Very disappointed :(

To me, this movie is perfection.

A very feeble attempt at affirmatie action

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The title of this garrulous and uninvolving retread set largely in New Orleans of the radio character popularized in the thirties by Orson Welles may be vaguely familiar to some from its presence as a rather mysterious footnote to the illustrious filmography of the Oscar-winning cameraman James Wong Howe. Howe directed one feature film, 'Go, Man, Go!' (1954), with the Harlem Globetrotters, and between his Oscars for 'The Rose Tattoo' (1955) and 'Hud' (1963) directed a few TV episodes, of which this may have been his first. Assembled from two unsold pilot episodes for a TV series (of which only one was directed by Howe, hence the joint credit) which were spliced together under the intriguing title 'Invisible Avenger' and released as a feature film, it thus finds itself by default among Howe's film credits.The drab photography, however, belies Howe's contribution; and as an avowed stickler for realism I hope he wasn't responsible for the multiple set-ups employed on the public execution shown being screened on American television. Apart from the "Daddy O" jazz talk and the topical storyline about revolutionaries plotting against a Latin American dictatorship, it feels more like a Republic serial from the forties. Using his radio name of Lamont Cranston, the Shadow hangs out with a mystic sidekick named Jogendra who's taught him how to think himself invisible (hence the title), but rather than simply prowling about invisible he usually waits until he gets caught and then confound his captors by disappearing; sometimes for effect he casts a shadow only, and he only ever emits his trademark diabolical cackle when invisible.Although billed third and cutting a striking figure as a hard-boiled nightclub hostess, Helen Westcott's role proves surprisingly irrelevant to the action.

Also known by its re-issue title, "Terror in the Night", this el cheapo production with its cast of nonentities – Bill Bloom had previously played a waiter in "The Party Crashers" (1958) and a role in the Mr. Novak television series, but none of the other players seem to have enjoyed any other credits at all – is not too bad by the humble standards of the non-mainstream exploitation flick, and it certainly has a time warp curiosity value. Director Bill Parker/Ben Posner did have a modest Hollywood career and went on to film in 1964 a re-make of "The Shepherd of the Hills" with Richard Arlen in the title role. Most of his movies, however, were shorts. So "Teenage Strangler"/"Terror in the Night" is really a somewhat incompetent but not too bad a flick for completests like me, rather than the casual DVD buyer. Yes, you can buy at least a thousand murder mystery/teenage trauma movies better than this one And yes, this particular film is now available on DVD from Alpha in a very good print.

"The legendary mind-clouding man of mystery is back in this film noir tale set in New Orleans, where nothing is ever as it seems. Exiled Spanish leader Pablo Ramirez is hiding out on Bourbon Street as plans are laid to overthrow the oppressive dictatorship that currently exists in his country. A fascist generalissimo has planted assassins in the city to dispose of Ramirez and thwart his impending coup d'etat. Lamont Cranston (Richard Derr) - aka the Shadow - is summoned to protect Ramirez and thus ensure a successful revolution. The Shadow summons up his supernatural powers of hypnosis and invisibility to save Ramirez and stop his enemies' diabolical exploits," according to the DVD sleeve's synopsis.This TV try-out may be re-edited to include the execution footage, which seems a little heavy for 1950s television - or, maybe did they did show executions in westerns back then - anyway, the eerie "Who knows what evil lurks in the hearts of men… the Shadow knows!" line interrupting the drama a couple of times perfectly illustrates why this series was successful on the radio - and, also, why this visual representation was unsuccessful; the picture simply does not live up to the mystery inherent in the series' famous catchphrase. Mr. Derr is a good lead, but not very mysterious; mystical sidekick Mark Daniels (as Jogendra), creepy Dan Mullin (as Pablo & Victor Ramirez), and shadowy James Wong Howe are interesting.***** The Shadow: Invisible Avenger (12/2/58) James Wong Howe ~ Richard Derr, Mark Daniels, Dan Mullin

This 57 minute film is of some historical interest, especially to collectors of films based on comic book characters. The plot is only mildly interesting and certainly not very original, the acting wooden, the production values low budget. In fact, I began to wonder if this was an early made-for-television effort rather than a film for cinemas.At any rate, it does not follow the original concept except for Lamont Cranston's ability to "cloud men's minds" so that he seems to disappear. He does not don the familiar broad-brimmed hat and cape (although it is shown on the cover drawing), nor does he consort with Margo Lane, "the only person to know the Shadow's true identity." Instead he is in the constant company of a certain gentleman named Jogendra, who is trying to discipline him in the Oriental art of they are practising.But all this aside, it is really a lot of fun in its own way because of its defects and a good example of how Hollywood had no respect for its sources. I have sought in the recent and in back copies of Maltin for some mention of this item, but it seems to have been forgotten by all except Video Yesterday--for which I thank them.