Sadly Over-hyped

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

The House of the Seven Hawks is an adaptation of Victor Canning's novel, The House of the Seven Flies. Richard Thorpe directs and it stars Robert Taylor, Nicole Maurey, Linda Christian, Donald Wolfit, David Kossoff and Eric Pohlmann. Music is by Clifton Parker and cinematography by Edward Scaife.It's a film that looks tired and cheap, the plot for what it's worth pitches Taylor as a sea dog type captain involved with criminals, the law, pretty ladies and hidden treasure. Those elements should have made for a riveting mystery, sadly that is not the case. Taylor looks bored but still manages to give off a presence and a nice line in wry humour, while the Dutch locations deserve a better film. But ultimately there's a reason why this is a little known Taylor movie, it's poor and just one for us Taylor completists to tick off of our list. 5/10

House of the Seven Hawks was released in December 1959, when its star, Robert Taylor, was forty-eight years old. It is a mystery based on Victor Canning's best selling book, House of the Seven Flies. The plot concerns John Nordley, an American ex-pat who lives in Britain and runs a charter boat. Captain Nordley is flung into a convoluted situation involving dead policemen, ex-Nazis, scheming women, creepy crooks and innocent daughters.The New York Times called the movie "a satisfying labyrinthine plot and carefully placed direction and underplaying that adds up to a modest but truly taut and absorbing diversion." The director is Richard Thorpe, who had worked with Taylor before in six other movies, including The Crowd Roars, Ivanhoe and Knights of the Round Table.Despite being basically a suspense film House of the Seven Hawks has a considerable comic undertone. Robert Taylor plays Nordley as the only sane man in a nest of loonies. No one is what they are supposed to be, with people assuming false identities and numerous double-crosses.Other than Taylor, the cast is European. Nicole Maurey plays the love interest. Linda Christian is a one of the double-crossers. Donald Wolfitt and Gerard Heinz are policemen. David Kossoff, Eric Pohlmann and Philo Hauser are villains. The story ends with a diving expedition to recover stolen treasure and a satisfying shoot-out.I'm not sure Robert Taylor took this movie terribly seriously. He wears the same costume throughout the film, including an Eisenhower jacket that he had made for himself. He does a little mugging, especially when Nordley is being asked to believe one fantastic lie after another. Far from being wooden, he displays considerable facial flexibility. Mr. Taylor does look as though he's having fun.MGM seems to be insisting that Mr. Taylor is much younger than his actual age. Nicole Maurey is too young for him. He is referred to in one scene as a young man. As in so many films the story gets him out of his clothes. The Taylor body is in good shape for a 48 year old, but it's not the body he had twenty years earlier. Nonetheless this film provides good, undemanding and ultimately satisfying entertainment.

"The House of Seven Hawks" would have been much better had it been produced by Robert Taylor's old employer, MGM. Instead, the film turned out to be quite a disappointment for Taylor, a man who had been a major star for two decades. I will say this; the opening is quite intriguing. Taylor's character agrees to transport a man from England to the Continent by boat, and does so. After arrival, however, he soon discovers that this simple business deal is quite a bit more complicated than what he expected.Sadly, the film does not take advantage of this clever opening. From that point on, it is rather routine.As others have suggested, this ends up being a rather lackluster B effort not close to the level of the films Taylor made for MGM. In that regard, this movie is similar to the 1959 efforts of Alan Ladd, a man whose great success in the 1940s and early 1950s was followed by some very mediocre productions. (In Ladd's case, the actor himself was largely to blame due to very poor judgment regarding choice of film projects.)My admiration for Robert Taylor has grown over time. He was a better actor than many gave him credit for. (I recommend his performances in "Bataan" and "Johnny Eager.") Sadly, this particular movie, though watchable, did nothing to enhance his reputation.

Very disappointing.Taylor was a very good looking man which netted him a good career in Hollywood and this film at least showed that he could swim! His acting ability did'nt amount to much but this film made no demands in that department.