A lot of fun.

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

In 1917 New York City, arrogant prizefighter Richard Barthelmess (as "The Patent Leather Kid") is so charismatic, he woos pretty "shimmy" dancer Molly O'Day (as Curley Callahan) even though she has attended a boxing match to root for Mr. Barthelmess' opponent. When the United States joins Europe in the Great War (aka World War I), Barthelmess doesn't show as much interest in fighting for his country as he does in fighting for fame and fortune. He is told, "it's better to be a live champ than a dead soldier." Ms. O'Day tries unsuccessfully to draw out Barthelmess' patriotism. Then, he is drafted...This film could stand to lose about 30 minutes of its running time; during the early to mid-sections, much is superfluous. The battle scenes are fine, though, except for some initial marching. The end is a flag-waving classic..."The Patent Leather Kid" is so named due to his slick, combed-back hairstyle, which Barthelmess seemed to prefer for the remainder of his career. This was a big hit for Barthelmess, who gets to use his great ability to make faces throughout; he won a well-deserved "Academy Award" nomination in the "Best Actor" category. O'Day made an impression with her hysterical nursing scene. Stuttering trainer Arthur Stone (as "Puffy" Kinch) and romantic rival Lawford Davidson (as Hugo Breen) lead the supporting cast. Were viewers were slow to find the already clichéd "black-eye" and "chocolate" racial jokes tiresome?******** The Patent Leather Kid (8/15/27) Alfred Santell ~ Richard Barthelmess, Molly O'Day, Arthur Stone, Lawford Davidson

THE PATENT LEATHER KID ranks among the great silent films. Based on the best-selling novel by Rupert Hughes, this long and ambitious film is almost two films in one.Richard Barthelmess, who won an Oscar nomination for best actor, stars as the boxing champion known as the Patent Leather Kid because of his hair (think of Rudolph Valentino). He's a cocky fighter who, between rounds in the ring, has his fair combed while the opponent gasps for air and is washed down. Molly O'Day plays Curley, a kooch dancer who gets involved with the Kid and brings him down. She's a bad-luck gal and diverts the Kid's attentions from his business: boxing.The comes World War I. The second half of the film shows the horrors of war as the Kid struggles in the trenches. Who should also arrive in Europe but Curley, who is now a nurse.Both Barthelmess and O'Day are exceptional in the final scenes when the wounded Barthelmess is delivered to the hospital. He's been wounded after a n heroic deed. He's caked in muck and mud and O'Day is just superb as she wipes away the mud from his face and slowly starts to recognize the Kid. The doctor has so many casualties to deal with he's willing to let Barthelmess die because he's so badly wounded, but O'Day begs and pleads and the doctor relents. He lives but is badly crippled.As the war grinds on there is a wonderful and moving finale involving the American flag.Barthelmess lost the Oscar to Emil Jannings.