Better Late Then Never

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This movie feels like it was made purely to piss off people who want good shows

Even by the standards of the genre, The Girl With the Hungry Eyes is thin gruel indeed. Adele Rein plays Kitty, a sweet young thing who's been seduced by a predatory lesbian (was there any other kind in the pre-Stonewall era?) named Tigercat (Cathy Crowfoot). Deep down, Kitty is an All-American heterosexual gal, as we see in the film's first set piece, where she engages in a roll in the grass with a lucky motorist named Tom. After Tigercat kills Tom in a fit of jealousy, Kitty begins to question her sexual identity, and after meeting a handsome young chap (played, of course, by director-writer-editor-jack of all trades William Rotsler) reasserts her femininity via a series of incredibly boring and unsexy petting scenes. The film doesn't even include a single lesbian sex scene--the most we get is a still of the two leading ladies in bed--and is determinedly conservative in every aspect of its storytelling. If not for a few good scenes on the 101-Barham Blvd. interchange and a very cute Corvette, this would get no more than a '1' on IMDb's rating scale.