Slow pace in the most part of the movie.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Go in cold, and you're likely to emerge with your blood boiling. This has to be seen to be believed.

This Memphis Belle is the real thing, and will be remembered long after the 1990 movie version has been forgotten. It is a documentary filmed during the height of World War II on a USAAF air base in Britain, and also on board the Memphis Belle, a typical B-17 Flying Fortress of the U.S. Army's 8th Air Force. No blue screens were used in the production of this movie, no Hollywood special effects or computer-generated imaging. William Wyler and his cameramen accompanied the bomber crew on a actual combat missions over Germany. No actors or stunt men were used, either. The men shown flying in the Memphis Belle were the actual crew of the Memphis Belle. In addition, the wounded airmen seen being removed from returning planes were not extras, they really were wounded. Another aspect of this film that was not faked was the severe battle damage seen on some of the returning B-17s. The fact that some of those planes even managed to get back at all is almost incredible, and the images in this movie stand as a testament both to the skill of the pilots and to the structural integrity of the legendary "Flying Fortress". The combat footage used in this movie was so good that, for decades, it was used in any movie or television program concerning the air war over Europe, in preference to anything that the Hollywood special effects departments could manufacture. You will see clips from The Memphis Belle in such well-known Hollywood films as "12 O'Clock High" and "Command Decision". The Memphis Belle is a must-see, both as a tribute to the courageous airmen memorialized in it, and to the intrepid cameramen who literally risked their lives to film it.

*Spoiler/plot- 1944, The documentary story of a flying fortress and it's crews 25th and last mission over occupied Europe.*Special Stars- Director: William Wilder *Theme- The flying fortresses were very vulnerable over occupied Europe. *Trivia/location/goofs- A major and well publicized documentary of it's time.*Emotion- An enjoyable documentary made up of live action combat or newsreel footage. However, there are the unpleasant shots of injured Americans and killed Germans with some blatant racist language. But it is extremely educational and does what a narrative simulated war film can do. **ALSO SEE: "Thunderbolt", a film about WW2 fighter pilots

To really appreciate this documentary, one must also read "The man who flew the Memphis Belle", written by Bob Morgan the pilot of the memphis Belle, and find out what it was like to be over there. Not only did Morgan and his crew complete 25 missions over Germany with the Eight Air Force, but after a bond tour in the US, he then went to the Pacific theater where he completed 26 missions flying B-29s over Japan.Thanks to Morgan, and men like him, we are free to see any movies we want, and give our opinions freely and in English, not German.

Ever see paramedics resuscitate a dead man? If you have, it's impossible to take a medical drama seriously again. There is absolutely no drama in their actions. "The Memphis Belle" left me with same impression about soldiers. Although they worked in an inherently tense situation, a situation in which their lives could end on a whim, or an instant shift in kharma, it was their calmness that colored them the most. For two magnificent segments, director William Wyler plays taped intercom conversations over the already breathtaking photography. What we get are scenes that put those of ANY fictionalized war movie to shame. In the first, the camera is in the right place at the right time as he captures the waistgunner engaging a charging Messerschmidt. He lets his gun loose, and a stream of tracers goes sailing off into oblivion, wreathing the enemy plane. Then a few hit, then a few more and then the enemy fighter is engulfed in a cloud of black smoke. As he watches the plane drop with a sickening whistle, he hollers over the intercom in joy: "ha, ha, I got him, I got him." The Captain, annoyed, barks back: "don't yell on the damn intercom!" No joy, no bravado, just the grim realities of war. In the second, the camera captures a foundering B-17 turning on its side and slowly nosing down in a beautiful arc. Their response: {calmly} "a B-17 is goin' down at four o'clock" The crew chants in irritation "come on you guys, get out of there. What are you fellows asleep in there, get out!" Finally, two or three parachutes unfurl, closely resembling a Daffodil blooming. War turns out to be beautiful. Kurosawa's "Ran" and Coppola's "Apocalypse Now" argued this same point. But they were just movies. This film with its countless shots of the clear blue skies and the appealing flak patterns, proves it to anyone who dares to believe. In the film, there was not one patriotic utterance, or a single pean to heroic sacrifice, at least not from the men who flew the planes. These men were not heroes, nor were they warriors, or even soldiers in the sense that we portray those things. They were EMPLOYEES of the U.S. Army Air Corps. They did a job, and did it only because the "Boss" told them to. Even if they hated it (and you get the sense that they did), they did it. That impression never leaves me. The human species and its ability to accept any situation and get used to it. From now on, the passions of the soldiers in all the "blockbuster" war flicks will make me sick. Why dramatize that which is inherently full of tension. but we know most people that write war flicks have never been in jeopardy, so what do you expect. "The Memphis Belle" requires no histrionics or flowery dialogue to be the greatest war movie ever made.