Wonderfully offbeat film!

Who payed the critics

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Deaths are occurring far too frequently at a detention home for young women, and some staff are suspicious. Among those who get involved are the sincere psychiatrist Dr. Jess Rogers (William Hudson) and social worker Carol Adams (Charlotte Austin). It turns out that the evil heads of the prison - including Dr. Murdock (Victor Jory) and his associate Mrs. Ford (Ann Doran) - are cruelly, selfishly helping themselves to the bodies of the ladies for some fiendish purpose.As written, by Bernard Gordon, and directed, by Laszlo Kardos, "The Man Who Turned to Stone" is a routine B movie, no more and no less, and reasonably amusing and entertaining. There's nothing that really stands out about it, other than perhaps the chance to see character players like Jory and Doran in top billed roles for a change. All of the actors play the material with jut jawed conviction. Adding some physical menace to the scenario is Friedrich von Ledebur as the hulking, mute manservant Eric. Hudson is a likable enough hero, and the beautiful Adams is an engaging heroine. Paul Cavanagh contributes a fine performance as Cooper, the most repentant of the antagonists.There's mostly a lot of talk, and exposition, here. Some of the running time is devoted to watching Rogers read from Coopers' notes. But the movie isn't devoid of action and atmosphere. The actors make it fun enough to watch for a reasonably trim 72 minutes.Five out of 10.

Even though I don't often use the term, this 1950s B horror has become a favorite "guilty pleasure" of mine. It's has an enjoyably weird and sordid premise, even if it's loaded with plot holes and requires a heaping suspension of disbelief. A detention center for women is experiencing an unusually high rate of random heart attack deaths by healthy young female inmates. It turns out that the newest staff of eccentric middle-agers now running the prison are actually centuries-old people who kidnap the girls, and then drain their life forces in order to keep themselves from aging further. The problem is, if they miss their latest energy boosts, they start to turn into stone. A kindly social worker (Charlotte Austin, later in FRANKENSTEIN 1970) and psychiatrist William Hudson (the bad hubby of ATTACK OF THE FIFTY FT. WOMAN) investigate the strange occurrences. Victor Jory is suitably creepy as the head villain. This has some disturbing moments considering its era, and is just offbeat enough to remain consistently interesting. **1/2 out of ****

More of a horror movie set in a "girl's home" than a science fiction movie, with definite exploitation elements, "Man" seems to be built around the scenes where "Eric" grabs the young women and carries them off to the upstairs lab to be tied up, gagged, and drained of their "bioenergies".You'd think a movie with several scenes like that would be cheaply thrilling and maybe a guilty pleasure, but you'd be wrong. The movie is mostly too too dull to keep any interest. The "girls" all seem to be in their late 20's and 30s (I know, it's really hard to get teenagers to look and act believably for extended lengths of movie time) and a couple of them are OK, but none of them are there for any reason but to be kidnapped and victimized.There's one nicely underplayed scene where the scientist/torturers decide withhold the bioelectric treatments from one of their number for reasons that aren't completely clear. The actor playing the dying scientist manages a dignified and believable farewell and you can see how interesting the film might have been if the director and screenwriter had the wherewithal to explore the group dynamics and interplay of a group of 200+ year old bioelectric vampires.To top it off, the hero "wins" because one of the scientists accidentally drops a candle into a box of rags while changing the fuses or something and within seconds the whole building is engulfed. Stupidest. Villains. Ever.Victor Jory is decent in this - you can see even here why the man could continue to get work in films over the years.Not good, not all that bad, "Man Who Turned To Stone" is just...there. If you get a chance to see it, it'll be OK and you won't hate it. But I doubt you'll remember much of it the day after.

A motley crew of 240 year old plus crustaceans, led by suave but diabolical doctor Victor Jory, are hanging out at a reform school for teenage girls, who are really in their upper twenties and early thirties. But I digress. It seems that to keep themselves alive, these crumbling pillars of the medical fraternity have to indulge in a little bioelectrical hanky panky from time to time. However, the ruse will soon be up because Miss Goody Two Shoes prison psychologist Charlotte Austin and prison psychiatrist William Hudson, (he being the nasty hubby of poor, dear Allison Hayes in the fifties cult classic "Attack of the 50 Foot Woman") are both determined to put an end to the chicanery that is going on. As much a B-mystery movie as it is a B-horror movie, "The Man Who Turned To Stone" celebrates a silly script, leaden pacing and granite-like performances except for Jory, and Ann Doran as 1957s foreshadowing of Nurse Ratchet. A minor low-brow effort with little to redeem itself, "The Man Who Turned To Stone" is a cheapie quickie that somehow managed to do respectable box office by virtue of an enticing ad campaign and, much more importantly, a generous television advertising budget at a time when such products rarely got the sort of dollars this one (and its packaged co-feature "Zombies of Mora Tau") received. I know, because in my city it was the television ads flowing out of Buffalo that immeasurably hyped our box office at the Downtown Theatre in Hamilton.Almost instantly forgettable, "The Man Who Turned To Stone" is a minor, 71 minute artifact that should really have been on the lower half of the double bill package given it's "Zombies of Mora Tau" that displays most of the life.