Plot so thin, it passes unnoticed.

It is a performances centric movie

The film was still a fun one that will make you laugh and have you leaving the theater feeling like you just stole something valuable and got away with it.

The film makes a home in your brain and the only cure is to see it again.

The Drake family is suffering from a nightmarish curse in which various members are not only murdered, but also beheaded. Rugged, no-nonsense police Lieutenant Jeff Rowan (well played with steely resolve by Grant Richards) investigates the case and discovers that sinister voodoo-practicing archaeologist Dr. Emil Zurich (marvelously essayed with deliciously wicked relish by Henry Daniel) is committing said gruesome murders in order to achieve immortality. Director Edward L. Cahn, working from a pleasingly macabre script by Orville H. Hampton, relates the interesting story at a steady pace, does a nice job of creating and sustaining a spooky flesh-crawling mood, and stages the lively and rousing conclusion with reasonable aplomb. Moreover, the cast play their parts with admirable seriousness: Valerie French as the concerned Allison Drake, Edward Franz as the austere, but scared Jonathan Drake, Lumsden Hare as loyal butler Rogers, and Paul Wexler as Zurich's creepy mute servant Zutai (Zutai's sewn-shut mouth and silently menacing presence are genuinely unnerving). Maury Gertsman's crisp black and white cinematography makes nifty use of wipes and dissolves. Paul Dunlap's shuddery ooga-booga chillshow score likewise hits the spine-tingling spot. The levitating skulls are pretty gnarly and the shriveled-up shrunken heads are fairly ghastly. Better still, there's an earnest quality to the whole movie that's both refreshing and engaging in equal measure and at a tight 70 minutes this picture never overstays its welcome. An enjoyable horror quickie.

Director Edward L. Cahn's horror chiller "The Four Skulls of Jonathan Drake" qualifies as creepy, atmospheric hokum about an ancient Jivaro Indian curse put on an American family about 180 years ago. I'll admit that the only way I could watch this hypnotic nail-biter as a child was from behind my father's easy chair across the living room from the television set back in the early 1960s. The sight of levitating skulls, a spooky Indian stalking his victims, a severed head in a boiling cauldron of water, shrunken skulls, decapitated heads in refrigerators, and a headless corpse in a coffin rattled me. I remember that this movie made my blood run cold, and the intensity it exerted over me as I found myself drawn to watching it repeatedly never seemed to abate.Now, forty years have passed since I've seen this nightmarish nonsense, and I'm grateful MGM Home Video has preserved it for posterity in a double-bill DVD with another Cahn film "Voodoo Island" with Boris Karloff. Of course, "The Four Skulls" doesn't give me goose bumps anymore, but I can appreciate the dread it once instilled in me. Moreover, as a testament to Cahn's authority as a horror movie maestro, it is worth mentioning that Cahn helmed another fright flick that gave me the jitters, the outer space saga "It! The Terror from Beyond Space," one of the films that inspired Ridley Scott's "Alien." The difference between "It!" and "The Four Skulls" is the latter occurred in contemporary setting and just about everything in "The Four Skulls" appeared down-to-earth and believable."The Four Skulls" unfolds in the eponymous protagonist's study. Cahn highlights a line from William Shakespeare's "Julius Caesar" that serves as the film's theme: "The evil of that men do lives after them." The hero, Jonathan Drake, a 60-year old professor of Occult sciences, writhes in the clutches of an hallucination as unseen forces snuff out the only candle in the room and three (obviously superimposed heads) float into view. Drake's daughter Alison (Valerie French of "Jubal") lights another candle and tries to comfort her father who is clasping a shrunken Indian head. Just as Jonathan recovers from one fright, he experiences another. Alison has tried to contact him about his brother Ken who has tried to contact her father. Jonathan (Eduard Franz of "The Burning Hills") sits up attentively when Alison says Ken "said he'd seen somebody named Tsantsas." Jonathan shows Alison what a "tsantsas." He explains the Jivaro Indians of Ecuador call a "tsantsas" a shrunken head. Alison dismisses the relevance of this information in regard to Ken. "He doesn't know anything about your work or your experiments." Jonathan wires Ken he will arrive shortly by plane, and Ken instructs his butler Rogers to prepare a guest room. Meanwhile, a Jivaro Indian, Zutai (Paul Wexler of "Suddenly"), whose mouth has been sewn shut and who wears a white pajama-like outfit, sneaks into Ken's study with a basket in one hand and stiletto in the other. He pricks Ken's neck with the curare-dipped stiletto. The Indian is kneeling over Ken in the process of cutting off Ken's head when Rogers (Lumsden Hare of "The Gorilla Man") interrupts him. Zutai beats it out the back door. Dangling in the doorway is the object Ken saw just before Zutai attacked him—a tsantsas! The next day, police lieutenant Jeff Rowan (Grant Richards of "Isle of Destiny") appears at Kenneth Drake's residence in response to Alison's call. At the same time that Rowan shows up, Drake's body is being loaded into a hearse. Ken's personal physician, Dr. Bradford (Howard Wendell of "The Big Heat") assures Rowan that no foul play was involved in Ken's sudden death. He hands Rowan the death certificate and explains Ken died from "coronary occlusion." He adds an autopsy would be a irrelevant. "There is a history of cardiovascular failure in the Drake family, probably a congenital weakness, something in the heredity." Bradford elaborates: "For the last three generations every male member of the Drake family has died in the same way. And at almost the same age, sixty." When Rowan wonders if the shrunken head played any part in Ken's death, a gentlemen seated in the study—Dr. Zurich—attracts his attention. "That's a little preposterous, isn't it lieutenant?" Earlier, Zurich (Henry Daniell of "The Sea Hawk") refused to shake Rowan's hands. He echoes Jonathan's comments about the tsantsas when he pontificates that tsantsas is "The Jivaro Indian name for shrunken heads." He adds that Rogers summoned him because as Zurich states, "I am considered something of an authority on the Indian culture." When Jonathan arrives at Ken's house, he demands the undertaker open the casket. Everybody is shocked when they discover Ken's head has been removed. Lt. Rowan launches an investigation and Jonathan has to spill the beans to Alison about the family curse in the Drake vault in Ken's backyard. "The curse began with Captain Wilfred Drake who had a trading station on the upper Amazon. When the Jivaro Indians kidnapped his Swiss agent, Captain Wilfred led an expedition into the jungle to try and save him." Jonathan explains that the Captain found the Swiss agent's headless corpse in the village and massacred everybody except for a witch doctor who escaped into the jungle. "He's the one who's put the curse on every Drake male descendant." Not long afterward, Zutai steals into Kenneth's house and paralyzes Jonathan with the curare poison, but Rogers surprises him again. Lt. Rowan behaves like "Dirty Harry" and on a hunch investigates Dr. Zurich's house and finds some interesting things, namely Dr. Bradford's head in a fridge. Rowan later learns that Dr. Zurich is 180 years old. Zurich desperately wants to kill Jonathan and acquire his head intact to shrink it. He kidnaps Alison and things really begin to snap, crackle, and pop in this entertaining claptrap. Daniell stands out as the evil Dr. Zurich. "The Four Skulls of Jonathan Drake" is a hootenanny!

