The Man from Bitter Ridge
The Man from Bitter Ridge
| 12 April 1955 (USA)
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The Man from Bitter Ridge is a film directed by Jack Arnold. Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the town. Sheepman Alec Black is suspected by the local population but it is not long before Jeff realizes the man is innocent. Alec even becomes a good friend although he is in love with the same woman as him, Holly. Jeff will manage to arrest the real culprits but not before the latter try to compromise him down.

Reviews
ChikPapa

Very disappointed :(

Beystiman

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

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Calum Hutton

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

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Zlatica

One of the worst ways to make a cult movie is to set out to make a cult movie.

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Michael Morrison

Good-looking Lex Barker will probably always be known as one of the best of the Tarzans, but he shows here he was also one of the best Western actors.He is accompanied here by some of the finest actors -- not necessarily best known, but extremely talented performers -- ever to grace the Western screen.Mara Corday was simply gorgeous, but she was also an excellent rider and an actress who should have received more adulation.Stephen McNally was usually an excellent city slicker, and he frankly surprised me in this Western role. "Cowboy" is not strictly apt since his character was head of the sheepmen, but he looks as if he had been a cowboy all his life. This is an eye-opening performance.My favorite in "The Man from Bitter Ridge" is Trevor Bardette, as the incumbent sheriff. This might be his best role ever, and it is one of his best performances. He is so completely watchable as the left-handed sheriff, you will want to watch and re-watch this movie just to watch his expressions and gestures. Extraordinary!Surely one of the slimiest Western villains of all time, and another really excellent actor, is a man I've loved to watch for, really, decades, Myron Healey. "Slimy" is just the perfect description of his character, but he is so much more in this role.I remember Myron Healey playing the prosecuting attorney in a Durango Kid movie and being astonished at his ability to play one of the good guys. It merely proved Mr. Healey was a by gosh actor!As the brains heavy, John Dehner was another surprise. What a calm and controlled portrayal of the most villainous of the villains. His IMDb bio reads in part, "A tall and distinguished looking man with a rich voice and somewhat flamboyant demeanor, Dehner often was cast as an outlaw leader ..." Well, yes, he was the outlaw leader, but, to repeat, his character was far from "flamboyant," being calm and controlled and in charge. Excellent characterization.There is good dialogue, and excellent directing. Director Jack Arnold might be best known for science fiction, but he won awards for TV and his Westerns earn high praise."The Man from Bitter Ridge" is a blah generic title but an exciting and beautifully presented movie. I urge you to see it, and you can at YouTube.

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Spikeopath

The Man from Bitter Ridge is directed by Jack Arnold and collectively written by Lawrence Roman, Teddi Sherman and William MacLeod Raine. Cinematography is by Russell Metty. It stars Lex Barker, Mara Corday, Stephen McNally and John Dehner.Jeff Carr (Barker) is a special investigator who arrives in Tomahawk to seek out who has been holding up the local stagecoach with murderous intent.It's your standard rank and file "B" Oater of the 1950s, but one of worth to the discerning duster fanatic. Beautifully photographed by Metty out of Conejo Valley and Skeleton Canyon - in Eastman Color (check out those blues) - the pic never lacks for action (dynamite play, shoot-ups, rounds of knuckles) and mysterious political intrigue.Characterisations are boosted by the presence of McNally and Dehner (as usual), and Corday is socko beautiful enough to off-set what is - and was - often a standard Western female role. There's some neat touches in the screenplay, such as a black sheep metaphor, the fact our hero quite often is easily disarmed! And some good old false imprisonment.It doesn't shake your boots off but it does ruffle them regardless. Good fun. 6.5/10

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bkoganbing

Express company agent Lex Barker and sheepman Stephen McNally are reluctant allies and rivals for the hand of Mara Corday. Allies they have to be against three brothers John Dehner, Myron Healey, and Warren Stevens who not only are responsible for a whole lot of crimes, but Dehner is an ambitious man. He's embarked on a political career that has him running against local sheriff Trevor Bardette. A lot of what they're robbing is for his campaign expenditures, not for this, but because Dehner wants to be governor. Can't say he's not ambitious. Dehner's the brains and Healey and Stevens are the muscle end of the organization.It's your average shoot 'em up western with an interesting political twist to the proceedings. The climax involves a shootout where the whole town seems to be involved. It's putting a real crimp into the scheduled election for sheriff.Western fans should like this.

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GUENOT PHILIPPE

A pretty good time waster. Effective, fast paced, with very good action sequences. The cast is also adequate: Stephen Mac Nally, Lex Barker, Mara Corday, and John Dehner as the bad guy: a banker involved with a gang of stagecoach robbers, outlaws.But unfortunately the topic is rather foreseeable. Barker is the guy who is accused for being one of the outlaws who robbed the stagecoach. And he finds an allied in Stephen Mac Nally, a sheep man.The gunfights sequences at the end of the movie are vibrating.A good western, but we are far away from NO NAME ON THE BULLET, also directed by Jack Arnold and, I admit, a rather psychological western.

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