The Invisible Man's Love Life
The Invisible Man's Love Life
| 25 October 1970 (USA)
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Young doctor Garondet is summoned by renowned Professor Orloff. At Orloff's castle, Garondet discovers that the mad scientist has created an invisible yet murderous apeman.

Reviews
AniInterview

Sorry, this movie sucks

Lucybespro

It is a performances centric movie

Huievest

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

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Hayleigh Joseph

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

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Claudio Carvalho

The newcomer Dr. Garondet (Francis Valladares) is summoned by professor Orloff (Howard Vernon) but people in his village is afraid to go to his castle. The insistent Dr. Garondet reaches the castle and the servants send him to talk to Cécile Orloff (Brigitte Carva), who is the daughter of the professor and is worried about the mental health of her father. Dr. Garondet meets professor Orloff and he tells what happened to Cécile sometime ago and his experiment with an invisible man, and he explains that his daughter is deranged due to the reported incident. Dr. Garondet has to spend the night in the castle and soon he learns who is the insane in the castle. "La vie amoureuse de l'homme invisible" is a lame and funny euro trash sexploitation by Pierre Chevalier, a wannabee of Jess Franco and Ed Wood. The silly story has poor acting, awful scenarios and gratuitous nudity. The rape of the servant by the invisible man and the bush of Brigitte Carva are scenes of so bad taste that become hilarious. My vote is four.Title (Brazil): "O Monstro do Dr. Orloff" ("The Monster of the Dr. Orloff")

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gavin6942

An evil scientist (Howard Vernon) creates a murderous, invisible ape-man.Another reviewer said this was a standard Jess Franco film, by someone other than Franco. Yep, that pretty much sums it up -- we even have Howard Vernon as Dr. Orloff, a role he has filled well in the past, and the poor quality filming of people being tortured (by an unseen force).I actually rather liked this one, and would say it exceeded the average Franco attempt. The special effects are a bit cheesy, but not bad for the time it was released and the presumably low budget. I am not sure if I could have done any better myself.Now I want to learn more about Pierre Chevalier... he might have been a hidden gem. I will have to track down "Human Cargo" or "Panther Squad".

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ethylester

Everyone else's reviews on here pretty much say what I would say, however, I wanted to add that that music score is quite impressive. I usually don't listen to the music in a film unless it strikes me and this one stuck me as being more than just boring background music. Also, the lighting they used really gave the movie a unique feel. It seemed like everyone was lit up brightly with a light right in their face. It added much needed color to the film. Without the color and music, this movie would have been very drab. Also, the "horror" nature of this film focuses on rape more than anything gory or gross. The rape scene with the maid was too much for me to watch, I had to close my eyes. It seemed to go on forever. Quite unsettling and distasteful. And the ape suit guy was hilarious. Very far from the "superior race" of people the doctor thought he was creating. It seemed like just a dumb ape to me.3/10 because of the music, lighting and unintentional humor.

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Aaron C. Schepler

ORLOFF AND THE INVISIBLE MAN (1971) *** Howard Vernon, Brigitte Carva, Fernando Sancho, Paco Valladares, Isabel del Río, Evane Hanska. In this 1971 French-Spanish co-production, the irrepressible Howard Vernon returns for his second turn as Dr. Orloff. This time, he's created an invisible man who feeds on human blood. It's fairly typical Eurosleaze fare: there's the usual muddled plot, cheap special effects (wait until you see the invisible `man'!) and a fair amount of gratuitous nudity (the rape of the servant girl by the invisible man, with shots of Vernon leering through the whole thing, is especially tasteless). But a good score, nice atmosphere and fairly brisk direction by Pierre Chevalier manage to keep things interesting.

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