Boring, over-political, tech fuzed mess

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This movie feels like it was made purely to piss off people who want good shows

The Premonition (1976) ** (out of 4) Andrea (Ellen Barber) lost custody of her child but with the help of a circus performer (Richard Lynch) she plans to kidnap her. The adopted mother (Sharon Farrell) goes through some horrifying events as her child comes under attack from her original mother who is using ESP.THE PREMONITION has picked up a small cult following over the years thanks in large part to some positive press from critics and historians like Stephen Thrower. Before Thrower somewhat rescued the film, it suffered a pretty bad reputation as horror fans really ripped it apart but I'm going to go out and say that they were a bit too harsh. There's no question that the film is very flawed but at the same time there are enough interesting moments to make it worth watching.There are some effective things scattered throughout Robert Allen Schnitzer's film. This includes a very chilling sequence where the adopted mother walks into a room to check on the daughter only to find her in the arms of a mysterious woman. I'd also argue that the director creates a pretty good atmosphere that runs throughout the picture. Another major plus is that the performances are actually very good with Barber stealing the picture as the mother who wants her daughter back. I also liked Lynch in his role as well as Jeff Corey who plays the Detective.As far as the film's problems go, the majority of them are in the screen writing department. The film just gets bogged down with way too much plot and before long things get rather confusing. I think the screenwriter was trying to do too much in regards to the mystery and it just doesn't work in the end. Another problem is the stuff dealing with the ESP and the professor who is helping things. As it stands, THE PREMONITION is certainly worth watching but I think the horror crowd should probably stay away since it's really not a horror movie.

Five-year-old Janie Bennett (Golden Globe nominee Danielle Brisebois) happily lives with her foster parents Miles and Sheri Bennett (Sharon Farrell), oblivious to the fact that her insane birth mother is attempting to kidnap her. When the birth mother, Andrea Fletcher, and her boyfriend Jude (Richard Lynch), a carny, do attempt to kidnap the girl, Andrea cannot go through with it.Writer-director Robert Schnitzer was influenced by the European directors of the 1930s and 40s, as many American directors of the 1970s were. This influence is evident, and definitely has an Italian sensibility about it. And to keep costs low, the state of Mississippi provided cop cars, the fire department created "rain" with their hoses and a real carnival that happened to be in town was used as Jude's work environment. This makes the film look bigger than it was.The casting of Richard Lynch was a great decision, catching him before he got any bigger. Lynch was hired, according to Schnitzer, for his "widely divergent moods" and for just being "unique". Lynch, in turn, claimed to be influenced by "Rififi" and "Psycho" in his acting. And to some degree the legendary mime Marcel Marceau, which is evident.Baseball fans will notice a cameo from Roy White, the multi-World Series winning New York Yankee (and coach). This is especially amusing considering Schnitzer had no knowledge whatsoever of sports and did not even know who White was when he appeared in the film. (He was an active player during shooting.)What I love about this film is the unusual score from opera composer Henry Mollicone, especially in the second half. Although the movie has plenty going for it as a slow-burning horror story with carnival overtones, the music really makes it stand out.The film had mixed reviews. Leonard Maltin called it mediocre, saying its "muddled script works against the eerie atmosphere in this supernatural tale." A more positive review by Video Hound's Golden Movie Retriever called it "a well-done para-norm tale." Maltin is probably right for the most part, as the script could have been tightened... but that makes it no less eerie! Arrow Video has cleaned up the picture and put this film on their box set, American Horror Project Vol 1. Thank you, Arrow! We get plenty of special features on the disc, too: Audio commentary with director-producer Robert Allen Schnitzer, who (of course) knows everything about the production. He also has a very sarcastic sense of humor that makes his stories all the more amusing -- are his tales of the turtle wrangler true or just a joke? The Arrow disc has a brand new interview with composer Henry Mollicone. And an interview with actor Richard Lynch, which covers "Premonition" but also touches on acting in general, such as his work on "Scarecrow" with Al Pacino. If that is not enough, we even get three Robert Allen Schnitzer short films: 'Vernal Equinox', 'Terminal Point' and 'A Rumbling in the Land'. These films are so rare that IMDb does not even know about them.

A suburban couple (Sharon Farrell and Edward Bell) find their lives in danger when a psycho woman (Ellen Barber) and her carny clown boyfriend (Richard Lynch) attempt to kidnap their adopted daughter. Naturally, the daughter is really hers and was taken away when she was locked up in a mental institution. But what our villains don't count on is the adoptive mother having some ESP tendencies that will foil their escape plans. This is an odd thriller. Parts of it are really well made and other parts are really muddled. Director-writer Robert Allen Schnitzer has the germ of a great idea in here, but doesn't seem entirely convinced by even his own ideas. For example, the parapsychology stuff isn't given much detail and even when a doctor specializing in it enters the picture, you're still not sure of what she is talking about. This brings us scenes like the doctor saying stuff to Farrell like, "Just let it flow" and that results in a painting crying blood. Cool visual, but does it really mean anything? Worth seeing for some creepy dream sequences and an early performance from Richard Lynch.

Andrea Fletcher (Ellen Barber) is recently out of a mental hospital and still unhinged. Declared an unfit mother prior to her hospital stay, she's desperate to get back her young daughter. Jude (Richard Lynch) is an acquaintance she met while institutionalized. Now working as a carnival clown, he keeps an eye out for Andrea's daughter. He spots the girl one day with her adoptive mother, Sheri (Sharon Farrell). After sharing the news with Andrea, the two plan to kidnap little Janie from her foster parents. The stress of the events sets off a series of psychic visions in Sheri. With the help of her husband's colleague, a professor in parapsychology, she attempts to use her abilities to get Janie back.This Mississippi-lensed slice of regional horror is one of the most underrated films I've ever come across. Just take a look at that absurd IMDb rating. In no way, shape or form does this haunting little chiller deserve to be rated that low. Yes, it does have it's problems. The early scenes between Sheri's husband and Dr. Kingsly feel shoehorned in, and the development of ESP in Sheri later on seems to be a bit too coincidental. Her husband has just met an expert on the subject a day or two before this all happens. The metaphysical elements also never come together as cohesively as director Robert Allen Schnitzer likely hoped. They certainly add to the intrigue of the picture, however, not to mention the mood. What doesn't add to the mood are some scene transitions that are really jarring.With all of that said, this is a beautiful film. The hypnotic atmosphere is vividly rendered, striking me as a mixture between Val Lewton, "Carnival of Souls" and "Let's Scare Jessica to Death". The haunting tone and emphasis on character are also things that "The Premonition" has in common with the aforementioned films. The people on display here are emotionally wounded, be it Andrea's unbearable need for her daughter or Sheri's desire to have a child of her own, which she's incapable of. Even Jude has his issues. He clearly wishes to settle down with Andrea, but she's only intent on using him. Her rant about him never being a father to Janie or anyone else gets under his skin to the point that he keeps the kid when he has no real reason to later on. Sharon Farrell and Richard Lynch are both very good in their roles, though it's Ellen Barber who really shines. At first appearance, her Andrea looks to be a normal young woman, but she flies off the deep end at the drop of a hat. There's an intense hatred behind her eyes, one to which even her partner in crime isn't immune.Another thing in the film's favor is that it's never predictable. There was one big surprise about midway through, and Schnitzer takes a unique approach to his ending. I think it paid off, as the climactic sequence is a thing of beauty in regard to how it relates to our characters. That's the gist of it, too. This is a strictly low key affair, very character-driven. Is it a masterpiece? No, but it is a damn fine sleeper that deserves much more respect than it's been given in the 34 years since it's release.