Who payed the critics

Amateur movie with Big budget

The film makes a home in your brain and the only cure is to see it again.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This film combines the beyond tedious work of a writer who doesn't know how to tell an interesting tale with the visual melange of a director who mistakenly thinks a multiplicity of images multiplies effect. As both the writer and director of The Hottest State, Ethan Hawke proves he should really stick to acting.Though it's gussied up with narration, flashbacks, intertwining scenes and a buttload of montages, the plot of this thing is crudely simplistic. An immature weenie named William Harding (Mark Webber) falls in love with an opaque bitch named Sarah Garcia (Catalina Sandino Morena), she breaks his heart and he spends the rest of the film moping around like a jackass. More specifically, William and Sarah's relationship goes like this…They meet and she won't have sex with him. They move in together and she still won't have sex with him. They take a trip to Mexico and she has sex with him. She says they should get married and then changes her mind after talking with her mother for 20 seconds on the phone. They spend four weeks apart and then she breaks up with him. He mopes around like a jackass and rejects an old girlfriend (played by the very sexy Michelle Williams). His mom shows up to give him all the comfort of hugging a porcupine. He visits his estranged dad and mopes around like a jackass in front of him. After some time goes by, William and Sarah reconnect. William drives from New York City to Texas with his mother and father as teenagers in the backseat.I have no idea why Ethan Hawke thought that story was something anyone needed to experience on the screen. We've all watched it a thousand times before and most of us have lived through it a time or two. The sparse detail added to the narrative only emphasizes how trite it all is.Even Hawke apparently understood how common and uninvolving his story was, because he throws everything but the kitchen sink into telling it. He wantonly violates the "one montage per good movie" rule, includes flashbacks seen from William's point of view as a child, repeatedly tries to make boring and pointless scenes more interesting by splicing them together and throughout the first 3/4ths of the movie, Hawke constantly cuts away to pointless foreshadowing shots of William riding on a train. The soundtrack is also an unceasing stream of one folksy, countryish song after another that seeps into your brain until you feel like beating Willie Nelson to death with a garden hoe. There is a nice bit of nudity in this film but that is more than canceled out by a scene where we watch William urinate into a toilet, yellowy stream and all.Hawke fails to give William or Sarah anything to do or say that is even remotely inviting. When William's mom and dad show up for the final third of the film, they turn out to be a bit engaging. That's largely because of the talent of Laura Linney and Hawke, but also because they're given relatable characteristics. Linney is allowed to play William's mom as a strong but somewhat rigid woman who's made no excuses for her life and won't accept any from others. Hawke plays the dad as someone who regrets the mistakes of his youth but has moved past them. Those little aspects of humanity make them look so much better compared to the whiny loser that is William and the indecipherable Sarah.I hope this story was autobiographical for Hawke and he got something out of making it into a movie. He'd be the only one getting anything out of it. The Hottest State is a boring tale told in an aggravating fashion that has one of those endings where things just peter out. Unless you're in the midst of getting your heart broken for the first time and want to see someone handle it even worse than you, don't bother watching this film.

There's a lot to like in Hottest State, even if far from perfect.Ethan Hawke's direction of his (probably autobiographical) novel sets the mood perfectly, with great music, lighting and good pacing of this story. The story progresses well, contains sensual moments and with the help of an inspired, yet simple soundtrack, is at times touching. Unfortunately, the dialogs are a real weakness and something Hawke might have wanted to touch up, preferably with someone else.Without a doubt, the highlight of the film is Mark Webber in the lead role. Simply put, I have not seen such a promising actor since noticing Ryan Gosling in "The Believer", years ago. I immediately knew Gosling was headed for stardom and this will be the case here as well. At a young age, Webber shows intensity, range and depth wrapped up in restraint. At times as whacky as a Giovanni Ribisi, as laid back and colorfully human as a Sam Rockwell, as soulful and magnetic as a Sean Penn. Webber is the complete package to be great in second roles but, just like Gosling, oozes of the charisma required to lead big movies as well. It's a matter of time for him to get noticed.Sadly, his romantic interest Catalina Sandino Moreno is not nearly as good. I wish someone of the caliber of Abbie Cornish had been cast in the role of Sarah. Instead, Catalina's portrayal of Sarah comes off as one-dimensional and annoying for what should be a fascinating and complex character. While Webber makes us feel his character's passion for Sarah, it's tough for us as viewers to really buy Catalina's performance. The script is also at fault for that at times.With a better second lead, a script shave of 10 to 15 minutes and tighter dialogs, this would be a classic. Instead, it is an enjoyable moment and for those of us who had never noticed Mark Webber, an opportunity to see one of the next bright stars of cinema. Nonetheless, props to Ethan Hawke for what is a very heartfelt movie.

