It's a mild crowd pleaser for people who are exhausted by blockbusters.

This movie was so-so. It had it's moments, but wasn't the greatest.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

This is a must-see and one of the best documentaries - and films - of this year.

When I put this disc into the machine, I saw something that made my blood run cold: Lifetime.So I have no excuse. I knew what I was in for.The film is based on a novel by Patricia Cornwall, a very good and popular mystery novelist. She, like Mary Higgins Clark, had her books, or at least this one, sold to a cheesy production company. I'll never understand how some authors get top film productions and others are relegated to bad TV movies."The Front" concerns a detective (Daniel Sunjata) in Boston who is assigned by the randy female DA to an old murder case, similar to that committed by the Boston Strangler. Complications follow.The acting ranges from fair to pathetic, with some good people wasted -- Diahann Carroll and Daniel Sunjata, specifically. Andie MacDowell as a DA was a mistake.This is one of those unfortunate cases where you didn't care what happened to anyone, except maybe the Sunjata character.

The Front is a bit trite as far as the plot goes, but most characters have depth enough to make watching this Lifetime movie worth watching.Daniel Sunjata makes an interesting detective, and he seems at ease with his role. Diahann Carroll also has an interesting character as Sunjata's grandmother. Ashley Williams has an adequately damaged character but her performance is a bit thin in places but fine in others. Andie MacDowell is very sleazy and a bit one-dimensional. Patricia Cornwell makes a cameo appearance. Dane Dehann stands out in his portrayal.While the characters have depth, their dialog doesn't. That is the norm for this type of production. These films get made without a prolonged effort. It is a four-door sedan of a movie. Don't set your expectations too high and you won't be disappointed by the film.

This movie is so bad that I had to watch it in its entirety in hopes that it would get better. Daniel Sunjata & Patricia Cornwell are the names that would attract viewers. However, the plot is confusing, the characters are unbelievable & there is no chemistry among them. I'd rather see Sunjata on Rescue Me, than in this contrived piece. Patricia Cornwell has written many enjoyable mysteries. This interpretation is a travesty. Everyone seemed to be walking through their parts, as a "fill-in" for their "day jobs". I think it is an insult to viewers. Andie McDowell has never been a favorite, & she's playing the hair, as too many actresses are now doing. It's no substitute for a good performance. I say, pass on this. Watch a rerun of something else.

This movie debuted on the Lifetime network last week in the states. I had never read a Patricia Cornwell novel, and it had been ages since I'd seen an Andie MacDowell movie. Having missed the premiere of Cornwell's "At Risk" on the same network the week before, I have just these few observations.1. "The Front" assumes some familiarity with either Cornwell's characters or (I assume) the previous film. In "The Front," one must listen carefully for clues, not just with respect to the mystery, but regarding the identity of the characters and their relationships, as well.2. Of the two principal actors, MacDowell and Daniel Sunjata, the latter presents the better performance. I'm sorry, but MacDowell's D.A., Monique Lamont, just didn't convince me as worthy of her office. In fact, I can't imagine how she ever got elected. (Or, as the governor's mistress, did she somehow get appointed?) 3. The dialog is sometimes so rapid-fire as to be unintelligible. In some scenes, notably early scenes between Sunjata's Win Garano (D.A.'s investigator) and Ashley Williams' "Stump" (cop), the conversation runs faster than that of some Harvard students I once knew, as if director Tom McLoughlin is trying to squeeze in all the words in the time allotted.In short, this movie is probably not the easiest one with which to familiarize one's self with the work of Partricia Cornwell.