Although it has its amusing moments, in eneral the plot does not convince.

One of the worst ways to make a cult movie is to set out to make a cult movie.

A clunky actioner with a handful of cool moments.

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

This is a great family film. The characters are interesting and you find yourself getting involved with the story and really caring about how it will end. Eddy Martin is a treasure ! He's not yet been robbed of the sweetness of youth that makes him so real. Peter Fonda is a little stiff in his character. Mare Winningham gives a touching performance. You will laugh at yourself while, at the same time, do some soul searching before being too critical. The bottom line, if you like a family movie with a religious flavor and inspirational ending....get this movie. I will be looking for more movies with Eddy Martin. Hopefully someone needing a great young actor will sign him to a contract.

If you want to see a beautiful movie that will bring tears and an uplifting feeling of joy, watch, 'The Miracle at Maldonado.' Ruben Blades turns in one of his best performances, and Peter Fonda plays a wonderfully under-stated Priest. Eddy Martin, who plays Jose, has a wonderful radiance and a maturity beyond his years. The movie is first time directed by Salma Hyek, one of my favorite actresses. Frankly I am amazed at the job Salma has done with this movie. What could have been just another low budget movie with has been actors turns out to be something very special. If this movie doesn't get at least an oscar mention, 'something is rotten in the state of Denmark.' Mare Winningham lends kind of believability to her role transcends acting. Do yourself a favor, watch this one. You'll be glad you did.

Like a good piece of music, this film begins and ends with the poignant leitmotif of a whimsical slow waltz (literally, in the film score), a town transformed by the "miracle" in subtle, internal ways, while the flash in the pan economic boom of a tourist influx provides the noisy, festive outer miracle. An "illegal" Mexican boy has arrived in town on foot, looking for his lost father - and he leaves, at the end, with his father, on a bus returning to Mexico. In between, we are privy to a cross section of lives in the town, each life undergoing some sort of miraculous or redemptive change, all of it somehow related to the strange phenomenon of the bleeding Christ statue in the local church. The external plot framework revolves around the discovery of the "real" cause of the bleeding, while concurrently there is a frantic faith contagion set off by media coverage of the "bleeding Christ".Even as we see individuals pouring into town from everywhere experiencing faith healing a la Lourdes, the film almost loses it with a last minute major thematic flaw. Whether from the book author's choice, or from a modification by the movie adaptation, a last minute switch concerning the identification of the blood sample is thrust upon us, with the implication that the "bleeding Christ" indeed may be an authentic miracle. Unnecessary, and perhaps a bone thrown to those in the reading/viewing audience who would need such a literal validation. Otherwise, maybe they might not "get" the story about the real miracles? In any event, this reviewer feels that the plot twist, coming almost like an afterthought, weakens the genuine effect of the "miracle worker" being the young Mexican boy or that the ways of "God" may be unfathomable, and not dependent upon literal things. To hammer the "miracle" message, there is one gratuitous "drive the point home" line spoken by Peter Fonda (the priest) BEFORE the last minute switch, when he says of the boy, "There's the real miracle"... only to contradict his own insight, and all the development of the movie, when the second blood test comes back, causing the priest to run out of the room shouting "It really IS a miracle". Which is it, or maybe it's both? Confusions abound at this point, along with a passing sense of anticlimax. But fortunately, the film is near its beautiful and poetic end with the sequenced scenes of changes wrought in individual lives. We can decide for ourselves about the real miracles of this miraculous little movie.

I absolutely loved this film. It is beautiful, as well as profound, in its simplicity. "The Maldonado Miracle" is a film that can be enjoyed by all audiences. The story is of a young boy (Eddy Martin) in search of his father, who indirectly and unknowingly, influences the small town where he is hiding out to make a change for the better. He is the Maldonado miracle. This film expresses such a sweet message of looking for miracles within our individual lives; sometimes they can be found in the most unlikely situations.Selma Hayek is fantastic in her first film as director. Also, performances by Peter Fonda and child actor Eddy Martin (who, by the way, has an amazing singing voice) are very near perfect. I was able to attend the world premiere of this film at Sundance with the cast and crew. It was such a neat experience and I give "The Maldonado Miracle" my highest praise. I recommend it to everyone who can get their hands on it!