The King Murder
The King Murder
NR | 10 October 1932 (USA)
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A beautiful blonde makes a career out of seducing and then blackmailing wealthy married men. She is found murdered after demanding a $5000 payoff from her latest victim, and the detective investigating the case finds out that she was involved in a lot more than just blackmail.

Reviews
Afouotos

Although it has its amusing moments, in eneral the plot does not convince.

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Brenda

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Nicole

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Delight

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

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mark.waltz

Perhaps with a better script and a higher budget, this could have been a fun melodrama of how a blackmailed blackmailing chorus girl is bumped off and how her case progresses. Dorothy Reveier is only on screen for a few minutes as the victim, so there isn't enough time to set up interest in her story. She is described later in the film having been a little nobody when picked up and put in jewels and furs, the apparent cause of her turning bad. Several suspects come in and out of the story with little detail of what lead to them wanting her dead. Vampish Natalie Moorehead plays against type as a victim for a change rather than a calculating perpetrator of mischief. This creaks along with a lot of talk and long pauses in dialog which makes it on occasion unbearable. Conway Teale headlines as the detective. The conclusion and cause of the victim's death is pretty clever, but much of the remainder of the film lacks in interest.

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Paularoc

Evidently, this movie was based on the unsolved 1923 murder of showgirls Dorothy King. King needs $5,000 to pay off her ex- boyfriend and tries to blackmail one of her current wealthy customers into giving her the money. Conway Tearle plays the detective in charge of the investigation who just happens to be in love with the wife of one of his friends; a friend who later becomes a suspect. Tearle is unbelievably wooden in his performance as is Natalie Moorehead in her role of the wife. The best part of the movie is the interesting way a young couple establishes an alibi for the time of the murder - that was clever. And the murder method was kind of interesting. But other than that it's a bit of a slog to watch all the way through. A mildly interesting period mystery but not memorable.

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Hitchcoc

This is about philandering. It has at the center, a gold digger who is using planned extortion to get what she wants. She sets herself up, leaving little choice among her victims. Of course, the men are truly culpable and deserve much of what they get. The conclusion is pretty far fetched. If you are old enough to own a phonograph (turntable) you will get my point. The bad guys are depending a lot on some pretty random incompetence. This is interesting and has a few twists and turns, so it's not bad, but the conclusion is unsatisfying. The character of the young woman is pretty well portrayed and the acting isn't too bad. Still, it could have been better with a little more imagination.

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pdutram

A tidy little murder mystery from Chesterfield that keeps you guessing until the end. Who killed the blackmailing gold digger? There are plenty of suspects including three of her current marks, wives and girlfriends, and a former partner. The murderer accidentally (not intentionally) gets some of his own medicine in the end. Any of these 1930s quickies that surprises at the end is worth seeing. Chesterfield has a fairly good record for turning them out, better than most second tier studios. Dorothy Revier as the two-faced vixen is believable as "that kind of woman". You have to wonder how she can conceal her baser nature from the shills. The shapely Marceline Day is always worth watching. Conway Tearle's usual dull acting style fits perfectly here as the chief of detectives, reflecting the quiet competence of a man who has seen it all many times before. The plot moves at an appropriate police procedural pace.

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