The Look of Silence
The Look of Silence
| 17 July 2015 (USA)
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An optician grapples with the Indonesian mass killings of 1965-1966, during which his older brother was exterminated.

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Laikals

The greatest movie ever made..!

ReaderKenka

Let's be realistic.

Smartorhypo

Highly Overrated But Still Good

BroadcastChic

Excellent, a Must See

Jackson Booth-Millard

Directed by Joshua Oppenheimer, this Indonesian film is seen as almost a sequel, more a companion piece, to his previous Oscar winning documentary The Act of Killing, and it was one I had to see when it came to awards season. Basically a middle-aged man, whose brother was murdered during Indonesian killings of 1965–66, a purge of "communists", confronts the men who did the killings. For safety and concern for the man, he and man of the film's production crew are not fully identified, they are only credited as "anonymous". The film includes the man watching (what appears to be) extra footage from The Act of Killing, and video of the men who killed his brother. The man later visits some of the killers and their collaborators, including his uncle, who is pretending to have an eye exam, none of the killers appear to show any remorse, the daughter of one of them looks shaken hearing the details of the killings for the first time. Where the director's previous delivered many shocking moments and haunting footage of the real-life genocide, this follow-up film leaves most of the imagery to your imagination, there were certainly some terrible scenes of the killers admitting their crimes and almost smiling about it, and other horrible discussions, but not a lot is seen, you could argue this is a good thing and makes it less hard to watch and less shocking, but it is still an interesting documentary film. It was nominated the Oscar for Best Documentary. Very good!

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DareDevilKid

Reviewed by: Dare Devil Kid (DDK)Rating: 4.5/5 starsA terrifying study in mass moral rationalization, "The Look of Silence" finds documentarian Joshua Oppenheimer returning to the subject matter of his Oscar-nominated "The Act of Killing". That film was about the slaughter of some one million communists in Indonesia in the mid 60s. Oppenheimer met with some of the many killers - none of whom were ever punished and who mostly consider themselves heroes - and had them re-enact the murders they committed. It was grisly and at times surreal. Astonishingly, Oppenheimer has followed his 2013 documentary with an even more powerful film that features much more soul- pricking confrontation.There's nothing surreal about "The Look of Silence"; it's painfully real. In it, Oppenheimer follows a possibly foolish albeit immensely brave and deeply compassionate man named Adi Rukun as he searches out the many people responsible for the particularly gruesome slaughter of his brother, Ramli, who was killed before Adi was even born. The murderers - known as leaders of death squads assigned to different villages - who were sanctioned by the then military upheaval, have lived right alongside the families of the people they killed for more than fifty years now. Many have become rich and powerful. The slaughter is taught as a positive thing in elementary school. One killer even wrote a book - with illustrations - about his exploits.Adi, an optician by profession, uses eye tests as a ruse to get the killers talking. He quickly finds that none of them express regret. It's a frightening illustration of how cavalier the perpetrators of ethnic cleansing can be about their heinous acts. Meanwhile, Oppenheimer seeks out the two men who actually killed Ramli, and they happily take him to the riverside site of the murder and reenact it, after which they smilingly pose for a snapshot. Oppenheimer also spends a great deal of time with Adi's parents - his blind, senile, 103- year-old father and still-grieving, bitter mother. Their rustic village world and the beautiful tropic setting serve as an odd contrast to the countless tales of violence.It isn't clear exactly what Adi is hoping to accomplish - he's unearthing the truth, sure, but no one seems to care much. It's as if an entire country has just agreed to forget, or rewrite, its own awful history, even as this compelling documentary yanks our attention to the fact that the architects of a massive tragedy remain free and unrepentant, serving a chilling warning that it could all happen again. This leaves Adi acquiescingly and stoically listening to horror stories from the perpetrators' mouths, even as you sense the seething outrage behind his eyes. Replete with the potential to induce nausea, "The Look of Silence" is so disturbing because so few people in it seem disturbed.

