Instant Favorite.

Good concept, poorly executed.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

While many viewers found the film beautiful and made them love nature, it also should be a warning to us all if our children to see this disappearing beauty. Here is why. We depend on nature and animals to survive. Pollution, eating species into extinction and massacre of environment happens on global scale: sacred and very needed by life on Earth trees are being massacred by human predator. Gold mining, illegal tree cutting, illegal ranching in Amazon already destroyed a lot of sacred trees. Animals' habitat is disappearing with exponential (unbounded) rate. Films: "AMAZON with Bruce Perry", "The End of the Line (2009)". Most vicious predator (human) must learn to stop destroying its own environment. (Aside: the human is most vicious predator because it kills for sports.) While most vicious predator propagates with exponential (unbounded) rate, the nature and animals disappear with exponential rate at the hand of most vicious predator. Most vicious predator must stop unbounded (exponential) reproduction: it leaves no space for healthy environment for most vicious predator and leaves no space for animals. CONSUMPTION is not "cool" anymore. Echo-systems sustain the economies. Economies do not sustain the echo-systems. Bottom-lines and corporations only destroy the nature, environment and animals. In the past, we hoped that our technology would help us to live better lives, but as of today, our technology (better traps, binoculars, nets, better sonars to track our prey, better guns, etc) only leads us to the SIXTH EXTINCTION of all life on the planet, at the hand of the human. If you cannot farm it - do not kill it.

I stumbled upon this film one Friday evening zapping the channels on my sat-box, and it caught my eye. Figured it was kind of a documentary, and with "nothing better to do" in mind, I thought I would give it a try.Some hour and a half later I sit in front of my TV, and don't regret my decision one bit. I feel many of todays films are so full of, pardon the expression, cr*p, but this film really gave me an enjoyable time, and such a peaceful feeling. Almost to the point I wanted to get my boots on and take a hike in the woods to get "closer to nature" :-)I can highly recommend this film, especially for those who love nature as something more than a trip to the zoo or a hike through the city park.

An excellent film. After having caught on - it took me a while, up to the middle of it - I leaned back and let the sumptuous landscapes overwhelm me. In the rapidly evolving 'documentary' genre, director and explorer Nicolas Vanier's film inaugurates a new variant which we could tentatively call "self-fiction".As one would expect from an authentic trapper and his wife, dialogue is sparse. At times, the protagonists' embarrassment before the camera is palpable. Many scenes involving the couple seem posed, and the main incident involving Norman's sled breaking through the ice, (the re-enactment of what may or may not be a true episode) is not convincing. Voice-over representing the inner voice is omnipresent. One is left to wonder whether excellent actors would not have played Norman and May Loo more convincingly than they themselves. The documentary character of the movie might have remained partly intact, the director having resorted to constructs several times. Even so, the narrative arc remains fairly shallow.This is a movie without apparent violence. Yet violence is subliminally present: it is, after all, the violence of the logging companies against nature's treasures which trigger the film's central action, Norman's move to less dis-equilibrated territory. One strongly senses the violence of advancing, all-devouring modern society. This film could not be more different from the 'classic' trapper movies like Jeremiah Johnson' .For having succeeded with this nonviolent portrait of violence, and for having dared the climate and returned with such magnificent photography, Le Dernier Trappeur deserves 8/10.

I have been invited to the "premiere" of Le Dernier Trappeur in Brussels, Belgium, as I happen to know the executive producer of this movie ... Director Nicolas Vanier has been interviewed in front of the room, mainly explaining the problems they had with the cold temperature there, they had to shoot with -50°C sometimes (*EDIT* : -58°F, sorry for bad conversion)! I tried to view the movie as objectively as possible, and honestly I haven't been disappointed.This movie is a documentary, you have to know that. People in there "act", but terribly as they are *not* actors. Norman Winther -Northman Winter would have been more appropriate ;)- is a trapper, in the deep Yukon in Canada, and you as a spectator learn to know his tough life.Wonderful landscapes, incredible views of that part of our earth I didn't know could be so beautiful, are in themselves entirely making the movie worthy. There is a message too : "in those northern lands, what man does, hunting, is a necessity : he takes samples, but doesn't ruin the nature. Without him, some species will swarm, other will disappear". I suppose it isn't 100% true, but hey the movie is supported by the WWF so I guess even if they try to justify the hunting, this cannot be so bad :)One negative point though : you'll have some repetition, in the succession of scenes as well as in music, even if that one is very nice.A great documentary, two thumbs up !