Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

HAWK OF THE CARIBBEAN is a pirate-themed Italian swashbuckler released in 1962. It's a routinely-plotted story that nonetheless packs a wealth of action into the running time, which means that it's never long-winded or boring. The story is about a bunch of prisoners who are shipwrecked and manage to escape to a remote island, where a power struggle ensues, while the men are desperate to get back to the mainland. The action is okay and the direction fine, but there's nothing to make this stand out from the crowd. It is, however, interesting to see French actress Yvonne Monlaur in something other than the British horrors she was making during the period.

In the mid-1500s, a ship containing Spanish prisoners being sent to a Spanish penal colony in the Caribbean sinks at sea, but some of the prisoners manage to survive and make it to shore at a nearby island. They organize themselves under the leadership of Juan Olivares (dynamically played by charismatic singer-actor Johnny Desmond), manage to take over a ship with some cargo that they barter for supplies, and eventually are asked to fight on behalf of the Spanish crown against the English... or is the request sincere? That's just part of the plot of this surprisingly good Italian swashbuckling costume adventure. Colorful photography, lots of excellent fencing, an exciting plot with unexpected developments and an unexpected ending (to me, at least), and especially a fine performance by leading man Johnny Desmond in what was his ONLY European film appearance to my knowledge. Desmond sang in the big bands of Bob Crosby and Gene Krupa and may well be best remembered for singing during WWII with Glenn Miller's military band, including singing in foreign languages for the broadcasts to the occupied and enemy nations. He later had some hit recordings as a solo artist after WWII and worked in film and television in the 1950's (I've only seen Calypso Heat Wave, which did not prepare me for this!). Although he is dubbed here, the fact that he CANNOT rely on his fine voice for his "performance" makes the quality of his acting even more evident. He is dynamic, handsome yet tough, convincing in the fight scenes, creates a three-dimensional complex character, and makes me wonder why he did not star in more European adventure films. I could see him handling the same kind of roles Ray Danton did in Europe, although with less self-parody. I had never heard of this film until recently stumbling across a copy, but I recommend it highly to fans of the genre. Also, any big-band fans who like Desmond's singing will definitely enjoy seeing their man starring in a historical adventure (even though he is dubbed).