The Manor
The Manor
| 11 February 1999 (USA)
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The Manor, a dark funny version of Akira Kurosawa's " Rashomon". During a snowstorm, Patrick Roarke, a manservant, is found dead at the bottom of the main staircase in a gothic English mansion. Inspector Hatcher is sent to investigate the death. When he arrives, he finds a household consisting of five women. When questioned by the inspector, each of the women tells a different story, all of which are illustrated by flashback scenes showing the events as related by that particular person. Everybody seems to protect somebody and the inspector becomes increasingly intoxicated as he tries to untangle the web of lies in his endeavour to find out the truth.

Reviews
Cathardincu

Surprisingly incoherent and boring

Limerculer

A waste of 90 minutes of my life

Hayleigh Joseph

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

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Payno

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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rstef1

This is an example of a movie where some judicious editing would have helped immeasurably.The first half is an interesting whodunit in which Tomas, a Bohemian detective (well played by Martin Dejdar), attempts to determine the true story behind the death of a servant in the Ravenscroft mansion. His interaction with the mistress of the house, her daughter and governess, and the servants is amusingly prickly for about an hour. Unfortunately, impatience begins to set in when this same cat and mouse, back and forth continues on for another 40 minutes with all parties lying for their own reasons. To make matters worse, the scriptwriter has the inspector become increasingly drunk, an unnecessary plot turn that derails the tone set in the first half and which struck me as being distinctly out of character for Tomas. Ultimately, the resolution is not interesting enough to warrant the time and effort spent reaching it.There are good performances from the whole cast, though top billed O'Toole is in the film only very briefly in flashbacks as the deceased patriarch. The set design and camera work are wonderful, top honors to art direction. Unfortunately, these positives are counterbalanced by an overlong tale muddled by useless plot contrivances.

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jimakros

this is based on a stage play and thats what it looks like.Its all shot in interiors of what is supposed to be an English country manor,the action takes place in a few rooms and there's repeatedly cut-between shots of imaginary scenes or other scenes that are not explained until the end of the movie.Most of the plot is related to the main long stairs of the manor and we get to see repeated shots of these stairs to the point that it gets tiring. The good things about this movie are the ladies' performances,which are all above average,O'Toole has a small funny role,if you are a fan of O'Toole this is not anything worthwhile to watch of this great actor.The cinematography is also very nice and so are the sets. This script has a lot of dark humor but its not for everyone's taste. It wasn't bad,but i don't rate it as anything particularly good.Its worth a look though,i watched this and wasn't bored i even laughed in a couple of scenes.

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the_blake92

What an incredibly refreshing film. It was just simply wonderful. Beautiful cinematography, outstanding performances, hilariously dark script. The perfect whodunit with just the perfect amount of wit. Gabrielle Anwar is spellbinding as the icy governess, and Greta Scacchi gives a breakthrough performance; I'd never seen her do comedy and she was simply brilliant. Peter O'Toole was chilling and tremendous, a great part for him. Laura Harris was excellent as the demented daughter of the manor, and Fay Masterson and Edie McClurg played the servant duo with absolute perfection. If you like, comedy, drama, or suspense this is a must-see, it's really a pity that this was not released in America. ****!

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darkstar-26

I stumbled on this little gem at its Santa Barbara debut. This film is a beautifully shot period piece, very cleverly written and well-directed. I'm looking forward to seeing it again when it comes to an independent theatre in L.A. Peter O'Toole is spellbinding and masterful. Everyone was well-cast. I especially enjoyed Edie McClurg as the cook. How refreshing to see a very intelligent, almost all-woman cast. Bravo to Ken Berris for this quality film!

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