I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Edgy Pre-Coder with a Number of Memorable Scenes and Some Interesting Camera Shots. Warren William Plays a Sleazy Huckster who Could Con the Feathers off a Pigeon but Could Not Sell a Brush to Keep from Starving.A Fine Cast and a Carnival Atmosphere with a Second Act Demeaning Rich Folks as Adulterous Asses (typical for Films in the depression) and Deserving of the Exposing that the "Mind Reader" Lays Out for the Suspecting Wives.In Support, there is the Beautiful Constance Cummings as the Love Interest and Allen Jenkins as a Bombastic and Loud Mouthed Sidekick. It's a Good Entertainment with a Sombre Theme and Enough Angst to Make it a Winner. Most of the Pre-Code Stuff comes from Implication and Dialog. References to Underage Girls being Preyed Upon and Other Nastiness. The Ending is a Double Edge Contrivance and may Sit Differently Depending on Personal Expectations. A Powerful Movie but there is One Similar Film that is even Better, Creepy, and Navarious. Nightmare Alley (1942), One of the Best Film-Noir and Starring an Unlikely Tyrone Power.

The idea of having Warren William play this part was an inspired choice--he was perfect for this part. However, no matter how interesting the idea was and how good William was, the plot just kind of fizzled--and late in the film the picture really lost its way. It's a shame, as the movie could have been very good.The film starts with William selling a variety of bogus products throughout the country. Eventually, he hits on the idea of becoming a fortune teller. He pretends to read the future but mostly just makes things up or has his assistant (Allan Jenkins) investigate and dig up information on people so he can appear psychic. After a while, he learns that a lot of people have been hurt or even killed because of his 'predictions'--culminating in a terrifically harrowing altercation with Mayo Methot (one-time wife of Humphrey Bogart). In the process, he ends up losing his wife--a woman who had thought William COULD predict the future but has since learned he was a phony.Now, at this point of the film, I really liked the movie. The scene with Methot was intense and wild. But, somehow, the great script with the sociopathic leading man lost its way...very badly. First, while William continues to hurt people again and again, even after he loses his wife, he eventually and completely out of the blue announces during one of his shows that he's a fake!! Why would such a selfish and despicable man do this?! People had already died because of him and he knew it--yet kept on lying and swindling people. So why later announce you are a fraud?! In addition, although William's wife (Constance Cummings) left him because he was such an evil man, why did she later in the film love him so unconditionally--even after she knew he had shot someone (and she had no idea whether it was premeditated or an accident)? And, why at the end of the film did William turn himself in to save Cummings when the police thought she was the killer?! This made zero sense--and the film just spiraled into an incomprehensible mess in every possible way.The movie is like a movie that began without a finished script. The first half was good but they just fudged the ending--and it sure looked bad! Pathetic and irritating, as the film had been so good in the first half--darn good.For a much better film about fake psychics, try watching "The Clairvoyant" (1934) with Claude Rains. While the plot is similar, what they do with the story in the second half is satisfying and worth seeing--"The Mind Reader" isn't!

WARREN WILLIAMS stars as a man who is a charlatan mind reader, eventually redeemed by the good woman who becomes his wife--and who remains loyal to him even after she learns that he has returned to his old ways while making her believe he has a respectable job. Constance Cummings does a nice job as his love interest.It's a sort of time capsule for the way things were back in 1933. Allan Jenkins does a standout job as the charlatan's foil, closing the film with a line delivered in tough Jenkins style: "Too bad you're going to the slammer just when drinkin' is okay again." A fast moving little programmer, easy to watch and just as easy to forget.Trivia: Watch for Humphrey Bogart's first wife, Mayo Methot, as an overwrought young woman who lashes out at the charlatan before jumping into an open elevator shaft.Another point of interest for me: The romantic theme played beneath much of the tender dialog between Constance Cummings and Warren Williams is the dance theme used years later in TO EACH HIS OWN ('46). I always thought Victor Young was the creator of that dance theme, but apparently not. The score here is listed by IMDb as an original one.

William Warren plays a fraud who must choose between his girl and his fraudulent - but lucrative - profession. Interesting use of crooked camera angles to depict crooked dealings. Warren displays a wider acting range than in other movies.