Pretty Good

A Surprisingly Unforgettable Movie!

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Even at the late 1920s standard, (This is a 1927 movie.) this is a very amateurishly made movie. Except showing of the beauty of Marion Davies, and she was beautiful, one can't blame Hearst for falling head over heels in love, there is nothing in the movie worth mentioning. If I limit myself to Hollywood, it may not be that low scoring, but if I move out, in to European masters Sjostroms, Murnau, Stiller, Sternberg or even Renoir, this is an infantile effort. In fact it is interesting to compare the quality of Hollywood with European movies and then see the situation reverse somewhere around thirties. Probably migration associated with environment that strangled the art there ? There is no doubt of Marion's talent, but that talent could be unearthed only when she was out of Hearst's complete control. Well she remained under emotional control, but not the financial one, after the depression wiped off his fortunes. And the quality of her movies then had a dramatic change, and especially once she moved into talkies. This movie is supposed to have Romance, Drama, Horror and Comedy, unfortunately one has search to appreciate depiction of either of these factors. Probably Arbuckle has over-stepped in capability. Not worth the time, unless one just wants to watch Marion at her full youth and beauty (that too in last quarter).

The saddest thing about The Red Mill is that it never got a sound adaption so the Victor Herbert-Henry Blossom score was never heard. Watching it I was hoping at least to hear some of the songs on the sound track. But there was nary a note of Herbert's heard in the film.The Red Mill was a vehicle for the famous vaudeville team of Fred Stone and David Montgomery and ran in the 1906-07 season for 274 performances. The score consisted of such Herbert classics as In Old New York and Every Day Is Lady's Day With Me and Moonbeams. Purportedly there was a planned remake of it that was shelved that would have starred Laurel and Hardy. It might have been a great film.This version has the plot somewhat altered to fit Marion Davies who plays a Dutch barmaid who falls in love with visiting Irishman Owen Moore. It's a good thing that Roscoe Arbuckle directing under the pseudonym William Goodrich was in charge. He saw that Davies got some nice comedy bits at which she was so much better at than some of the heavy dramatics that William Randolph Hearst her patron and paramour saw as her strength.MGM spent a lot of money designing some great sets including a Dutch mill where Davies spends the climax trying to elude the villain with Moore trying to rescue her. It's similar to the rather outlandish and funny climax in the rollicking film Many Rivers To Cross that starred Robert Taylor and Eleanor Parker with Davies her own worst enemy in the rescue.The mill itself is very similar to the one in the Frankenstein movies over at Universal. It's quite remarkable even for today.I'm disappointed in not hearing any Victor Herbert music, but Marion Davies is quite good in this film.

While this film isn't nearly as good as Marion Davies' best comedy, SHOW PEOPLE, it is still a pretty good silent comedy. It is NOT sophisticated and the humor is rarely laugh out loud funny, but it is nonetheless a sweet movie about mistaken identity as well as a poor and abused girl finally getting a break. Ms. Davies played an abused young lady--much like Cinderella. However, despite her nasty boss, she maintains a sweet disposition and eventually this decency is rewarded when she meets the right man. However, at about the same time, another woman is being forced to marry a man she does not love and so the two briefly change places--creating some mildly amusing moments. All in all, this is a nice movie with a few mild laughs--well made but not exactly life changing.By the way, Davies' pet mouse is named "Ignatz" in honor of the Krazy Kat cartoons.

This is yet another movie that should be shown to anyone who might doubt the talents of Marion Davies. She is delightful in this performance, with some wonderful bits of physical comedy. Director Fatty Arbuckle surely deserves the credit as well. The supporting players are also quite good, but make no mistake - this is her film.