very weak, unfortunately

Slow pace in the most part of the movie.

Crappy film

There is definitely an excellent idea hidden in the background of the film. Unfortunately, it's difficult to find it.

D B Cooper was the pseudonym (mistakenly adopted by the media after the fact) of an unidentified skyjacker who parachuted from a commercial aircraft in appalling conditiond, at night, somewhere between Washington State and Oregon in 1971; he'd extorted $200 000 from the airline after threatening the crew with a presumed dummy bomb. Despite a massive investigation, a dozen suspects, numerous copycat episodes (all of whom were arrested), Cooper was never caught or conclusively identified. To my knowledge, this is the only dramatic attempt to bring this fascinating mystery to the big (or small) screen. Unfortunately, despite an interesting cast, it's a misfire. Treat Williams - seemingly unsure whether to play the role straight or for laughs - does not convince as the eponymous Cooper, disinterested Robert Duvall phones it in as a dull insurance investigator, Paul Gleason overacts gloriously while Kathryn Harold gives it her best shot as Cooper's girlfriend.Too many changes in director scuppered what should have been a tense mystery or an energetic comedy (think Smokey and The Bandit). Events seem to take forever to get going - it's flat and lifeless throughout, with a couple of jarring chases thrown in an attempt to jolt some life into affairs.Ironically, a portion of the money was found in a riverbed a year after the release - this reignited interest in the Cooper case, but by then this film was already forgotten.

The mysterious hijacker with the alias D.B. Cooper (Treat Williams) jumps out of the back of the plane. The bomb is fake. Bill Gruen (Robert Duvall) is an investigator for the insurance company out $200k in ransom. He discovers that Cooper's real identity is his Ranger trainee and Vietnam hero Jim Meade. Meade had prepared by hiding equipment and a jeep. He drives out of the forest during deer season. Also on the chase for the reward is old war buddy Remson. Gruen zero in on Meade's wife Hannah (Kathryn Harrold).There is a fair cat and mouse chase with Williams and Duvall. It isn't all logical. It's not that intense. It rambles a bit. It has a light fun tone. It's inspired by the real case but isn't real even with the start. Duvall keeps this movie just compelling enough to watch.

Plays like a backpacker's version of Midnight Run (1988), with Duvall in the de Niro role and Williams in Grodin's. Except this one substitutes mindless action for character development and rust bucket jalopies for clever dialog. The result is more tiresome than funny, despite the attractive cast. In fact, Williams plays DB Cooper's part like it's all a big joke that only he thinks is funny—I agree with the reviewer who finds him way too cutesy. In fact, that could apply to the entire movie.Worse-- any well-meaning viewer hoping for insight into the heist itself will be sorely disappointed. We see nothing of the crime except for the dramatic dive from the airliner. I suspect that's because threats to blow up the plane would have "serious-ed up" the movie. Then Williams' Cooper would no longer be humorous at all. The one worthy aspect links Cooper to army ranger training, seemingly apt preparation for such a daring wilderness crime.The movie does have two scenic attractions. There's the great snow-capped panorama of Jackson Hole that keeps the eye entertained whatever the nonsense on the ground. Second is Kathryn Harrold's Hannah. In skintight jeans she presents another kind of natural grandeur that may give backpacking a whole new look. Despite the visuals, however, the topic deserves better than the third-rate Keystone Cops treatment it gets here.

The subject of this work is the infamous D. B. Cooper, who high jacked a jet over Washington state in 1971 by utilizing a bogus bomb, collected $200,000 from the airline company, and then parachuted toward ostensible oblivion, evading one of the most extensive collections of law enforcement personnel in United States history. The production, burdened with serious problems from its outset, with directors John Frankenheimer and Buzz Kulik being replaced in turn by Roger Spottiswoode, is marked by obvious re-shooting as continuity is at times seemingly abandoned. Nonetheless, although flaws abound and logic is sparse, the film succeeds as entertainment, and since the fate of Cooper may ever remain unknown, recounting his story from whole cloth is suitable, with this version fashioned from American poet J. D. Reed's debut novel, "Free Fall". As action opens, Cooper (Treat Williams) is preparing to leap to hoped-for safety into forested Washington (played by Oregon), and he is seen as he eludes state troopers by hiding his bagged stash of 20 dollar bills inside of a freshly slain buck (Cooper jumped with, among his supplies, a collapsible rifle within his pack, and it is deer hunting season). Apparently, the only man capable of tracking the fugitive is Bill Gruen (Robert Duvall), the victim airlines' insurance company investigator and coincidentally the former Army Ranger instructor of Cooper, whose actual name is Jim Meade, and soon Gruen has trailed Meade to his home where he has joined his wife Hannah (Kathryn Harrold). Jim and Hannah head for Mexico, with Gruen close behind, as is one Remson (Paul Gleason), another former Ranger mate of Meade, with an agenda of his own, and subsequent events are stuffed with outrageous incident including a dangerous raft pursuit through Wyoming's Snake River rapids. As is no novelty, Duvall gathers in the acting laurels here with his nuanced reading as a persistent insurance company investigator. Because of its false starts, the film has too much dross to be effectively tidied up by Spottiswoode, but scoring by James Horner is consistently interesting, a musical blend featuring battling banjos, along with jew's harps, dobros, and other instruments of folkish characteristics that highlight British grounded whirligig dances. The D. B. Cooper high jacking is an incomplete story because there is no certainty as to his fate, and a variety of tales may be invented as a result; this one, in spite of its weaknesses, may be enjoyed on its own terms as it provides solid entertainment and a correctly ambiguous ending.