A bit overrated, but still an amazing film

The film makes a home in your brain and the only cure is to see it again.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

While it doesn't offer any answers, it both thrills and makes you think.

Brilliant doctor and sculptor Dr. Georges Bonnet (Anton Diffring) is 104 years old but looks less than half his age; the secret to his youthful appearance is to periodically undergo surgery to replace one of his glands with that of another human being. When his longtime associate Dr. Ludwig Weiss (Arnold Marlé) fails to perform the operation vital to his survival, Bonnet resorts to temporary solution—a liquid that can keep him fresh for a few hours at a time. But with the fluid running out, and with Georges hoping to spend eternity with his beautiful betrothed, Janine (busty Hazel Court, providing the Hammer glamour), the desperate doctor uses any means necessary to convince renowned surgeon Pierre Gerrard (Christopher Lee) to perform the transplant.The Man Who Could Cheat Death (1959) boasts the great production values and fine performances one would expect from a Hammer movie of the era, but the film is let down by a hackneyed plot that borrows ingredients from Jack The Ripper, Dorian Gray and Jeckyll and Hyde, but which does very little of interest with them. Diffring, Lee and Court do the best they can with the material, but it's all so familiar and frustratingly pedestrian that the excellent cast can do little to save matters. The film does pick up for the final act, with a nice twist courtesy of Lee's character and a spectacular finale in which age finally catches up with Bonnet before he is burnt to a crisp in a raging inferno, but there is no denying that this is far from Hammer's best.5/10—however, if I ever find the elusive European cut featuring Hazel Court's topless scene, I might be tempted to give it slightly more.

The Man Who Could Cheat Death is a carefully presented and decently crafted movie from Hammer Films; and while for the most part it lacks the gusto of Curse Of Frankenstein and Dracula it's a decent enough addition to Hammer Horror.The movie does take quite a while to get going, though. The first 45 minutes or so are bogged down in over-talky scenes that occasionally tell the viewer plot details that are already known - or at least strongly guessable - and the film suffers from some quite bad overacting from Anton Diffring in the set up stages of the plot. Like the film, though he improves as things develop and ceases to look as if he's acting, which is the biggest fault in his performance in the early part of the movie.Diffring plays Georges Bonnet, both a surgeon and noted amateur sculptor, well respected by the art fraternity. Bonnet hides a ghastly secret, however: this 35 year-oldish handsome man is actually 104 (about the same age as Cliff Richard) and through means of a glandular operation has been able to prolong his life, banishing sickness and ageing to boot. Every 10 years the effect wears off, and Bonnet must find a new unwilling donor to increase his already unnatural life span.Diffring is lent sterling support from Hazel Court and Christopher Lee - this is one of Lee's most relaxed early performances and he does well in the role of a young surgeon coerced into performing the operation on Bonnet - and Hammer's production design is as usual impeccable.The movie also ends on a neat twist which you will probably see coming, but is effective anyway. All in all a neatly done, not quite top draw Hammer offering. It just needed more pace during the first half.

It was Anton Diffring's turn to shine in this decent Hammer chiller, set in Paris, where he stars as a talented sculptor, and scientist, who kills Parisians for their glands so that he can remain youthful and alive despite being the age of 104 years old! Dr. Georges Bonner (Diffring) needs a difficult surgery in order to continue living, but his old friend, Dr. Ludwig Weiss (Arnold Marlé) has a crippled hand and arrives too late, forcing the sculptor to kill someone because he was unable to keep cadaver glands in the appropriate condition needed. Christopher Lee is a well-respected surgeon, Dr. Pierre Gerrard, who agrees, albeit reluctantly, to perform the surgery, only willing to do so at the request of Weiss, a famous Vienna doctor with a renowned reputation, who promised to be in attendance. Hazel Court is Janine Du Bois, once a model—and lover—for Bonner, still in love with him, acknowledging her feelings passionately, not knowing of the sculptor's dark side. Francis De Wolff (Hound of the Baskervilles; Corridors of Blood) is Inspector Legris, trying to locate a missing model who discovered to her horror Bonner's secret, disrupting him as he was in the middle of drinking a prepared serum which will stave off the old age which lies dormant in the sculptor's system. This green fluid in a flask, kept in a locked safe, is only a brief substitute as Bonner truly needs a surgery in order to survive the lurking age underneath a veneer of youth and handsomeness. Bonner is so desperate to stay alive and not accept the death that is longing to release that he'll do whatever it takes in order to do so. Weiss, who realizes the monster that Bonner has become, tries to stop him from living any longer—attempting to interfere with Bonner's drinking of more fluid from the flask in the safe—only incurring his long-time friend's wrath. Seeing no other alternative when Gerrard backs out of surgery due to Weiss' absence, Bonner will, at first, seek help elsewhere, ultimately blackmailing him by imprisoning Janine. While this Hammer mad scientist movie is set in Paris, "The Man Who Could Cheat Death" feels like we are in London with a mostly British cast. Lee is, as usual, more stern, serious, principled, and pious, while Diffring shows the unstable nature his character is going through, hiding the madness while amongst others, becoming unglued when confronting what lies underneath, old age looking to break free. Arnold Marlé and Diffring have the most intense scenes in the film because we witness the disintegration of a friendship, evaporating over the unethical and immoral practices of Bonner—Bonner, clinging to his immortal status, not allowing, if he can help it, the failure of others, preferably Gerrard, to provide the services he demands. Good small cast, with lovely, ravishing redhead Hazel Court and her heaving bosom most welcome. Fiery climax, in the style of many Terence Fisher Hammer outings, featuring old age make-up (to me similar to the mummy make-up of future Hammer movies), allowing Lee to come to Court's rescue as Diffring's madman wants her to attain the same "miracle of youth" that he (thinks he) has. Diffring goes all out, bug-eyed and unhinged, when his character's body starts to deteriorate if he doesn't drink the serum, some trick of light and a bit of make-up assisting the actor during these slight transformations. During this changing stage, his touch is acidic as he burns those he grabs during his mad fits. Okay Hammer flick, but nothing too memorable.

Terence Fisher, Jimmy Sangster and Christopher Lee teamed up yet again in this Hammer Films outing. This was a remake of the 1945 movie "The Man in Half Moon Street" and has absolutely nothing to do with "The Picture of Dorian Gray". Hazel Court is also on hand once again. She actually did a topless scene available in much of Europe but was cut from the US and UK prints. Anton Diffring is not at his most effective in this film. This is really only for devotees of Hammer and Christopher Lee - who has a new generation of fans thanks to Peter Jackson's Lord of the Rings Trilogy and George Lucas' last 2 Star Wars films.