I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The plot for "The Purple Mask" is very much the same as in "The Scarlet Pimpernel" though the story is set in France about a decade later. So, instead of the hero saving aristos from the chopping block of the Reign of Terror, in this case he's saving them from Napoleon...though I never heard anything about Napoleon killing and imprisoning these same folks.Essentially, you have a guy named the Purple Mask (Tony Curtis) and a dedicated soldier is bent on finding and imprisoning him. But he needs to find out WHO he is, since the Purple Mask persona hides the real man. Sounds familiar....right out of "The Scarlet Pimpernel" except for one difference....this version is much more talky and dull. So, while I love the Pimpernel, the Purple Mask did little for me....and it did seem odd hearing that Brooklyn accent coming out of a Frenchman! Easy to skip, but if you do watch it, note the weird jungle bird sound effects you hear in a French forest early in the movie!

Try as he might Tony Curtis in his long career never really lost that Bronx speech pattern. It was the reason he got the horselaugh when he did these swashbucklers. He was so much better in modern dress and when The Purple Mask came out it was 2 years from his breakthrough part in Sweet Smell Of Success.In this film Curtis plays a Zorro like character who dons a purple mask and goes around freeing members of the old nobility. The Reign Of Terror maybe over, but the first Consul Napoleon Bonaparte still has a use for the guillotine to chop off a noble head or three.Which is where the Purple Mask comes in. By day Curtis is a dancing master as his Clark Kent/Don Diego self. But come the night he's Counterrevolution superhero The Purple Mask and one nasty customer with a sword. Curtis liked it enough all right. I think The Purple Mask was nothing to write home about. In his memoirs Curtis rather unfairly attacked Angela Lansbury who was at a low point in her career and was desperate for roles and appeared in this in a rather nothing part as a maid. She clearly said she did The Purple Mask for a paycheck. Curtis took the statement rather personally and was most unfair to Lansbury in his memoir.Other familiar faces in The Purple Mask are Colleen Miller, Gene Barry, Dan O'Herlihy and John Hoyt. I'm sure The Purple Mask was no high point in their careers.

That's the third time I watch it. I have it in a widescreen edition, taped off from french TV in the early nineties. Universal stuff, in the early days of Tony Curtis' career. I will put it on the same scale as BLACK SHIELD OF FALSWORTH or PRINCE WHO WAS A THIEF. Entertaining movie but not for the history buffs; real, actual history events specialists, I mean. I am not a historian myself, but this kind of movie is always filled up with anachronisms. And the most laughable is at the beginning of this picture, when a man on a carriage crosses a forest, in the 1803 France, and when we can hear monkeys squeals in the trees. IN 1803 France !!!, as if we were in the Africa !!! As if we were in a Tarzan adventure.As far as I know, Bruce Humberstone - the director - has never made any more movie for Universal Pictures. But perhaps I am wrong. He was rather a Twentieth Century Fox "yes man". And he made especially comedies and Charlie Chan adventures, except FURY AT FURNACE CREEK, TEN WANTED MEN - westerns - and the famous I WAKE UP SCREAMING, a great film noir, starring Betty Grable, Victore Mature and Laird Cregar.

"The Purple Mask" is a standard swashbuckler with not much pretensions on the line of the masked avengers that fight for what they think right in a hidden personality (tha "Zorro" series, "The Scarlet Pimpernel" or "The Black Tulip" could be clear examples).Most colorful and rather fast in its development (which is good) the film is in the limit of entertainment for fans of the genre. Romance and acceptable swordplay are there too.A young Tony Curtis in the main role is no Errol Flynn, but he reaches the level of the movie. Angela Lansbury, Dan O'Herlihy, Gene Barry and John Hoyt (a usual villain) are there too. Robert Cornthwaite doesn't fit as Napoleon, and it is hard to believe that Bonaparte would take so much trouble with just a lonely masked guy that is against his plans for dominating Europe.Just a watch is enough even if you are a swashbucklers fan.