Aaah!! What a classic!! This movie ranks in my top 10 of scary movies. I first saw this movie WAY back in the day when Black & White TV's were the norm (mid to late 60's). Anyways, Released in 1959, this movie tells the story of the Drake Family & how it is faced with an old family curse. The two Drake brothers try to unravel why the family has such a curse upon it. The make up, visual effects and an "eeree" sounding organ give this movie that certain "umph" to scare you. Especially when your watching this late at night! Note: This movie is not for young kids......they'll get nightmares......like I did....when I first saw it. Enjoy!

What we have here is a film that could have been a fascinating slice of classic B-movie cinema, but unfortunately relegates itself to the mundane thanks to some extremely uninspired handling. The film features the usually fascinating themes of voodoo and ancient curses, and it's given an extra dimension of intrigue thanks to the idea of shrunken heads, which provides the film with a lot of its more unpleasant moments. The film is hardly shocking nowadays, but back in 1960, I don't doubt that the scenes featuring severed heads were distressing for the audience. These scenes are brilliantly offset by the fact that most of the film is very old-school, and wouldn't have been out of place with a release in the 1930's. The plot follows the Drake family; who were lumbered with a curse after one of the ancestors decided to kill a bunch of Indians on the Amazon two hundred years ago. The film isn't on for long, lasting only 70 minutes, but that's actually a shame as while the film we do have is never entirely fascinating; with a better script and a bit more ambition from all concerned; The Four Skulls of Jonathon Drake could have been a great film. None of the actors are particularly worth mentioning; but the ensemble performance does fit the movie in that nobody is willing to go that extra mile. Overall, I would say that this film is just about worth seeing; but it's not a major priority, and there are certainly a lot of better horror flicks from the same period.