As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

By the time the dramatic fireworks start popping off, each one feels earned.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

None of the four reviews prior to this one appears to be actually reviewing the right film. They are all discussing Le Garde-Meubles Automatique or The Automatic Moving Company made by Roméo Bosetti for Pathé in 1912. This is a film entirely using stop-motion figure-animation.The Cohl film is a film with live actors, the story of a man who is obliged by debt to leave his flat and furniture and move elsewhere. However he has a pleasant surprise when he moves because his furniture has stayed faithful to him and moves itself into his new flat. Obviously this involves a small amount of stop-motion animation at the end of the film, which no doubt suggested the idea for the later film to Bosetti.

The Automatic Moving Company is a simple yet effective animated feature by Emile Cohl. Its idea is very straightforward. Someone moves home and all the furniture moves houses independently. They animate themselves and move into place in the new home. The animation is very well done and is very smooth. Various items move up and down stairs and all around the house. The whole thing has a nice rhythm and it's a very nice watch. Like many film of the time it's a special effects movie. No people actually appear in it at all. In some ways this improves it, as there is not melodramatic acting and the slightly faster speed of films of the time doesn't affect things adversely in any way. It means that it still probably has the same effect as it did over a century ago.

In the printed intro to this short stop-motion film in the DVD collection "Saved from the Flames", it mentions that historian Donald Crafton claimed that Romeo Bosetti was responsible for The Automatic Moving Company and it was made in 1911. However, it also mentions Emile Cohl's short with the above title and the 1910 date. It then said that both Cohl and Bosetti worked for Pathe in '11 and occasionally collaborated. So maybe they both worked on this. Anyway, this was a fascinating early look at stop-motion animation as we see furniture after furniture move by themselves to a new home with no help from any humans. Quite a piece of work by whoever made this. By the way, I watched an earlier version of this kind of technique called El Hotel Electrico by Segundo do Chomon when I saw it on YouTube a couple of years ago. Anyway, I highly recommend Mobilier fidele or The Automatic Moving Company.

This is a cute and simple little film from 1910 about a magic moving company. The film begins with some unseen persons opening a letter and learning about a family that needs their furniture moved. Instead of seeing the movers, the belongings seem to move themselves and decorate the new apartment! This is actually achieved using stop-motion cinematography--literally starting and stopping the film probably thousands of times and slightly moving each object. Once the film is run, the objects appear to move on their own. This sort of work was later popularized in KING KONG and the Ray Harryhausen films of the 50s-80s. Here, it's a little crude, but very effective and amazing for the era.UPDATE: I recently bought a DVD collection ("Saved From the Flames") and was surprised to learn that this film is actually a knock-off of an earlier film by Émile Cohl! So, because of that, I really can't give this newer film a score since like many films of the era, it's a pirated story--virtually identical in every way.