A Disappointing Continuation
Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
View MoreIt really made me laugh, but for some moments I was tearing up because I could relate so much.
View MoreThere is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
View MoreYes, it seems they completely ran out of ideas by the end of the movie. It turns out, two parents had a son, he was born with a dental defect and they took him for a monster. You'll realize this when the mother says, "Giulio was a monster", and then, she explains "he was born that way... look at his teeth". So, because the boy had bad teeth and he seemed like a monster to them, they decided to isolate him in the forest. They found other persons with special needs to live with them in order for the boy to have "a normal life." One day the boy bit his father's hand and somehow managed to bit off his finger, so they had this great illuminating 'eureka' moment, they had the brilliant idea of feeding him human flesh. So, they went out and started to kill... to feed their child... like any parent would, the mother explains. Brilliant, just brilliant!
View MoreUsually, I depend heavily on the 'external reviews' here on IMDb; no disrespect for the other reviewers here like me of course, but I have my favourites who I rely on for my impressions of a film and whether I think I will like it.Well, as my title suggests, I VERY much disagree with some of my 'regulars', that is for sure! Both at DVD Verdict and Dread Central they praise this film as a great return to Italian Horror. I suppose... However, perhaps it's just a matter of 'taste' in this case (no pun intended - I guess you'll hafta actually see the film to get it) Sure, there is a LOT of old fashioned gore, etc. And that can be okay IF, and I do bloody well mean ***IF*** at least it is done well. But, sadly, in this case I am sorry, but it was not. Now maybe the level of competence is expected to be lower with this kind of movie, but still, there are TONS of great low-budget Horror films that may even be somewhat stupid, BUT there is a certain charm or retro feel to them or SOMETHING for Goodness sake that makes them worthwhile. Not this one...Primarily I just couldn't bleed'n STAND the monotonous and EXTREMELY super-extended padding in this thing. GEEZ, so he / she / whatever is running through the woods... Okay... I get it... Can we PLEASE not spend 20 frigg'n minutes watching them running and screaming, and running and screaming, and then running and screaming some more...???! PLEASE...! Literally about 20% of the dang film is made up of all these SUPER-extended reaction shots (hold on her face... Okay, now hold on his face. Okay, now go back to her face... GEEZ, just shoot me already, or hang me, I REALLY do not care at this point!) I GUESS, MAYBE, if it had just been tightened up a bit and moved along with SOME concept of pacing it probably would indeed have been a fun and enjoyable little Horror film. Man, as it was it came in at what, about 85 minutes WITH credits. I mean EVERY dang scene was dragged out, mostly with awful repetitive yelling and 'acting' I mean HOW MANY bloody times does one tough guy hafta tell his other friend to 'Shut up!' And also how many, MANY times does that same friend say 'Hey, we really should go back; we shouldn't do this, etc., etc., etc... It's just that when you add all this stuff up it ends up being HALF the damn film, really! Just a LOT, and I do mean a HELL of a lot of time wasted, totally destroying whatever possible suspense or interest that may have been generated .I WILL say though that there were a few things about this movie that I did like. First, I REALLY liked the opening song; I mean it sounded RIGHT out of TWIN PEAKS, honestly! So, I'm thinking 'Great! This is gonna be some subtle, moody, atmospheric film a la David Lynch. WRONG... BUT, I will say though that towards the very beginning there were indeed a few shots / scenes that did remind me of Lynch's use of long, quiet shots that gave it a nice, odd feel. And also, I really noticed a very deliberate effort to copy Argento's lighting in 'INFERNO' You see blues and reds EVERYWHERE! That looked kinda neat. But, all in all whatever slight patches of style or mood that MIGHT have been there, they were TOTALLY obliterated by completely inept narrative and pacing and WAAAAAAAAAY drawn out scenes. If he could have just edited all that completely useless crap out of there and maybe brought the film in at even 70 minutes, that might have done the trick.Now again, if this kind of film falls into the category sort of like Porn where you really aren't exactly watching it for the 'tight' direction (cough...) etc., well then, fine... Maybe this just isn't my kind of movie. But, at least as I imagine it being directed, I THINK that you really could have snipped out all the stupid stuff and just gotten to all the gore, etc., THEN you just might have had a much, MUCH more effective and emotionally striking film. Instead ALL the tension that is actually built up is completely wasted and drained away by about 20% of the footage that just shouldn't be there.YES, there is a definite and even somewhat effective homage to Argento and Classic Italian Horror in general; but, if you are gonna do that type of thing, PLEASE do not completely ruin it by making an awful film around it...
View MoreI have no intention in engaging in the game of comparing this movie to those previously made. There is really nothing original in horror, so naturally, any film will have glimpses of others. I am just glad I didn't have to watch a dubbed version.Rino (Daniele Grassetti) and Aurora (Daniela Virgilio) were jumped on the side of the road and she was just about to get raped when Antonio (Gennaro Diana) came buy to stop the action, I mean to save the day.They soon find that there are worse things than rape. Rino ends up tied up in the boy's (Fabiano Malantrucco) room, and she is running for her life through the woods.Soon she is back in the house, and we see why this film was also called Italian Chainsaw.There is lots of blood and gore, and some really icky stuff.
View MoreA couple with child are driving on a road in the woods. The man loses control of the car, crashes into a tree and dies. As the mother tries to stop a car for help, she's run over. The driver stops, grabs a rock and smashers her to death. When he hears the hiding kid he goes after him.Later we meet a young but estranged couple as they drive to the woods. They stop for romance and are assaulted by some drugged gang members. He's beaten up, she stops a car for help. The man who helps her has a gun and makes the gangster run for their life. Also in the car is the man's wife. The young couple is taken to their estate in the woods. But something isn't right here. When she awakens, she's tied to a chair. Next to her is her ex also tied up but passed out. His lower leg is missing. In front of her, the dining table and a child munching on his leg! Eventually she escapes and ends up in an RV that belongs to some deformed retards. They take her captive and bring her back to the home in the woods. Our gangsters from earlier hear the noise and make it to house as well. Turns out the 2 retards and the kid who has shark-like teeth are all children of the couple that lives there. The kid has some need to devour flesh and the parents find the human meat when necessary. At this point all sorts of struggles take place between the crazy family and the gangsters who now have become good guys.The final scene is quite powerful, when we see a sort of shrine in the basement. At the center is the kid from the accident at the beginning of the movie. He is alive but his limbs have been removed. He and the monstrous kid meet presumably for the first time.This movie has an interesting premise but the production cannot make the best of it. Too many characters, none of which are particularly interesting or arouse sympathy. There's some gore here and there. Quite a bit of this movie is rather dull.
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