Wow! Such a good movie.

The greatest movie ever made..!

The movie is wonderful and true, an act of love in all its contradictions and complexity

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

THE PERIWIG-MAKER is a film about one of the many plagues that racked Europe. This one, I assume was Cholera, as the Black Death had attacked Europe in the 14th century and the film was set in the 17th century. Of course, with so many different plagues, it's really hard to say (as well as quite unnecessary). The film shows the perspective of a wig maker as he watches his neighbors drop off one by one. There is nothing sentimental about this film--instead, it just seems to be a straight and no holds barred retelling of events during this plague.THE PERIWIG-MAKER is an amazing film to watch--it's animation style is beautiful and captivating even if the subject matter of the film is grim and unpleasant. It was nominated for an Oscar for Best Animated Short Film but lost to the sentimental film, FATHER AND DAUGHTER. However, I would have voted for THE PERIWIG-MAKER simply because of its breathtaking animation as well as giving us a historical perspective on the plague. Hmmm....now that I think about it, considering how down-beat this short was as well as how REJECTED (the other nominee that year) were, I can see why the Academy voted as they did. I certainly don't agree with them, but can understand their logic.

I've watched this short several times and it always leaves me in awe. Steffen Schaffler (director) and his sister Annette (writer) have created a fantastic addition to the cannon of stop-motion films. And it has all the awards to prove it."The Periwig-Maker" briefly adapts Daniel Defoe's book "A Journal of the Plague Year" into the running inner monologue (perfectly voiced by Kenneth Branagh) of a shut-in wig designer in London during the plague epidemic. The story quietly examines, through his unwitting involvement with a courageous little girl, the withdrawn shopkeeper's dilemma of self-preservation versus self-sacrifice. When faced with the threat of our own death, how compassionate are we? The created "set" of this piece is flawless and the attention to detail is remarkable. Above all else, though, the most hypnotic element is Chris Heyne's dark and heartrending score.From the first sweeping shot, "The Periwig-Maker" establishes its tone and pulls us into the poignant world of a man who has much to learn about empathy and what makes life worth living.A dark yet beautiful film.

Not being a schooled film critic, I'm not entirely certain what to call this kind of animation; but I think of it as a sort of "claymation," and I associate it with the Wallace and Gromit films or, more recently, "Chicken Run." These are, of course, highly entertaining films and technically very impressive. But they're not films one takes as seriously as, say, "The Seventh Seal.""The Periwig-Maker" shows that this kind of animation can be used for much more serious purposes. The film threw me. I knew from the publicity that it was about the plague; but given the precedent of Wallace and Gromit, I expected a sweet, ultimately upbeat, family-values kind of narrative. Isolated, distrustful man opens his home and his heart to a young girl in need and learns that love triumphs over all obstacles--we've seen this kind of thing before, and that's what I went into this film expecting to see again.I'm not making any revelations when I say that this movie is DARK. The final voiceover tries to put a positive spin on things by expressing hope for future generations. But still, it's dark. It's heavy. It's about guilt and atonement. It's an art-house film, not "family entertainment." And I'm extremely impressed that the filmmakers managed to accomplish that using this kind of animation. "The Periwig-Maker" is a pioneering film, and I'm eager to see what filmmakers do with this medium in the future.

Siblings Anette (producer)and Steffen (director) Schaffler have created a mesmerizing version of Daniel Defoe's take on the great plague of 1664 in London. Its macabre yet romantic story lends itself perfectly to the extraordinary visuals which wouldn't be out of place in a Tim Burton film. Given that it took the Schafflers 5 years to make their 15 minute animated short (of which 2,5 pre-production) one can imagine how much trouble they took to create their quite astonishing sets. They even went so far as to actually build sets with miniature bricks! In this age of Computer Generated Images it is satisfying to see what effect sheer manual craftsmanship can have on the look of a film. For a great part the sets are responsible for the authenticity of the production. The story handling is sober and the drama never heavy handed. Its rather thoughtful handling of the material might be an obstacle for some of the younger persons in the audience, but I for one enjoyed it very much. I hope Anette and Steffen come up with something new in the near future and hope they take their time producing it!