popping moment, but will likely be unable to do much but shrug as the films slowly progresses.Another issue lies in the use of the lead actress, Sarah Jane Redmond. While Sarah Jane is a more than competent actress, and delivers the only watchable performance of the film, she is not used to her full potential. There is a certain sensuousness emanating from Sarah's character, a certain sexuality which, as the film alludes to, has been shaped by past events. But this is never explored, and the film largely plays the character as a straight cop, with no deviations. This is not to suggest that Sarah's character needed to get nude, but that different aspects of her physical self and mental self should have been explored - they should have given her character an edge, which she lacked throughout.More than anything, what really stands out for me was the lack of focus in this picture. In a film with an edge, you'd expect much more of a narrow focus, a certain direction. As this film seems to wander from one scene to the next, and leaves scenes open ended, you never get that razor focus you'd expect in a competent horror film, such as Saw.Ultimately, the indies need that edge - and this film, though coming with seemingly all the right elements, fails to deliver with any kind of edge at all. It's a shame, considering the energy and work that went into it.

OK... right off, there is no gore, no explosions, no nudity, very little action/violence... the 'demon' only shows it's ugly face in a couple of quick flashes. So, it's not for the short attention span crowd. Also, it's also not for the crowd who need everything explained in nice clear expositions with a pretty bow tying it all together at the end. For the rest of us... it's not a bad little thriller. 'Little' both in that the budget is obviously tiny (most of the cash probably went to hire Ms. Redmond) and there's no world-threatening conspiracy. Most of the movie takes place at night and it has the feeling of an intimate little tragedy. Only when the sun comes up does the mood come somewhat undone... I would have preferred the story keep to the cover of darkness. The only real disparaging thing I'd say about it is that the casting/characters/direction are as bland as a sack of oats. Not that the acting is bad... it isn't... but the folks they chose are so blandly 'thespian'. For a pack of evil sinners and demons they a pretty ordinary looking (for Hollywood) bunch... no one is too pretty or too ugly or too old or too young... none of the performances are noticeably weak or inspiring (though Ms. Redmond has the heaviest sack to carry so props to her). It's a decent/interesting story but it could have used some more imagination in the casting and character dialogue and direction and... well... it generally could have used more imagination... and I'm not equating 'imagination' with FX or action or gore... just some more flavor to the faces, words, performances. Still, I enjoyed it... and if it really is the first of a trilogy I'll be sure to be there for the next one.

Priests, demon-possessed nuns, rape, pedophilia - these are the makings of a good horror film when you add demons and the devil. Will this live up to the promise? Sometimes the concept is good, and certainly Sarah-Jane Redmond and Michael Eklund were good, but the story just didn't go anywhere.There was very little action; mostly just running around and talking. Some characters, like the cops in the precinct seemed to be doing work that was just to explain what was happening, as if they had no other way of doing so.The ending was left up to the viewer and that sucked.No gore, no blood, some puking from a strung out doper, and no boobage whatsoever. I really must have blinked once because I didn't see the nun either.

Detective Porhowski (Sarah-Jane Redmond) is trying to find out what's happening in her town. Ryan James (Michael Eklund) says he was in a nightmarish place where some supernatural evil was killing people based on sins they've committed. As she delves deeper into this crazy story, the more she realizes that it might not be as crazy as she once thought it was.Supposedly this was based on a true story due to some priests' notes or something like that. Basically it's their way of saying, 'this could possibly happen, so we'll say it did happen and make people believe it happened, even though it never really did happen.' Yea, they tried to manipulate the general audience, to little avail.