So much average

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

I figured this movie was like martial arts movie meets cheesy movie, with bad dialogue that made me want to take an ax and butcher the screenwriters. Seriously guys, actually embark on a daring voyage outside of your little writing hole and learn how people REALLY speak to each other. And for god's sake, put some effort into those special effects! Despite the terrible FX that practically leapt from an animated video game and the unrealistic and unconvincing script, it was still a fun movie. The only reason I even watched it was because of Thomas Gibson, and his acting wasn't top notch, but it was somewhat earlier in his career, so I forgive him. The other actors did an exceptional job as well, but none of them lived up to their full potential because of that STUPID SCRIPT! I've neither read nor had any interest in reading Journey to the West, therefore I can't share others' hatred for this movie. Personally? I was laughing at the humor, gaping at the martial arts, and rolling my eyes at the attempts at realism with flying. I recommend this movie.

This movie is a contemporary take on the classic Chinese novel "Journey to the West," which is a fictionalized account of the legends around the Buddhist monk Xuánzàng's pilgrimage to India during the Táng dynasty in order to obtain Buddhist religious texts called sutras.The ministers have imprisoned the writer of the book, and are attempting to destroy it to reverse time back to traditional Chinese life, i.e. before any modernization. The modern world will be destroyed unless The Scholar From Above (Thomas Gibson) can enter the underworld and save it.Don't make any mistake. Gibson would not have taken one step except for the fact that he was following the luscious Bai Ling, who anyone would follow to the gates of Hell.He rescues Sun Wukong the Monkey King (Russell Wong - Romeo Must Die), and is joined by Zhu Bajie(Pigsy)(Eddie Marsan - 21 Grams, Vera Drake) and Sha Wujing (Friar Sand) (Kabir Bedi - Octopussy) to save the book and save the world. It is almost a Wizard of Oz adventure, as they all have personal issues to resolve in addition to the mission.Of course, Kuan Yin (Bai Ling) appears any time he utters a prayer. Thankfully, for the many appearance of Bai Ling make this film worth watching. She is usually in another spectacular costume each time she appears.Besides spectacular costumes, the sets were lavishly decorated. The special effects were magnificent, and the martial arts displays exciting.It was overly long, but most great adventures are. Anyway. that is more time to watch Bai Ling.

As I started watching, within half an hour I heard my 11 year old son's voice echoing in my mind. "wow". That's what he says to me in response to something I've said or done, which he says it in such a flat tone and with such a blank expression on his face that its meaning is absolutely clear. Wow, this is one of the lamest things I have ever seen. It's so lame that if I were out with it in public I'd walk 20 feet behind it and pretend I didn't know it. I cringed as I watched the scholar and the monkey king "snow boarding" through the clouds. I had to stop watching for fear of seeing the goddess of mercy "snow boarding" on her cloud.

Well, this mini-series was the straw that broke the back for producer Robert Halmi with NBC. The faults of his previous rating disaster, "The 10th Kingdom" have not been heeded in this production. The screenplay is overloaded with over the top characters and situations that never let up. But, to me, the failure of "The Lost Empire" falls in three categories. The total miscasting of Thomas Gibson, who gives a tired and stiff performance. Gibson seems to barely be able to walk, much less perform martial arts, and his delivery is unbelievably stilted. The music score is among the worst I've heard in a production like this. There is little thematic melody and even less of the score reflects the rich culture depicted in the story. Third, the director chose to shoot most of the frequent martial arts action from the waist up, so much of the visual impact of those scenes is lost. Indeed, only Bai Ling retains her dignity in the production. The only other redeeming feature is, that the film did cause me to look into the classic book, "Journey to the West."