The Finishing Line
The Finishing Line
| 29 January 1977 (USA)
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When a schoolboy's day-dream of a fantasy sports day includes events where acts of vandalism and trespass are required, dire consequences ensue. Originally created as an educational film, this somewhat surrealist short has a serious message at its core. This won't be a lesson you'll forget in a hurry.

Reviews
Lovesusti

The Worst Film Ever

Afouotos

Although it has its amusing moments, in eneral the plot does not convince.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Roxie

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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Gordon_Harker

This extraordinary short film was produced by BTF to warn children about the dangers of trespassing onto railway lines. The action consists of a serious of bizarre schools sports day events, set on and around a mainline railway track. The events were:Breaking the railway fenceLast across the rail tracks in front of a trainThrowing stones at a passing trainThe great tunnel walk.Needless to say, these rather cavalier and ill-advised activities result in numerous deaths and injuries, all highlighted with lashings of bright red blood (it's hard to say whether this was deliberate or a result of the film stock used).The message is clear, but what marks this film out as a work of near genius is the presentation of that message. The events themselves are portrayed as taking place in the daydream of a young boy, who plainly, as he is shown sitting astride the parapet of a railway bridge just a couple of metres from a high tension cable, is less than sensible when it comes to recognising danger.What gives the film it's strange atmosphere is the way in which the adult organisers of the sports carry on with the events, regardless of the casualties which have already occurred. In fact the whole matter-of-fact callousness of the 'grownups' is a neat and effective way of underscoring the general message that the railway is an adult world and if you invade it, the usual rules of caring, sympathetic and responsible behaviour of adults towards children no longer apply.The direction is very well executed, with a light touch and plenty of natural performances from the children involved, in fact the frenzy with which the teams of children attacked the wire fence in the first event looked quite dangerous in itself. Apparently about 300 children were involved during the 5 days of shooting.Whether or not the black humour of the script went over the heads of the children is hard to say, particularly the surreal team scoring of passenger injuries after the 'Throwing stones at a passing train' event. I find it hard to wind my mindset back to how I would have viewed it as a child, but I think it is telling that at the time it was generally shown to an age group above that of the original target audience.

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