Self-important, over-dramatic, uninspired.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

The film makes a home in your brain and the only cure is to see it again.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Since I'm seeing Kong: Skull Island tomorrow, I thought I'd watch this Mickey Mouse cartoon that spoofed the original King Kong. He's hired to watch the animals in a pet shop after the owner leaves for lunch. One of the caged animals is Beppo the Movie Monk. Minnie arrives to see Mickey and they have a little fun before Beppo escapes as he takes Minnie hostage on top of boxes resembling the Empire State Building. Plenty of pretty amusing gags abound. Mick's co-creator Walt Disney was doing his voice at the time though he only has a few lines here. I didn't think of the whole thing as hilarious but I admired the way the gags were presented. So on that note, The Pet Store was a pretty funny cartoon.

This is an early Mickey Mouse cartoon produced by Disney studio. There will be spoilers ahead:This is another short using a gorilla named Beppo as a foil for Mickey. This one is a good deal more playful in its confrontations than the others. Mickey sees a sign advertising for "A Boy" to fill a job at a pet store, one Tony's Pet Store. Tony is a rather stereotypical Italian and I suppose it might offend someone somewhere.Tony hires Mickey and then goes to lunch, leaving Mickey by himself, which is unwise. Somehow Minnie finds Mickey in the store. There are some very nice animated sequences in this part of the short which are similar to several earlier shorts, culminating in seeing Beppo, The Movie Monk.Beppo is a cheerful sort, with a movie magazine. There's a beautiful caricature of a notable film comic "aped" so to speak, by Beppo. Beppo then sees a shot of King Kong and decides to imitate Kong. There follows the best sequence of the film, which is also reminiscent of quite a few action sequences in earlier shorts. Tony's store is demolished swiftly. Mickey and Minnie, rather than face the music, re-hang the sign for "Boy Wanted" and beat a hasty retreat at the end.This short is available on the Disney Treasures Mickey Mouse In Black and White, Volume Two DVD set and both the short and the set are worth having. Recommended.

Mickey sees a help wanted sign and it being the Depression, he jumps at the chance to work at this pet shop. Soon, the owner leaves to go to lunch and Mickey is in charge. When Minnie then drops by for a visit, Beppo the gorilla escapes from his cage and kidnaps her. It's a scene deliberately meant to imitate the new sensational movie, "King Kong" (1933) and again and again, it looks like a miniature version of this RKO classic. The animals in the shop all help Mickey (including the monkeys, who you'd THINK would be on the gorilla's side) and Minnie is rescued and Beppo is recaptured just before the boss returns. And, Depression or no Depression, Mickey has had enough!! This is a pretty cute little Mickey Mouse cartoon. As usual, the animation quality is great and the film is a nice little parody of Kong. Worth seeing.

A Walt Disney MICKEY MOUSE Cartoon.It only takes a few moments for THE PET STORE to be turned into a complete shambles by its new employee - Mickey Mouse.This funny little black & white film has a plot that's largely driven by its music: Mickey, Minnie and the entire menagerie dance around frantically to the soundtrack until the climax, which has a nice spoof of that year's KING KONG (1933). Tony, the store owner, seems a very decent fellow, but apparently one encounter with the Mouse was enough - he never appeared in another Disney cartoon. Walt Disney supplied Mickey with his squeaky voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.