I like the storyline of this show,it attract me so much

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This is a dark and sometimes deeply uncomfortable drama

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

"The Phone Call" is a 2013 live action short film that runs for roughly 20 minutes and won the Academy Award that year, a great success for director and writer Mat Kirkby and co-writer James Lucas. The probably biggest reason for this success may have been the very good performances by Academy Award nominee Sally Hawkins and Academy Award winner Jim Broadbent who is only to hear, not to see. A woman works at a call center that helps people who have some kind of problem and this day, she gets a really severe and heartbreaking case. I have to say the script was good too, but it was nowhere near as good as what the two lead actors made of it. All in all, I recommend this short film. It is definitely a pretty good watch, but it's also very depressing from start to finish, even if they tried to make it somewhat uplifting at the very end, so do not give it a go if you are in the mood for something positive. I guess the drama and tragedy are also what resonated most with the Academy Award voters. Recommended.

The Phone Call concerns Heather (Emily Hawkins), a shy, reclusive woman who works as a dispatcher for a crisis hotline. One day, she picks up the phone to hear an elderly man sobbing profusely on the other end. Being the professional that she is, she slowly talks to him and gets him to reveal his current situation. The man states he is "Stanley" (voiced by Jim Broadbent), a man who lost his wife Joan a few years ago and has taken a handful of antidepressants in order to cope with the mental pain. He doesn't want Heather to call an ambulance; he has made up his mind about ending his life and is content with his decision. He just wants companionship before he fades away.This is a somber short film that sneaks up on you with the way Stanley's undying love for his wife comes through, as he tells Heather stories and details about his wife, along with being so content about his extreme decision. Hawkins plays her character wonderfully, exuding shyness and fright, despite keeping her professionalism throughout the entire ordeal, in a profoundly affecting manner. Broadbent, though he is no more than a voice throughout the short, also provides one with spine-tingling urgency, as his voice captivates, giving off each emotion and vocal-quiver with a great deal of sincerity and believability. Directed Mat Kirkby's camera shoots all the right things, in addition, from close-ups on Heather's small, reserved movements or her notes on Stanley, filling the environment with simultaneously unsettling and tranquil vibes.The Phone Call instantly reminds me of Crisis Hotline: Veterans Press 1, a short documentary which, like The Phone Call, won an Oscar for its respective category. That film showed the daily routines of several dispatchers at a crisis hotline, helping numerous souls, in this case, veterans, who were on the teetering edge of suicide and either needed companionship or some sort of guidance. Judging by these two beautifully-made shorts, the relationship dispatchers form with their callers through the means of a telephone is one that we will likely see develop and grow overtime, and if such an idea is carried out with the kind of heartbreaking realism and brutal honesty these two shorts have depicted, I'm all for it.Starring: Emily Hawkins and Jim Broadbent. Directed by: Mat Kirkby.

Reviewed by: Dare Devil Kid (DDK)Rating: 4.7/5 stars"The Phone Call" is set at a crisis hotline center. Heather (Oscar nominee Sally Hawkins, ) begins her shift by receiving a phone call from an an obviously distressed man named Stan (Oscar winner Jim Broadbent) who has taken an overdose of antidepressants. She spends most of the film trying to connect with the guy and determine where he is so that she can send help. Ultimately, it has an depressing yet uplifting end, and clearly isn't a film for everyone.While "The Phone Call" is definitely not a feel-good film, it has some excellent acting by Sally Hawkins ("Blue Jasmine", "Paddington") - her ability to emote and make the most of scenes where she is essentially acting alone are terrific. You never see Jim Broadbent ("Isis") in the film, but his voice is quite recognizable, as he has a ton of terrific films to his credit. His voice alone is more than enough to convey the entire gamut of emotions that a suicidal man with nothing more to live for might experience as he's about to take that final drastic step.When Heather tells Stan it's better to talk things out, he says it's too late for that, ominously adding, "It's already done." She asks if he's taken any pills; he admits he's consumed "more than enough" antidepressants. The camera cuts to his home, signaled by the live sound of the caller's voice. The camera closes in on the mantel, followed by a ticking clock.Watching and listening to Hawkins and Broadbent's 20 minute exchange is almost unbearably painful – and as good as acting gets. Achingly sad yet ultimately hopeful, "The Phone Call" is a showcase for both actors at their most affecting - ultimately being a touching story about a love that endured and a love that has potential.

This incredible film just stays with you. I found myself thinking about the story, the characters for weeks after seeing it. For a film to stay in ones thoughts for as long as The Phone Call did is remarkable in today's era of throw away entertainment, but the fact that this was achieved in a short film format is utterly astounding. Heartfelt acting, a smart script, beautiful simplicity in the cinematography all come together perfectly. Only using Jim Broadbents voice and not showing him on screen was a masterful and audacious stroke. I hope the guys who made this have more that in store, the world could certainly use it....