The Irony of Fate. The Sequel
The Irony of Fate. The Sequel
| 21 December 2007 (USA)
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Zhenya and Nadya go their separate ways. Nadya stuck with her bureaucrat boyfriend, married him and had a daughter, also called Nadya. Zhenya married and had a son, Konstantin. Both later divorced. More than 30 years later, Konstantin ends up drunk in the flat where the younger Nadya finds him. He is there as part of a convoluted ruse by his father's friends to get Zhenya back into the arms of the woman with whom he shared a magical night. The waylaid son is the bait to get Zhenya back to Leningrad, now called St. Petersburg. One romance is rekindled and another between the son and daughter is struck up.

Reviews
Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Abbigail Bush

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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brumbold

This is the worst movie I have seen. Yes, I hate "Road Trip", but THIS "sequel" make me angry at all! Who let Ernst and Bekmambetov spoil great Soviet Movie? They make it only for money. What it means? Oh, I'll say: it means, Russian cinema is dead completely.Nasty special effects freaked me at all. Why? Why you is so silly, Timur? Your "Night watch" was very funny comedy - but you don't wanted to do it. You done it not specially. But what was in your head when you got idea to make this sh*t? There isn't any philosophic idea in your movie. Miagkov, Brylska, Yakovlev and Talyzina played awful! And this is when they are GOOD actors! Why there is drunken border guy? It is for "harmony" of "good" film? Or it is excellent humor, do you think? And I was killed when I seen Anna Semenovich thee. SHE ISN'T ACTRESS! You're not director! You can't create good films, but you like to create bad FX.People! Don't watch this. Better watch another movie of Ryazanov or Gaidai.It's bad.

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euroman1970

I just watched this film and I must say I enjoyed it. I am a big fan of the original and I thought Bekhambetov did a good job overall. The plot is similar to the original and very well executed. I felt the film was funny during many scenes and actors did a good job. I only wish they elaborated more on the lives of Kostya and young Nadya before their meeting. We don't even know what Kostya does or where Nadya works or lives; it felt a bit incomplete. It felt like the movie started somewhere in the middle. The thought that Zhenia and Nadya from original film didn't live happily ever after still doesn't sit well with me. I also didn't believe that Zhenia didn't keep in touch with Nadya and never knew about her daughter, or vice versa. Just not very believable. If 2 people love each other, they would find a way to be together, or at least, keep in touch. I also agree that the role of young Nadya wasn't well developed, she seemed a bit distant; still think she did a very good job. In the original film, Zhenia and Nadya were the center of the entire movie, it was all about them. Here, we have more characters which included police, Santa clause, neighbors, and of course, close ups on Camry and cell phones. A lot of time was devoted to many different characters and not enough time given to the main actors Kostya and Nadya. The movie needed probably another hour to get more into their story. On the other hand, I enjoyed the fast pace of the film. Not for a minute did I think it got boring or uninteresting. I thought it was more about Zhenia and his Nadya than their kids. I so wanted to have seem more of Zhenia, Ippolit, Nadya. Still, a very fun film to watch. Can't say that it is better than the original but considering that most sequels do not work, I have to give credit to all who worked on this film. Really enjoyed it....

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Chris_UA

I did not expect much of this film, because it is really difficult to make a good sequel. And indeed it turned out to be a poor copy of one of my favourite films "Ironiya sudby", which still remains one of the most popular New Year films on the territory of ex-USSR. The original plot was exploited, and no novelty was added. I bet not a single phrase or dialogue will become so recognizable, as some phrases from the first movie. Instead of witty pretty characters from the old film we meet old tired people. The younger generation of actors, which appeared in the sequel, lacks the charm due to which the success of the first movie could be attributed. I even did not enjoy Konstantin Khabensky, who remains one of my favourites in the modern Russian movies. Suddenly I did not recognize the lively young guy from "Uboynaya sila" whom I admired so much. My rating – 2/10. I don't recommend this movie to any fan of "Ironiya sudby". It is rather worth to watch the film from 1975 one more time, since even the knowledge of its end won't spoil the usual amusement.

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scythian45

If there is one lesson that could be drawn from this movie, it is this: do not touch old Soviet classics! Does anyone really think it is possible to produce a sequel to a movie thirty years after it came out on the screens? Since the old "Irony of Fate" was made, it has become one of the most venerated Soviet cultural icons. And icons are better be left alone. I'm not sure if any director would be able to make a successful "Irony of Fate-2", but what we are offered by Bekmambetov is at best a third-rate production. Bekmambetov may be a decent thriller-movie director (see his Daywatch and Nightwatch) but he is extremely weak as a maker of romantic comedies, which is what "Irony-2" was purported to be. The plot details are not developed at all (thus, we do not learn anything about Kostya's or Nadya's occupations or previous lives); the advertising of Toyota Camry is too obvious not to be noticed; and the acting, with the possible exception of Bezrukov (Irakliy) is one-dimensional and unconvincing. The old actors (Myagkov, Brylska) look tired, lost and emotionless, as if trying to understand what it is really they are doing in this movie. Special effects (such as the one with the Aurora) may be fitting in a fantasy thriller but they look out of place in a romantic comedy. In short, this is another proof that there is little worth seeing in post-Soviet cinema.

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