Written and directed by Ethan Hawke, and based on Hawke's (I presume) autobiographical novel of the same name, The Hottest State is an intensely personal movie. Yet unlike, say, Woody Allen's autobiographical films (Annie Hall, Stardust Memories, Husbands and Wives), Hawke's personality doesn't flood his material. Hawke is quite casual about baring his soul to us, and audiences may not be aware how deeply he takes them into his psyche. But he holds nothing back.The film recounts a brief, magical love affair between 20-year-old William (Mark Webber), Texas-born living in New York, and Sara (Catalina Sandino Moreno), a beautiful Mexican who has moved to the city to pursue her singing career. The film unfolds with an easy, natural spontaneity that is both engaging and faintly ominous (we know where it's heading because William informs us in voice-over). Working with his actors and crew, Hawke uses simple, unassuming brush strokes to communicate the joy and misery, and the complexity, of falling in love. William's trouble is that he has fallen in love with "a force of evil," which is to say, with unfathomable femininity.The Hottest State shows the futility of romantic desire without ever opting for self-pity or easy cynicism. Hawke imbues the film with the wisdom and acceptance of a broken heart made stronger and freer by the breakage. The film is so faithful to his own experience that it gets at something universal, and cuts all the way to the bone. As a result, it may stir feelings we'd rather not have to deal with, ones we'd hoped we'd put to rest. I don't think I have ever seen a romantic film that manages to be this painful without being in the least bit sentimental. It's not so much about the sadness of watching a great love die, but about the horror and incomprehensibility of it.Although it's raw and almost nakedly personal, there's nothing amateurish about the film. Hawke's handling of his actors is flawless, and just about every scene resonates, rings bells of recognition. In scene after scene, Hawke seems to have got precisely what he was after. His use of the soundtrack (songs by Jesse Harris), free-form editing, overlapping scenes, voice-over, the rich, sensuous colors and his knack for placing the camera just where it needs to be, all is remarkably assured, making this probably the most auspicious debut from a writer-director since Sean Penn's Indian Runner. The Hottest State is a wonderful film and I felt richer for having seen it; and it deserves a wider audience, because so far as I know it did little business and got Luke-warm notices. Another precious gem in danger of slipping under the radar.The film is a little soft around the edges. Some of the dialogue (particularly between William and his mother, played by Laura Linney, and in the crucial scene with William's father, played by Hawke) may be a little too pat. We're aware of Hawke's limitations as a writer here, of his putting words into the characters' mouths instead of letting them speak for themselves (which is the problem with Sara's last few scenes). But considering what Hawke is attempting here—adapting his own novel, directing it, and playing a key role—it's an astonishingly assured work.Like Penn, Hawke has an authentic artistic sensibility, and with any luck he could become a major filmmaker. He's so confident of getting to the truth of a scene that he achieves poetry without trying, without even a whiff of pretension. The film has a raw honesty to it, and yet it never seems self-indulgent or narcissistic. It's confessional in the best sense. It's as if getting these experiences down (in the novel, which I haven't read, and by making the film) was essential for Hawke's peace of mind, as if by sharing his pain and confusion with us, he was able to come to terms with the past and reduce its hold over him. As a result, the film has urgency and poignancy, it feels essential, from the heart. I can't think of another film that conveys the agony of heartbreak and the rite of passage it entails as effectively as this. It has its very own ache.

I've liked Hawke as an actor but didn't go into this film with high expectations. I was surprised at how competently this was made. While it covers fairly safe territory - a romantic drama - it does it with nice visuals and some originality. The protagonist William (Mark Webber) is a bit of a slacker, yet he was introspective enough to try to resolve some of his own issues when his lover Sarah (Catalina Sandino Moreno) splits and leaves him broken-hearted. The fact that this was tackled from the male perspective, and grappled with some psychological insight gave the film some gravitas. Mind you, how deeply a twenty-one year old can delve into his psyche is another thing.I found the film quite enjoyable, more than superficial, but still largely in the "middle-of-the-road" category - not that that's a bad thing. The cinematography was great, and there were nice camera angles. The music was nice but sometimes a little intrusive. While it's the type of film that's likely to do well at Sundance (maybe it has, I don't know), it's a lot better than the quirky comedies like Little Miss Sunshine et al. This film could do well on general release and was an OK film to add some variation to my MIFF viewings, but nothing to rave about. A good effort by Hawke (who is also a guest speaker at the festival).