I like the storyline of this show,it attract me so much

The movie is wonderful and true, an act of love in all its contradictions and complexity

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The film never slows down or bores, plunging from one harrowing sequence to the next.

If you can get past how creepy/twisted the plot is, the dialogue is gold. Parker Posey at her best.

Very few movies based on plays can be successful, but House of Yes is not one of those that fail. It succeeds where others have failed because of the energy put into a film that is mostly dialog. Parker Posey shines as Jackie-O, the mentally troubled sister of Josh Hamilton and Freddy Prinze Jr. Tori Spelling, whose only other film I have enjoyed was Trick, did a great job of playing Jackie-O's doormat.The movie is at its strongest when Parker bares her sadness, always hidden beneath sarcasm. A classic movie of family dysfunction without playing out the same old tired roles. This family is anything but a typical dysfunctional family and though they all appear to be nuts, part of you wants to run out and find a family just like them, because looking past all of the sarcasm and insults, you sense and feel the love.I highly recommend this movie to anyone who wants to see strong acting. Parker Posey is on top of her game here.

House of Yes starts weird, gets unpleasant, then malicious, then off the charts icky, then it becomes nasty, etc.. Presumably it does this in a very conscious attempt to become a cult movie with the blackest humor in about twenty years. And if you can make it all the way through, you're the hippest viewer left standing! some reward. It's such a harangue that sensitive viewers will be turned off, anti-social viewers will be happy to see middle-class values punctured, and thoughtful viewers will just see it as a machine for provocation. The story is an escalating series of irritants: A girl waits for her brother to visit from college. We learn she has pretty bad taste, but that's excused because she's insane. But she's insane because she has an incestuous relationship with her twin brother. But her twin brother shows up with a fiancée. Then, amateurish verbal tics start to accumulate, upstaging the material (She's not a fiancé, she's a fee-OHN-SAY). Then the girl humiliates the fiancé, with about thirty cruel remarks. Then the girl and the twin brother let their sexual boundaries lapse in front of the others, and start touching inappropriately. etc. That's about the first half an hour. All of this heads nowhere... except to a reenactment of the moment she almost killed him reenacting the Kennedy assassination.It's very difficult to put your head into the mind of its makers and imagine who the target demographic is for this; which means it's extremely hard to imagine how it got made... how someone sat through the play and thought, "Incest... humor... psychosis... this will make a terrific movie!" The stagey script makes annoying use of a cutesy device where characters repeat lines twice, or even three times before they can move on. A character will say "Marty's coming home." the 2nd character will say, "Marty's coming home?" and then back to character one who says "I said, Marty's coming home." This becomes irritating extremely fast. Three minutes don't pass without a repeated line. It's like listening to people act out a flowchart.I used to think the humor in this outweighed the Ick factor (it's why I own a copy) but then I grew up. This was my first Parker Posey movie. And as always, she's sly and memorable. But now after seeing her other movies, this is really a piece of nastiness. It's made competently for a low budget, but it's almost mannerist in how off-putting it is. I'm not a believer in the idea that I need to like the characters in a piece, but I haven't seen a decent movie yet where I actively dislike everyone on screen.

Jacqueline Lee Bouvier Kennedy Onassis, one of history's most enigmatic figures, just got a lot more enigmatic. No, "The House of Yes" isn't about her, but rather a mentally ill young woman (Parker Posey) who calls herself "Jackie-O" and even dresses like the woman. Throughout her life, Jackie-O has gotten what she wants, but things are about to change: her brother has announced that he's getting married. Thus, Jackie-O can do only one thing: flip. And flip she does...with a vengeance."The House of Yes" is one of those quirky indie flicks (well obviously, if it stars Parker Posey) that you might want to check out whenever possible. Maybe watching it won't change your life or anything, but it's still quite interesting. You almost feel like you're spying on them.