The Gay Falcon
The Gay Falcon
NR | 24 October 1941 (USA)
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Having forsaken the detective business for the safer confines of personal insurance, Gay Laurence is compelled to return to his sleuthing ways. Along with sidekick Jonathan "Goldie" Locke, he agrees to look into a series of home party robberies that have victimized socialite Maxine Wood. The duo gets more than they bargained for when a murder is committed at Wood's home, but Lawrence still finds time to romance the damsel.

Reviews
Titreenp

SERIOUSLY. This is what the crap Hollywood still puts out?

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Palaest

recommended

SanEat

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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dougdoepke

This 60-minute programmer shows just how efficient and entertaining Hollywood's little films could be during its so-called Golden Age. It's the first of the Falcon series, at a time when amateur sleuths (Boston Blackie, The Saint, et al.) were popular movie fare. Here, the great George Sanders plays Gay Lawrence aka "the Falcon", and an imposing presence he is both physically and intellectually. No wonder the ladies line up. So what's going on at old lady Gardner's swanky parties where expensive jewels seem to disappear as part of the festivities. And guess who is intrigued enough to get on the case. Then too, he's got help from an array of lively supporting players. I love these 40's films where the women's styles are fancy and eye-catching, like the hats that sometimes resemble alien life forms and the dresses that hike up when they sit. No wonder Lawrence is often distracted. He's got two lovelies, Vale and Barrie, giving him the eye, and maybe more if he'd just slow down a bit. The plot doesn't really matter, convoluted as it is. Instead there's enough character color, snappy dialog, and lively pacing to more than compensate. However, put the writers ahead 60-years to our time. What would they think of having macho Sanders utter their innocent line, "Just call me Gay". Sometimes, I guess, changes over time are not always for the better.

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chipe

I have seen this movie several times (months ago), and kept it on my DVR, meaning to write a review. Don't miss this movie. I have seen most of the Falcon series films (both with Sanders and Conway), and this (which happens to be the first Falcon film) is by far the best. It is excellent in its own right.Everything about it is great -- the writing, direction and acting. Nina Vale, the Falcon's fiancée, comes off very well; I wonder why she made so few films. I particularly liked Wendy Barrie; I think this is her best performance. No need to mention all the other great well-known supporting cast.There isn't a wasted scene in the movie. It was meticulously made. Wonderful dialog and gibes. Very logical screenplay.One perplexing thing about the move, and it doesn't bother me much: throughout the movie, the Falcon (Sanders) is saying that he loves Elinor Benford (played by Vale) and wants to marry her. Yet in scene after scene he is constantly flirting with Helen Reed (played by Barrie) and other women, in front of Elinor. And the women return the favors.

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Michael_Elliott

Gay Falcon, The (1941) ** 1/2 (out of 4) First film in RKO's Falcon series has George Sanders playing the Detective who must try and track down a jewel thief who's also leaving bodies piled up. This is the first in the series that I've seen and this one here wasn't too bad but it's still not a good movie by any means. The film goes by pretty quickly with some minor laughs but the mystery aspect isn't too interested, although there is a nice twist at the end. Sanders gives a good performance in the lead as he's able to be quite charming and sly in a good way. Allen Jenkins steals the show as the Falcon's assistant and Wendy Barrie is pretty good as the woman who goes to the Falcon for help.

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Spondonman

I actually preferred this series of films after Tom Conway took over from his half brother George Sanders as the Falcon, Conway seemed more at ease in the role. But this was a good start, and the 12 sequels hovered around this mark until The Devil's Cargo in 1948. The Falcon was lucky in that he never had trouble having beautiful young (and older) women fall for him - a couple a film. What a pleasant problem for him when they immediately turned mega jealous of any other woman who showed up, no matter how innocent!It's the usual murky murder mystery, but the Falcon (as private sleuth) isn't fooled for long - fortunately he knew something the viewers didn't, which led him and the police to the culprits. One scene I always enjoy is that of Turhan Bey's strangely atmospheric apartment being searched by Sanders and Barrie in the dark. But there's plenty of enjoyable moments in the 63 minutes - Sanders previously intrigued by an undertaker giggling at a comic paper is a few scenes later briefly studying one for himself - an aspect of ordinary life that he hadn't investigated before perhaps? Or being incognito as a tramp but giving the policeman waving him off a cigar as a present, before pulling out his pipe. You'd have to see it to understand Sander's mixed emotions in that scene! All in all not Kane, but well worth watching again and again as I have done!The copies I have of the series were off UK TV in 1987, most were '50's TV dupes and these would have needed TLC even then to eliminate some frame wobble and jumpy scratches etc. I hope they have been saved from further decomposition since because all the Sanders/Conway outings are a pleasant watch.

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