Wonderful character development!

This movie was so-so. It had it's moments, but wasn't the greatest.

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Great movie. Not sure what people expected but I found it highly entertaining.

Having suffered the loss of their child at birth a married couple take a short break at a remote cabin in the woods (not exactly an original destination for horror movies!). Naturally things don't go to plan, the first half of this film has Antichrist spring to mind , only nowhere near as good. And it does start to drag, but then midway we're suddenly thrown into torture porn and slasher territory, To it's credit it doesn't hold back on the gore but sadly that's about the only good thing on offer here. Acting is pretty weak, especially Bret Roberts and Carl Wharton, with his northern English accent playing a ranger in Italy! Although it doesn't appear to be set anywhere in particular I would prefer to have seen it subtitled & in Italian with better actors. Italy has made many stylish, classic horror films over the decades but frankly this just looks like an American movie made in Europe for budget reasons. Boring first half, gory second half but silly & unconvincing twist. Easily forgettable effort.

Inept attempt at psychological horror that fails to deliver on all fronts. It's so dull it doesn't even approach "so bad it's good" territory, which at least might have made it a passably entertaining watch. Co-writer and director Lucas Pavetto is probably Italian (I don't care enough to confirm this) -- the film was shot in Italy but doesn't seem to be set anywhere in particular. The dialogue sounds as if it was written by someone who's first language is not English, but that's the language the characters speak, with a bewildering array of accents. The most impressive thing about this film is that they didn't manage to cast even two people who sound like they might be from the same country, let alone the same region.Bret Roberts and Gabriella Wright, as a couple trying to rebuild their relationship after a miscarriage by having a weekend getaway at the proverbial cabin in the woods, look and act like two models on a camping trip photo shoot for an outdoor lifestyle catalog. I don't envy them having to get through the stilted dialogue, but neither are remotely compelling or believable, with Roberts in particular giving some pretty cringe-worthy line readings. That's a huge problem considering that much of the run time is devoted to them.Pavetto's idea of building tension consists of throwing in lots of distance shots that make it appear someone might be tracking a character, an annoying array of spooky music cues and sound effects, and the occasional attempt at jump scares. All of these things, when employed in service of a story that is genuinely building tension, could be effective -- here, they just serve to emphasize the degree to which nothing interesting is happening on screen. There's a twist ending most people will probably see coming a mile off, if anyone manages to make it that far.For a far superior, more suspenseful and psychologically penetrating look at a couple breaking down in the wilderness, check out "Backcountry."

Wow this was bad. Imagine every bad quality a film can possibly have and this one most likely ticks that box. The acting is the most plain-to-see of all the things wrong. It's absolutely unbearable. Bret Roberts in particular gives one of the worst performances I can remember watching in a long time. Then add in the fact the dialogue is as poorly written as you'll ever see in the modern age of filmmaking and that just makes things twice as bad. Then there is the direction. It truly is all over the place. Loud noises are used time and time again to give the audience a jolt, yet there is never any tension in the scene to begin with. Early on there is a chase scene through the woods with literally no explanation that anything could possibly be following her. How is this supposed to make an audience feel? I've never given a film a 1 in all my years on IMDb. I've always managed to find at least something good enough to bump it up to a 2. 'The Perfect Husband' was going to be a 1 had it not been for the twist. Not that the twist was overly good, nor in any way original, but it did make some of the unbearably bad plot holes at least explicable. It did raise another question though, which was, did the violence in the film towards women really need to be as explicit as it was? This is a very different film to the likes of 'I Spit on Your Grave' where the graphic nature of the violence has a purpose and is building us extra sympathy for the character. Here, it truly was the definition of gratuitous. A real misfire that should be avoided at all costs.

One of the most trying questions I always have for my friends whenever they have just seen a horror film that I have yet to see, is whether or not the film was scary. After all, what good is a horror film if it's not horrifying? I saw "The Perfect Husband" yesterday, and I was disappointed at first, but I slowly changed my mind. The film's story deals with a family tragedy as one couple tries to overcome the loss of their child. But, the husband (Bret Roberts) deals with his pain through torture. Now, the film's first trailer is hosted here.The clip shows the husband becoming more and more erratic. He confines his wife (Gabriella Wright), while attacking his neighbor. It seems that this vacation is just an opportunity to kill. Excellent storytelling makes this story refreshing. Movie will keep playing with audiences, making them guess which horror sub genre will it go as the movie closes in? Is it good old "there's evil in the woods!" story? Is it a ghost movie? Is it something entirely else? Good atmosphere, good use of sets and locations. Good acting by Gabriella Wright and Bret Roberts make somewhat B script seem much more larger and better then it actually is. It's moves slow at time which only adds to atmosphere and character build. Speaking of characters it's refreshing to see likable characters that you don't want to die immediately after they are introduced into the movie. It only adds up to horror when terror finally starts. Screenplay itself gives you just enough to know what's going on (mostly at the end), but thankfully nothing was over explained and too detailed. The Perfect Husband puts a very unique twist on the thriller/horror genre, and it is a very good movie in that right. 8/10