This movie was so-so. It had it's moments, but wasn't the greatest.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

A great film. Sure it's a 70's kung fu film, but this one seems somehow to rise above many of its ilk. It starts quickly and from there, it feels like there's never 10 minutes go by without a cracking fight scene. And that's just the thing - ALL the fight scenes are cracking... even the ones you would expect to be minor throw-away scuffles are awesomely executed, filmed and edited! As a 70s Hong Kong Kung Fu film, it still has some fairly broad humour, but it feels more hit than miss. The pantomime style farcical elements here don't seem as forced or as protracted as in many movies of this type. It has some genuinely moving moments and the plot, although straightforward and formulaic, is also refreshing in that it doesn't deviate too much with irrelevances. Nor does it get too tied up in itself. However, there is enough plot there to keep interest in the brief bits between fights.And this film IS about the fights. There is some awesome kung fu with just the right mix of reality-grounded martial arts, and odd touches wire-assisted flair. Sammo, as with many of the main players, is clearly at his peak, and with his input, the fights can be pretty brutal at times. They are fast, lengthy, hard, and fast and are just starting to move away from the stilted nature of the 70s films. Yuen Biao gets a great showcase fight too - one that shows his martial arts ability more than his acrobatic prowess. This is a film about the martial arts - there are some impressive acrobatics but they are kind of the run of the mill stuff of these films, rather than the jaw-dropping acrobatics of say Wheels on Meals or Dragons Forever. Sammo pulls out some impressive flips though. As does Beggar So's character.This is my new favourite 70s kung-fuer... and I found it more enjoyable, even, than... dare I say it... Drunken Master!!! Yes - it's that good!

The best place to start signing the praises of this truly "magnificent" film is to look at the names of all those involved with the movie. A venerable who's who of Kun Fu movies past and present rounds out this film.The film is directed by Yuen Woo Ping, who would later become the master of fight scenes in such movies as The Matrix, Crouching Tiger Hidden Dragon, The Once Upon a Time in China series, Kung Fu Hustle, oh and he also directed some great films such as this film and The Buddhist Fist.The film's screenplay is by Wong Jing, who's notorious for his hit or miss HK films. The Legend of Fong Sai-Yuk and Meltdown stand out in my mind as his best films, and from the humor shown throughout this movie it's obvious that Wong Jing had a hand in it, he is definitely "on" in this movie.The Magnificent Butcher stars Sammo Hung, who unless you were living under a rock in the 1970s and 1980s you should know as one of the more competent kung fu movie stars of his era. Sammo plays the title character "Butcher Wing" (Lam Sai-Wing) one of the more notable of the real life disciples of Kung Fu hero, patriot, and Chinese healer Wong Fe-Hung. Butcher Wing getting his niickname as he was a butcher by trade in his day job, which often leads to many funny butcher jargon jokes during kung fu scenes in movies in which Buther Wing is a character. While not as funny as some of the double entendre fight dialouge in Once Upon a Time in China 5, there is a humorous scene in Magnificent Butcher where Sammo gets a lesson in cooking, mistakenly thinking he's getting a kung fu lesson. Sammo holds his own as Butcher Wing he has the build and demeanor for the part, and quite honestly as this is the only movie I know of featuring Butcher Wing as the main character, Sammo Hung as a big name actor was a good choice for the Role.Tak-Hing Kwan makes a brief but memorable appearance in his typical role at the time of Master Wong Fei-Hung. This was THE guy, this is who Chinese movie-goers associated as Wong Fei-Hung before Jet Li revived the role in the Once Upon a Time in China series. Tak-Hing Kwan plays and older, queue-less Wong Fei-Hung, but a Wong Fei-Hung who is still a master physician and martial artist nonetheless. Yes this is the movie with the famous scene of Wong Fei-Hung demonstrating calligraphy as a self defense technique. The movie is worth seeing for this scene alone, even if you're not a fan of Sammo Hung you will get a kick out of Tak-Hing Kwan's defensive calligraphy style.Yuen Biao is also in this gem of a film, one I highly recommend seeing if only to see what Wong Fei-Hung films were like prior to Jet Li. The 1970s and 80s were filled with low budget pure crap films, and rest assured this film is not one of them. This is a rare gem from that era, one that any kung fu fanatic must see.

Without the aid of their buddy Jackie Chan, the icons of Hong Kong cinema demonstrates that kung fu comedy exists before and after Jackie appeared on the scene. Magnificent Butcher is one of the many examples of great Kung Fu minus the action superstar, the story follows many strands of the Kung Fu genre with masters and schools coming against eachother, complete with climactic battles and a heavy dose of boys own humour that is the template of this succesful era of kung fu. What makes this one of the greats is its simple charm, Yuen Woo Ping breathes so much life into this movie by treating the audience to a feast of distintly Hong Kong movie ideas. Only in Hong Kong action could their contain a scene whereby a characters uses the infamous farting technique to shame his opponent, or a blind begger mistakes a water vase being held by Samo as a toilet, and in the same movie contain an attempted rape, knives being plunged into the stomachs and the lead actor smashing his enemies head with a pray stone in extra slow-mo. Only in Hong Kong would a director attempt to gel these distinctly contrasting scenes and attempt to convey a cohesive story. And in Magnificent Butcher we have something close to success, as Samo effectively conveys emotions of comedy and extreme outrage in the blink of an eye. What is strange is how quickly these charaters forget their injustices and gripes which eventually lead to the climactic fight sequence where everything ends in triumpth, as we the viewer dispel with the plot and relish the movies subsequent closing. Magnificent Butcher, or Lin shi rong, is part of the era of Hong Kong movie making whereby anything that makes the audience laugh and cry for its duration was deemed a success, as the emphasis of movies made in this era was fun twinned with an element of truth, and this calloboration between Yuen Woo Ping and Samo sets the precedent for nearly everything that has been great about Hong Kong cinema ever since. Kung fu comedy at its most shameless, an undeniable classic for fans of Hong Kong cinema.

For the fan of the classic Hong Kong kung fu movie, this one is just plain fun. Sammo Hung is comic, fierce, expressive, and a joy to watch in action. Yuen Biao is conniving, devious, and mean. The action is wild, the kung fu is fast and furious, the stunts are convincing, all in all a great chop-sockey type movie. If you enjoy this sort of thing, give it a try!