It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

A clunky actioner with a handful of cool moments.

A Bizarre, far-fetched, wholly unrealistic bit of nonsense! Conrad Nagel's performance is so overripe it is actually hilarious! And what the hell was with that mustache of his? As most of the other reviews have said, the one saving grace is the presence of beautiful Loretta Young, who was obviously adapting to making talking films much better than her co-stars! The film is so crudely constructed and acted that i cant help but wonder if it was made earlier and sat on the shelf for a while? I cant agree tho that one should avoid this film, it is def an early talkie curiosity and because of Nagel's outrageously overwrought performance, almost a must-see!

Right of Way, The (1931) ** (out of 4) A hot shot, loud mouth and obnoxious attorney (Conrad Nagel) is beaten and left for death. A fisherman finds his body, takes him home and soon the attorney recovers but he can't remember who he is. With the help of a nurse (Loretta Young) he learns how to be nice but will the past catch up with him? This is one of those early talkies that talks way too much. In fact, I'd be willing to bet that this 65-minute movie had more dialogue than a three hour movie of its time. Another major problem is the casting of Nagel who delivers a very bad and embarrassing performance. Young isn't given much to do either. Previously made in 1915 and 1920.

Frank Lloyd , an early Oscar winning director has one classic to his name the 1935 version of Mutiny on the Bounty. This one is deadly dull and sluggishly paced. It is quite different from the pre-codes we usually get from First National's sister company Warner Bros.Conrad Nagel is way over the top and the rest of the cast is not far behind. Nagel's movie star career didn't last too long and based on this movie you can see why. The only virtue is the luminous Loretta Young from whom everyone in this cast should have taken lessons. She is a natural.And her undeniable beauty and charisma enliven every scene. The plot has one of those Random Harvest amnesia twists that might have worked with better acting or less stodgy direction. Here you can see the gears turn all the time as the hokey plot lurches to its' fake religious conclusion.Skip this one.

I fell asleep whilst watching this utter load of bilge and so went and watched most of it again.Where does one start.The court scenes are laughable.After all how could a barrister walk out of court whilst a Judge sums up.If he misdirects then how is the barrister to know.However the most ridiculous moment comes when Nagel is told his true name having lost his memory,and because of this suddenly regains his memory.It all comes back to him in an instant!Other than Loretta Young it is clear that the actors do not have a clue how to act for the talkies.We have gestures and looks and abysmal attempts at accents.This is a film to avoid unless you want a cure for insomnia