The Far Pavilions
The Far Pavilions
PG | 21 April 1984 (USA)
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Story of forbidden love in 1800's India set against the revolution for India's freedom from England.

Reviews
Matcollis

This Movie Can Only Be Described With One Word.

Iseerphia

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

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Ogosmith

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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filippaberry84

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Kirpianuscus

romanticism. and the change of history. exotic landscapes, traditions and rules. and beautiful cinematography. a love story touching not only for its ingredients but for status of reflection of clash between two different cultures and for the last period of British India. the right word for define this series could be delight. not exactly as entertainment but as support for reflection and inspired definition of a period of fundamental transformation. not only social.

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Armand

after years, basic virtue is flavor of this series. a mixture between love story and fascinated India, force of feelings and strong rules of a society, magnificent images and precise acting. it is an exercise to explore the nuances of impressions about India and it remains an inspired exercise. in same measure, it is a definition of East with the instruments of European vision. slices of magic, drama isles, a beautiful princess and a hansom knight, air of music and sacrifices. window to an universe, it is delicate and tender. romanticism is its key. and the heart of its shadow - flavor. a good option for a Sunday afternoon.

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Pandelis

This mini series was an unexpected eye candy one summer, for the lazy Sunday afternoons when we didn't expect something special to be broadcasted.I was fascinated with the fairytale-like story and the wind of adventure blown into it. Amy Irving was (as always) likable but I found Ben Cross too stoic and a bit cold. Omar Sharif brought an air of nobleness to an otherwise cruel environment.The most breathtaking scene was the suttee ceremony that haunted me for weeks after. Even though I know now that some women did it voluntary, it is the cruelest custom I ever heard...

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muzzi_123

This miniseries came hot on the heels of 'The Jewel in the Crown', 'A Passage to India' and a fascination with all things Indian.Ash (played by Ben Cross, best known for 'Chariots of Fire') and Wally (played by Benedict Taylor, who had featured in children's TV series 'Barriers') were the main players in this drama. Ash had been brought up to think of himself as Indian rather than officer class, and so falls in love with the sultry Anjuli (played by Amy Irving, at that time I think Mrs Steven Spielberg).it was not a bad plot and had some brilliant dialogs i would say good acting overall

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