Expected more

everything you have heard about this movie is true.

Disappointment for a huge fan!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Weird , bizarre story of Tchaikovsky's life . Based partially on facts , as Tchaikovsky lived as a bachelor for most of his life . As piano teacher Peter Ilych Tchaikovsky (Richard Chamberlain) is an emotionally insecure man who struggles against his homosexuality . In 1868 he met Belgian soprano Désirée Artôt . They became infatuated with each other and were engaged to be married but due to Artôt's refusal to give up the stage or settle in Russia , the relationship ended . Tchaikovsky later claimed she was the only woman he ever loved . In 1877, at the age of 37 , he wed a former but depressed student , Antonina Miliukova (Glenda Jackson) . The marriage was a disaster . Mismatched psychologically and sexually , the couple lived together for only two and a half months before Tchaikovsky left , overwrought emotionally and suffering from an acute writer's block . Tchaikovsky's marital debacle may have forced him to face the full truth about his sexuality and he never blamed Antonina for the failure of their marriage . Tchaikovsky's family remained supportive of him during this crisis and throughout his life . He was also aided by Nadezhda Von Meck (Izabella Telezynska) , the widow of a railway magnate who had begun contact with him not long before the marriage . As The support of a wealthy widow as a patron gives him the artistic support he needs . As well as an important friend and emotional support , she also became his patroness for the next 13 years , which allowed him to focus exclusively on composition . Tchaikovsky remained abroad for a year after the disintegration of his marriage. During this time, he completed Eugene Onegin , orchestrated his Fourth Symphony and composed the Violin Concerto . The formal Western-oriented teaching he received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five (it refers to a circle of composers who met in Saint Petersburg, in the years 1856–1870 : Mily Balakirev , César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin), with whom his professional relationship was mixed . He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States . Tchaikovsky was honored in 1884 by Emperor Alexander III, and awarded a lifetime pension .This is an intense and thoughtful tale about a thunderous relationship proceeded in a Russel's style . As the film displays his trademarks , extreme angle cameras , excessive facial close-ups, utilization of numerous camera shots with primary colors and overblown visuals . Dealing with the tortuous struggles to have his music accepted as well as Pyotr attempts to suppress his homosexuality , experiencing serious psychological damage . In Ken Russell's own words: ¨It's the story of the marriage between a homosexual and a nymphomaniac that proved to be disastrous¨ . It's a convincing picture though relies heavily on the stormy relationship between Tchaikovsky/Richard Chamberlain and Nina/Glenda Jackson . Magnificent acting with exaggerated but convincing performances . Russell offered Alan Bates the lead role of Tchaikovsky during the filming of Women in love (1969) ; although Bates admired the script he turned the role down . Excellent main cast and secondary actors , such as Kenneth Colley , Bruce Robinson and Max Adrian as Nicholas Rubinstein , among others . Glamorous cinematography with exceptional attention to detail and captivating images by Douglas Slocombe . Spectacular musical score by Andre Previn conducting famous parts as Romeo and Juliet , overture 1812 , miniature march , dance of the clowns , Scherzo burlesque , Manfred Symphony , 6th Symphony , String Quartet No. 3 , Polovtsian Dances from "Prince Igor" by Borodin . The motion picture was well directed with flamboyance style by Ken Rusell . He's an expert director , whose greatest success was in the 70s with an offbeat musical biographies , such as 'Mahler , Lizstomania , Music lovers' , besides he directed another hits , as ¨Women in love¨ , ¨Valentino¨ and ¨The Devils¨. This outlandish biographic chronicle will appeal to Ken Russell fans.

This was a somewhat entertaining film for someone (me) who knew little about Tchaikovsky. I did look up a bit about him, and while you couldn't call this a rigorous biography, it hit the high points. Obviously it was convenient to have all of the music to score the film with in the public domain. The music was fantastic, but hey, it's Tchaikovsky. Outstanding acting performances by Chamberlain, and Glenda Jackson, and Izabella Telezynska. A little quibble with a previous comment. Kenjha wrote "The film includes such silly scenes as Mrs. Tchaikovsky having affairs with Rimsky-Korsakov and Borodin to make her husband jealous." My view was that Nina's mother told her that the men in question were Rimsky-Korsakov and Borodin, but she knew that they were not. She was taking advantage of her daughter's delusions to make money, more or less pimping her. I found the direction somewhat annoying, and it wasn't apparent at first what scenes were "reality" and which were dream/fantasy sequences. The scene about visualizing the famous 1812 Overture was particularly annoying. But overall, I ended up liking the film.

"The Music Lovers" captures the Ken Russell style at its best. It's a full blown expression of his romanticized, shocking, exaggerated biographies, previously seen in black and white, low-budget BBC productions (more adequately financed here thanks to the success of "Women In Love"). Russell's excessive style contrasts the supreme beauty of Tchaikovsky's music with the turbulent, tormented, messy life from which it arose. The visual flights of fancy succeed in conveying the musical transcendence. Performances go way over the top, but the treatment calls for it. Richard Chamberlain bravely goes where few actors would in 1970. Glenda Jackson is absolutely fearless. She'll do whatever it takes, from writhing around nude to shaving her head. There's no denying the film is a deliberate assault on the senses, but thoughtful viewers will leave with much to contemplate and digest. I should not omit the fact that it's highly entertaining as well.

Flaming Love, and CholeraSunday October 22, 12:00pm, The Cinerama"Gossip dies without a few facts to support it my friend. Tchaikovsky gives them plenty."The fifth of seven vaguely biographical features based on the lives of prominent composers, The Music Lovers (1970) is director Ken Russell's florid distortion of romantic Russian master, Pyotr Ilyich Tchaikovsky. Throughout his long career, a primary criticism of Russell's work has been that the garish, excessive and vulgar in-your-face style of this former television director is merely amplified on the big screen. Casting one of televisions biggest stars in the title role, production values which have become decidedly dated, and the frequent use of dizzying camera movement do little to contradict this observation. Still, Russell's typically over-the-top portrayal of an artist who struggles with childhood trauma, a difficult (but very unconvincing) temperament and sexual frustration, does have several breathtaking visual moments: The incredible bonfire scene, dancing with the swans, and Nina (Glenda Jackson) ravaged through an iron grate by lunatic asylum inmates. The beautiful score is of course, Tchaikovsky.