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Tardisbooth

******* Minor spoiler warning (nothing major) ******I just saw The Look of silence at the local art house type theater near my house. The title of this film had several meanings to me. Will touch more on that later tho. The Look of Silence is a follow up film to The Act Of Killing. The focus of the film is on a man named Adi whose older brother was killed by the Indonesian Komando Aksi death squads during the 1965 Indonesian genocide. This was during the cold war era, therefore the United States government chose to help Indonesia mass murder millions of suspected communists and make profits from the death and corruption that ensued.Adi's brother Ramli was one such Indonesian that was branded as a communist, therefore the Komando Aksi arrested him and relocated him to a prison camp, from the prison camp he was loaded onto a truck with a bunch of other suspected communists, and driven to Snake River and butchered in horrific form. Ramli was one of the more graphic executions that took place, and many of the death squad leaders still remembered Ramli because of the over the top execution that was done to him. It is really graphic, they not only stabbed him and chopped him up, but they also tossed him into the river to die, when he was crying for help the murderers pulled him back out of the water and cut off his genitals, then he died. A very evil and sadistic way of killing someone.Adi travels around his village and beyond meeting with the death squad leaders who were indirectly, and directly involved with his brothers death, and confronts them about the past and very cleverly and gently recalls the past to them, and in some cases their children, and force them to remember the uncomfortable past that they so desperately try to forget. This seems to be very important to Adi and Josh Oppenheimer that the true story of what really happened does not become forgotten, and to inform current and future generations of Indonesians that the narrative that their government has been going by, is a huge lie and full of propaganda to make the killers look like celebrated heroes of the state. This film is immensely important and the whole world needs to know and make the governments involved take action and own up to the truth. We cannot live in the shadows of tyranny and pretend that it didn't happened.Back to the name of the film. The look of silence was represented to me through the look on the faces of the killers as Adi recalls the gruesome accounts that they were involved with, and the look on Adi's face when the killers seem to not feel remorse for their actions. However, there was an alternate interpretation of the title for me. As I said, I watched this film at the local movie theater, and never have I seen a film anywhere, at any theater in which the audience did not talk or be disruptive at all. It was literally the audience looking at the film in complete silence. Also when the credits rolled, every single person in the theater stayed in their seats until the credits were over, and then walked out of the theater still in silence. Josh is a damn good director and story teller, and I admire him so much for having the courage to make such a film like this one and The Act Of Killing.If you care about history, and humanity you should watch this film. If you only have the capacity for Michael Bay films, then you probably aren't mature enough to handle this film.I give it a 9 out of 10.

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Bryan Kluger

I didn't think it was possible to outdo one of the most compelling documentaries about the atrocious Indonesian killings during the mid 60s, but never say never. Joshua Oppenheimer set out over the last decade or so to confront and interview the mass murderers and victims of the Indonesian killings. Oppenheimer got Errol Morris and Werner Herzog on board to to produce his documentary, which was called 'The Act of Killing'.'The Act of Killing' followed a few of these mass murderers who killed literally thousands of innocent people over the span of a year or two. These people were men, women, and children who were thought to be communists. These victims weren't just shot in the head, but they were sadistically tortured and killed by a variety of ways. These murderers are still alive today and are considered heroes by the government, but are still feared by the common folk. It truly is unbelievable that the Indonesian government and paramilitary are still alive and well today, and are still in power, where these murderers walk free with no remorse.'The Act of Killing' earned an Oscar nomination for Best Documentary. Needless to say, this documentary didn't shed any good light on the Indonesian government nor the military, but Oppenheimer went back to make a follow up documentary, because his story is far from being over, which brings us to 'The Look of Silence'. This documentary is just as good if not better than 'The Act of Killing' and will draw tears and actually keep you on the edge of your seat for fear of Oppenheimer's life and his subject.'The Look of Silence' follows a single family, living in a small village in the heart of where the genocide of the 60s took place. The youngest son named Adi, who wasn't born at the time, now has a family and helps people with their eye glass prescriptions. Adi sets out to confront the mass murderers who tortured and killed his older brother Ramli. His bottomless devotion doesn't stop at confronting these people, but goes further into trying to get everyone in his country to seek the truth and start admitting what actually happened, because as we saw in 'The Act of Killing', the people in power will never admit to anything. It brings tears to my eyes as Adi uses his very calm demeanor, holding back his own tears and big gulps of breath as he tries to get answers and the killers to admit what they had done.Throughout the film, Adi confronts the killers who were concomitantly involved with his brother's death, then later in the film, he talks with the murderers who actually killed him. Each interview is more suspenseful than the one before it, as these people who are still in power are not too happy to be answering questions about this, which none of them actually want to come to terms with what they did. In fact, they still revel in the fact that they committed all these heinous crimes and consider themselves good people. It's all so heartbreaking as Adi begins to put the pieces together of his brother's death and who actually was involved, which hits closer to home than any of us would like to see.Adi is a simple man, but he is one of strong conviction to seek the truth without being a jerk. He is calm, collected, and always wise with his words and actions. He's a deeply exceptional person, and you can't help by connect with him on this very emotional journey. Oppenheimer is always by his side and with his camera, as he takes in the beautiful landscapes of Indonesia with his artistic eye. Almost every scene is a beautiful painting with so much pain behind it. I have no doubt that 'The Look of Silence' will win more awards this year, and this continues to show us the Joshua Oppenheimer is one of the best documentary filmmakers working today.

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