Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

THE FRIGHTENED MAN is another low budget British crime film written and directed by the ever-present John Gilling. Once again Gilling was working for the Berman and Baker team at Tempean Films and and once again he has managed to craft a well-told and engaging tale from very little resources.The film features the ubiquitous Dermot Walsh (complete with his trademark white hair streak) as an anti-hero who's something of a scoundrel; he begins the film by quitting his studies at Oxford and returning to his father, begging charity. His father wants him to come and work at his antiques shop but Walsh is more interested in romancing the lodger and getting involved with some ne'er-do-well characters.Eventually the main thrust of the film becomes your typical heist thriller, with plenty of tension utilised to keep the viewer occupied right until the fitting climax. Walsh does well as a truly detestable character but THE FRIGHTENED MAN is of particular note thanks to the efforts of the supporting cast. Charles Victor is excellent as the doting father who'll do anything to see his son succeed while Barbara Murray is never irritating as the woman drawn into his wiles. Michael Ward, Thora Hird, John Horsley, Ballard Berkeley, and Martin Benson all put in solid turns too. There's little to dislike about this well-plotted film.

Julius Rosselli (Dermot Walsh) is coming home for what his father thinks is just a visit. After all, the young man is going to Oxford. However, he soon admits that he's been thrown out of school. While you'd think his father would be furious, Mr. Rosselli (Charles Victor) adores his son and cannot imagine that he is a bad sort. But Julius is spoiled and rather hateful--and soon falls in with criminal elements. The bottom line is that he wants wealth and fun but doesn't want to work for it. It's a shame, as he's not only hurting his father but has just convinced a nice lady to marry him and she is bound to be disappointed in her husband. All the while, Mr. Rosselli loves his son and puts up with all sorts of verbal abuse from the guy. You really want to see Julius get what he deserves and what happens next, you'll just have to see for yourself. However, expect the unexpected in this lovely little crime film."The Frightened Man" turned out to be a dandy movie despite the very low budget and a cast consisting mostly of lesser-known actors. The script was great--with some wonderful characters and a great plot twist near the end. Walsh, in particular, did a great job in his portrayal of Julius--the guy you love to hate. However, Victor also did a darned nice job. Overall a very good film with everything going for it but a big budget. Well worth your time.

Charles Victor is the owner of a small furniture and antique shop who handles the odd bit of stolen goods on the side. The reason being he needs the extra cash to put his son through Oxford. The son, Dermot Walsh, gets himself tossed out and comes home to sponge off the old man. Walsh quickly runs through Victor's savings and wants more money than the old man can supply.Walsh gets himself involved with Barbara Murray, a lodger staying at Vidor's house. She falls for the smooth talking Walsh and the pair run off together. Vidor tries to help out the couple and gets Murray a job as a receptionist at a diamond wholesaler.Walsh in the meantime has hooked up with some heavy-duty crooks. They are going to pull a warehouse holdup and need a driver. Needless to say, the job is bungled and Walsh barely escapes capture by John Law.Walsh now decides it would be easier to rob the office where Murray works. He hooks up with the robbery bunch again and tells them the plan. They rent the office next door and plan to break in through the wall.Of course there is a rather large fly in the ointment. The Police have been on to the mob and have been following their every move. On the night of the break-in, the Yard swoops in just as they break through the wall into the diamond shop.Vidor, hearing about the plan, drives to the shop to try to help his swine of a son. Walsh gets his in the end though as he falls from the roof trying to get away.This is not a great film by any means, but at only 66 mins, it does pass the time.Also in the cast are, John Horsley, Martin Benson, Anne Simmons and John Blythe.Dermot Walsh had roles in, MARK OF CAIN, THE GHOST SHIP, COUNTERSPY, THE BLUE PARROT, THE STRAW MAN, BOND OF FEAR, THE HIDEOUT, MOMAN OF MYSTERY and SEA FURY.Murray was in, THE DARK MAN, MYSTERY JUNCTION, STREET CORNER and ANOTHER MAN'S POISON.The film was written and directed by John Gilling. Gilling's work includes, NO TRACE, VOICE OF MERRILL, DEADLY NIGHTSHADE, RECOIL, ESCAPE BY NIGHT, 3 STEPS TO THE GALLOWS, DOUBLE EXPOSURE, THE EMBEZZLER, TIGER BY THE TAIL, INTERPOL and THE MAN INSIDE.

I saw this on the television last night. It is a good 1950's B-movie thriller. Whilst the plot is a bit hackneyed in places, it is well acted and well directed. If you like this sort of film it is well worth a viewing. If you are not a fan of this sort of film, but want to kill 69 minutes, it should do the job.